mini gatefold sleeve

brill electro classix by magic juan atkins !! 2023 repress

pink coloured vinyl

following the success of holo’s groove-driven debut atlas ep, he’s back with another dreamy 3-tracker on lost palms. comes on red vinyl, housed in a label sleeve.

with gatefold cover

electronic/dance

electronic/ dance / leftfield

durchsichtiges standard vinyl (140g) inklusive downloadcode! nachhaltig gepresst mit 99% recycelten materialien.

schwarzes standardvinyl (140g) im pappschuber inklusive downloadcode.

weval are harm coolen and merijin scholte albers

new 5-tracker from elkka. the vinyl release includes a download code.

new ep from berlin based peruvian artist sofia kourtesis.

140 g vinyl incl. mp3 download code, versatile 4 track ep, from techno to house

incl francis inferno orchestra rmx

black 180 gram double vinyl, including download code for the full-length individual tracks.

limited pearl white double vinyl edition - 300 copies - including download code for the full-length individual tracks.

limitiertes weisses vinyl inklusive a2 poster, sticker und downloadcode! artwork und design von kevin mccaughey.

octo octa with a 3-tracker for technicolour. the black vinyl is housed in a sleeve with artwork by brooke and includes a download code.

dj and producer barney whittaker aka footshooter presents new soulful cuts

dauwd returns to technicolour with -theory of colours - versions- ep. a new 4-tracker ep containing remixes/reworks of various singles from his debut album. the ep opens with a piano rework of analogische memories , recoded at his studio in berlin and the result of countless hours work - -it took some time, as i had to learn to play piano- dauwd explains. dauwd also makes up one third of the berlin collective, party and radio show, african acid is the future having previously released on kompakt and ghostly international. ukrainian music producer and leleka label boss vakula provides a remix of macadam therapy . fresh from the release of his well received lp -metaphors- and following on from last years -techno game- released via arma and -cyclicality between procyon and gomeisa- released via dekmantel in 2016. aaitf partner romain azzaro aka rouge mécanique provides two remixes of murmure (one -walking-, the other -running-) - -romain and i returned to the studio where i made much of the album in utrecht in the netherlands. we got to experiment again with many of the wonderful machines they had there, in particular the original roland system 700-.

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

a legendary album! this previously unreleased album by os mutantes was supposed to be their breakthrough album to an english speaking market – but for years it’s only been talked about in hushed whispers, and has only been heard by a lucky few! the record was recorded in paris in 1970 – and it’s all in english! (not that we’re biased against portuguese, mind you – but since we’re english speakers, it’s kind of a nice thing to have a record that we can understand!) the record features a number of tunes from the mutantes first two albums – redone here with translated lyrics, and in a compressed pop style that’s a bit smoother than the original albums, but still very nice! in fact, the record’s a sophisticated pop statement that would have stood well in the company of many of the best of 1970s rock elite – had the boneheads at philips actually decided to release the record! no use crying over spilled milk, though – because the album’s out now, and it’s filled with loads of nice tracks like -panis et circensis-, -batmacumba-, -tecnicolor-, -el justiciero-, -i’m sorry baby-, -saravah-, and a sublime reading of -baby-, a track that was virtually the manifesto for tropicalia!

project pablo wird seine 4-track-ep * hope you re well* über das ninja tune-sublabel technicolour veröffentlichen. der kanadische produzent kann auf eine eindrucksvolle diskographie mit einem konstanten fluss großartiger releases auf labels wie dem clone-sublabel royal oak, spring theory oder magicwire, dem label von lone, zurückblicken. mit einer mixtur aus big room sound und den verschiedenen einflüssen, die er in den vergangenen jahren gesammelt hat, wurde * hope you re well* abseits des tourens konzentriert in einem studio in montreal geschrieben und aufgenommen.
- schwarzes vinyl inklusive downloadcode

vinyl speed adjust return to pressure traxx. was about time for the boys to return after their block rockin beatrock debut in 2014. and here they are, back with two slick club cuts for your technics tricks. technicolor.

label co-founder vercetti technicolor returns to giallo disco after the black september lp with the soundtrack to the psychedelic neon-soaked slasher short hard pill. directed by writer-director daniel freedman, vercetti technicolor s fulci meets digweed score takes you from mainetti to martinez. drugged out club hits and tense shadowed corridor atmospherics. no one is safe... not even you. art by eric a. lee.

russian born anastasia vtorova is based in berlin and makes music under the name machine woman. prior to joining the technicolour ranks, she has released two 12”s - via the self-titled imprint of swedish producer peder mannerfelt (2015) and uk label where to now? (2016) - plus a handful of very limited cassettes via sacred tapes (2015), tesla tapes and ono (2014).

comprising three sweetly-swung, groove-focused productions coaxed from her beloved mpc3000, its the perfect summation of peggys unique sonic signature. ltd repress

die new yorker techno-produzentin umfang veröffentlicht ihr debütalbum auf technicolour/ninja tune! umfang ist waschechte new yorkerin, labelgründerin und techno-feministin. mit discwoman, ihrer eigenen plattenfirma, setzt sie seit 2014 der männerdominierten clubwelt eine weibliche alternative entgegen, in dem sie elektronische musik mit feministischen ansichten vereint und das talent von cis-, trans- und genderqueer-frauen fördert. ihre amorphen und polyrhythmischen techno-produktionen erfreuen sich schon jetzt großer beliebtheit, und mit ihrem albumdebüt -symbolic use of light- auf technicolour, welches mitte juni erscheint, wird die männerdomäne im nachtleben endgültig gebrochen werden.

der wahlberliner dauwd, veröffentlicht anfang juni sein debütalbum auf dem ninja tune tochterlabel technicolour! der wahlberliner dauwd al hilali, welcher vor allem durch seine ep-releases auf labels wie ghostly international oder kompakt in den letzten jahren aufgefallen ist, veröffentlicht sein debütalbum ‘theory of colours’ auf ninja tune s tochterlabel technicolour. inspiriert von legenden der 50 & 60er jahre wie terry riley & raymond scott nahm dauwd ein großteil des albums über den zeitraum eines jahres in den berühmten sonar traffic studios in utrecht auf, in welchen eine der größten europäischen sammlungen an vintage synthesizern und anderem modular-equipment stehen. fertig gestellt wurde das 7-song starke album letztes jahr in berlin, wo er auch die berüchtigte african acid is the new future party co-organisiert und welche er als basis zwischen seinen dj touren und festivalauftritten auf der ganzen welt nutzt.
- cd: digipac
- lp: schwarzes standard vinyl in farbig bedruckter innenhülle inklusive mp3 downloadcode

!! ltd 50% deal !! following up on an excellent 12inch for karakul, a phonica records sub-label, he channels the spirit of legendary rhythm architects herbie hancock, theo parrish, kenny dope and lil louie vega, collating four rough gems made using an mpc, nord lead 2, roland sh101, roland 606, juno 106, jen sx1000, rhodes 88mk1 and with the help of mark hand on keys, misumami on vocals and ian blevins. each track packs incredible punch in the groove stakes, undoubtedly the characteristic that has attracted the likes of moodymann, seven davis jr and gilles peterson to ny*ak s music.

-broken knowz- signals a departure from jay’s previous output. disillusioned with the constraints of drum programming and the associated deficiencies translating human feeling or emotion, he retreated to his mother’s basement, picked up his drumsticks and

earlier this year jamal moss aka hieroglyphic being released the discos of imhotep album via ninja tunes technicolour imprint. drawing on the energy and spirituality of sun-ra, moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. it was universally praised: sweaty and ecstatic, elevated and pure(pitchfork - 8.0) frequently sublime (crack magazine) fires the mind and soothes the soul. (the quietus) and earned moss a thoroughly deserved album of the month spot in mixmag.

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

jamal moss aka hieroglyphic being veröffentlicht sein lang erwartetes soloalbum “the discos of imhotep” auf technicolour/ninja tune! jamal moss hat sich einen einwandfreien ruf als produzent sowie als live-performer von hypnotisierendem, experimentellem elektro und free jazz aufgebaut, der in seiner heimat chicago und seinen beziehungen zur schöpferischen underground club-szene wurzelt. inspiriert durch ron trent, dj rush und ron hardy, wurde jamal moss von den visionären und produzenten steve poindexter und adonis ausgebildet. diese brachten ihm die drum machines näher, die das rückgrat der bewegung waren und ihn zu seinen frühen streifzügen durch die musikproduktion ermutigten. seitdem veröffentlicht er fleißig über sein eigenes label mathematics recordings sowie labels wie rvng intl. und soul jazz / sotu. seine stellung, als unverwechselbare, kreative kraft, verfestigte moss auch durch seine zusammenarbeit mit marshall allen von sun ra arkestra und noleian reusse (als africans with mainframes). unverwechselbar ist auch seine art, musik zu machen: er vereint seine antike herkunft und musikalische dna mit einer leidenschaft zum experimentieren, erschaffen und setzt musik als heilmittel ein.
die vinyl lp erscheint inklusive downloadcode.

florian kupfer will release his sixth solo ep (and his second for ninja tune s technicolour imprint) on 22nd july 2016. he has released via ron morelli s l.i.e.s. and offshoot russian torrent versions in addition to willie burns w.t. records, rush hour and not forgetting that white label sade bootleg. -unfinished- ep finds the the 28 year old berlin resident in electric form, assembling three smouldering club tracks and one stunning beatless piece built on the foundations of his inimitable improvised hardware jams. ninja tune set up technicolour as a singles label. their output to date includes 12-s by hieroglyphic being, legowelt, nathan melja, ny*ak, kutmah, bnjmn, u, and the first long players on the label by levantis and the aforementioned hieroglyphic being

the taleneted frenchman delivering quality house for the discoteque... ninja tune s singles label technicolour welcomes parisian producer nathan melja (formerly simply -melja-) to the fold with a 4-track 12- ep of instinctive, effortless and beautifully understated techno entitled -no no no-. released on 13th may 2016, it s a direct reflection of his future-facing vision teamed with a healthy respect for house and techno s forebears and innovators. you can stream the title track via the technicolour soundcloud and preorder the 12- now. flitting between paris and nyc, nathan made his mark with two superb 12-s for mister saturday night and a sterling ep for opal tapes offshoot imprint black opal in 2014-15. his residency dream real at parisian clubbing institution batofar has featured the likes of moiré (werkdiscs / spectral), technicolour labelmate florian kupfer and italian don madteo.

introducing talk in technicolour, the debut release of cross-continental imprint night tide. produced by label founder eluize (emma sainsbury), the ep features three original tracks that showcase her unique sound. the release is rounded out by remixes from hans berg & seth nk and a trippy spoken word recording discovered while digging in the archives. make me sin swells and flows.

levantis, ein alias von einem der innovativsten elektronischen künstler unserer zeit, wird sein debüt-album *romantic psychology 1* ende oktober 2015 via technicolour records / ninja tune veröffentlichen. es handelt sich um das erste lebenszeichen von levantis seit der 2013 erschienen *believe* ep auf the trilogy tapes und ist ein elf song starkes album *about nigredo and possession of the shadow*. technicolour wurde ursprünglich von ninja tune als reines single-label gegründet. nach 12 inches von legowelt, hieroglyphic being, florian kupfer, kutmah, bnjmn und u ist *romantic psychology 1* das erste album auf technicolour. die schwarze 180g vinylversion kommt in tiefschwarzem sleeve mit lackiertem titel, das innenliegende album-artwork stammt von eve ackroyd und wird gedruckt auf unbeschichtetem 300g kunstpapier. ein downloadcode ist ebenfalls beigelegt.

nice price deal !!! florian kupfer first burst into dance music consciousness with 2013s insta-classic lifetrax, filling much of the subsequent two years with a flurry of singles (more on l.i.e.s., an anonymous but hotly picked-up white label edit of sade, plus efforts for rush hour’s no label and w.t. records) and dj gigs across europe, australia, the usa and russia.

little is known about the london-based producer and dj who goes by the name of u, but that hasnt quelled praise from bedroom heads, industry tastemakers and big name press alike. audio arbiter george fitzgerald originally met u on a holiday in greece and immediately commissioned a handful of 12inches, each brimming with trademark mechanical bliss, like pleasure tinged with menace. u has since gone on to release for erol alkans phantasy sounds (both as a solo artist and in collaboration with babe, terror as btu), being given the nod by the guardian, mixmag and the line of best fit.

wolfers incorporating uplifting, dreamy synth sequences alongside his instantly recognizable gritty floor-fillers. the title track is such a killer...future classic!

deep and tripping acid backed with some jazzed out drumworks on the flip. limited to 400 copies and pretty damn bad ass!

der dj/produzent kutmah entstammt der experimentellen electronic/hip hop-szene von los angeles um die labels brainfeeder, low end theory und stones throw. mit *our mannequin* veröffentlicht er seine erste ep auf technicolour. check it out!

nach veröffentlichungen auf rush hour, delsin oder stolen kisses meldet sich bnjmn mit einer brandneuen single auf technicolour zurück. -iv- beinhaltet drei eher technoide tracks, die seine experimentelle seite bestens präsentieren. inspiriert wurde bnjm von brian eno und aphex twin.

erste debüt ep des iren samuel auf technicolour! samuel verbindet auf den vier tracks elegant elemente aus bass, bleeps, electronic urban blues und soul. neben seiner produzententätigkeit zeigt sich samuel auch für die vocals verantwortlich, die sehr soulful ausfallen und streckenweise an frank ocean erinnern. cool!