orange vinyl reissue of the first ever live album from u.k. subs.

includes printed sleeve and printed insert

supported by batu, avalon emerson, peder mannerfelt, mumdance, shanti celeste, moxie, peach, bicep ... without hypesticker , repress

fourth part of this essential serie...

the debut album from netherlands based producer the night service commute. he has crafted a wonderful blend of cinematic jazz with crushed beats, funk, soul and hip hop for this project.

includes printed sleeve and printed insert

ltd 2013 repress
prime numbers return with m7. the first side is taken by a remix of wireman’s >armour<, the original of which was included on pn04 released at the end of last year. the remix is from move d (deep space network, source records), he ups the tempo and in trademark fashion softens the surfaces of the original, warming the core of the track whilst creating a bass heavy groove with twisting beats, synths and a husky hypnotic vocal sample. the flip includes two tracks. to start we have >crushed< by actress. darren j. cunningham aka actress runs the much lauded werk records and this track is taken from his limited cd only album >hazyville< (released on werk in the autumn of last year ) >crushed< is slo-mo, extra bass heavy, low slung house with an addictive lofi synth riff and submerged strings. the track bumps along with hiss and crackle to good affect before turning into a badalamenti-esque loop to finish. to round things off be, the up & coming manchester based producer provides >when you left<. be cut his teeth with the chicago based still music and a great al hudson reedit which found extensive dj support on its release. >when you left< is a shuffling downbeat house groove with a jazz sentiment featuring deep rhodes keys and clipped drums, the track breaks up into a bluesy accapella section then builds up to a more direct 4/4 groove to the end

follow up to the highly acclaimed first numbers#1 release which was massively supported by adam beyer, laurent garnier, speedy j, carlo lio, timo maas, slam, technasia, oliver ho, terence fixmer, lucy, x-press 2, phil kieran, paco osuna, tony rohr & many more. emerson once again expresses all his passion for raw techno and rolling grooves with the tune >non human beat<. heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno. the original track was remixed by markus suckut delievering a modern techno track, adding some energetic hi hats and leaving out some of the peak elements for some extra dub. markus is currently working for well established labels like stroboscopic artefacts and len fakis figure imprint.
support from speedy j, luke slater, dubfire, electric indigo, timo maas, luciano …

first on decks.de !!! heavy beats with an analog feel and loud drums keep spinning and building around noisy crisp techno athmospheres until furious hi hats unleash the very last drop of energy around. the titel track >12 monkeys< appears in three mixes. the rawdub is maybe the toughest emerson track for many years. he already produced a whole series of rawdub techno remixes that will be released soon and this is somehow the blueprint for his new rawdub techno project. the original track sports industrial fueled beats and soundscapes. cut b1 is a remix by the one and only argentinian stallion juan pablo pfirter. he had his latest outings on labels like figure, clr, stockholm ltd & his very own mind trip music, his latest addition to the infamous clr compilation called miestudio had him supported all across the board. here he delievers an outstanding rework playing around with the beats and parts from the original forming it up to a deeper techno anthem with huge impact on the floor. supported by: oliver ho, slam, technasia, terence fixmer, lucy, mark henning, two em, pig & dan, cio d or, danny howells, daniel sanchez, echologist, ...

acid girls comprised of gregory bowler & jamie mcniel, are a dj band production duo based in los angeles, ca.

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

early works from cheri knight, restored and remastered from original tape sources by josh bonati.

dj slip classic.. ltd backstock.

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

kanzleramt classic cd...

moving on from the last release this compilation captures stars of the underground in their transition to superstar status. this is grime vol ii features all the legends of the grime scene, including wiley, skepta, kano, dizzee rascal and lethal bizzle alongside some of the other superstars who passed through the scene such as katy b, n-dubz, chipmunk, wretch 32, devlin and tinie tempah, without forgetting the new breed of talent such as p money, tre mission and scrufizzer. disc one features current grime anthems while disc two takes you back through the history of grime. this one is a must for all grime listeners past and present.