torrential results from the orderly geometric spatial arrangement of sounds and pulses within the internal structure of these new tracks. the rhythmic structure is based on regular internal tonal or sonic arrangements that are often expressed in the sub-geometric frame of club tracks. even when the audible grains are too small to hear, or are irregularly spaced, the underlying sonic structure is always effective - and can be determined by meticulous diffraction.

nice price deal !!! brilliant phunky detroit inspired 90s techno

soft gamma repeater finds graze continuing to develop and refine their singular voice, enmeshing a tough percussive edge with the rich textures of dance music at its deepest. but it doesn t take many listens to realize that soft gamma repeater is also their fullest and most accomplished effort to date, as well as their most cohesive. limited 3x 12 inch!!

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

graze is the synthetic porous ultralight material derived from low-mid frequencies, in which the liquid component of the melody has been replaced with curvaceous tones. the result are tracks with extremely low density and high thermal conductivity.

this holographic release was inspired by black hole thermodynamics. in the case of omni, the insight was that the sound content of all fallen objects might be contained in surface fluctuations of the event horizon. siren to siren is microscopically random, like a hot gas. a known configuration of classic tape sounds has zero entropy: there is nothing random about binary configurations. if one throws a hot gas with entropy into the g count, the entropy would disappear - producing aggressive bandwidths, and ragga baselines.

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

graze minerals possess a superlative lustre, which is most notably seen in diamond. such frequencies are transparent or translucent in nature, and have a high refractive index. tones with a true adamantine lustre are uncommon, with examples being cerussite and zircon. mweapon minerals display luminous bass bands, which appear to move as the specimen is rotated. such frequencies are composed of parallel fibers, which reflect sound into a direction perpendicular to their orientation, thus forming narrow bands of light. the most famous examples are fm and subtractive, but the effect may also occur in other sound banding - such aquamarine, moonstone and tourmaline. scrap minerals consist of thin transparent co-planar sheets. light reflecting from these layers give them a lustre reminiscent of pearls. such minerals possess perfect cleavage, with examples including muscovite and moss opal.

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

new kanada welcomes londons bob bhamra into the chamber, with this two-track breaker from his west norwood cassette library (wncl) guise. >say what?< is a broken sub workout, with a strong nod to the hardcore continuum. distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. >flashlight< is an aqueous solution of damp funk that will resonate the head and drop the lights. gaseous and moody. on the flip is a slow burner remix of >flashlight< by adam marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of moog.

new kanada presents three cuts from grazes forthcoming album, *edges*, pressed on 180g vinyl. *skip/crush* leads the 12 inch and is a mood-changing, chord-heavy broken house track. pounding toms, razor fine melodies and strutting with a heavy swing. *ripley* goes deeper and more hypnotic, with a low slung bassline, vocal manipulations and and a rugged dusty groove. *airror* closes the release on a bittersweet note, wounded ecstatic synths collide with epic drum programming for an alternative take on peak-time. european manufacturing.

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

megaphat hypnotic groovin deep house

produced by christian andersen & adam marshall

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

new kanada enters the summer season with a hot three-tracker from torontos xi (orca, hotflush). fusing techno, house and what-ever that sound is coming out of london these days, christian anderson (aka xi) brings the futuristic party to the shaking subs of the nation.

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

nkltd is proud to present three serious deep techno cuts from japans imugem orihasam.we call classic on this one!skit 5 is stone-cold killer in the refined spirit of larry heard or juan atkins. deep space darkness with shivering jazz keys. made for sunsets in the northern light.float is a mills-style mechanical beast – made for the darkened clubs or the brightening sky.deposits,closing out the ep,is an abstract,melancholic electro killer that will make the walls sweat and the eyes wet.

montreal-native tazz delivers new kanada three jacking and psychotic beat trax for an aggressive entry into 2012. tazz and bacanito unravel the threads of aggression in the lead cut >cosmic sex<. metallic heavy machine funk for those winter nights. >wanderer< is a late night ode to model 500, with waves of synths burrowing into the ground to produce a dark wave classic. cold, pure and supple. >mermaids and mermen< is is the tough club killer in the package. a deep tricky dub transforms into an underwater symphony of rusted hooks and fm pads… a serious lights out, head down burner.

new kanada welcomes the mole back into the fold with a heavy image two-tracker from deep in the forest. the slo-mo a-side “dog river” is heavy and raw and dripping with calcified disco echoes. tweaking distant bass, tugging percussion and psyched vocal loops. a serious main-floor builder. on the b-side, colin gets tougher and darker and crafts a potential blackout bomb. grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.

nkltd enters the fall season with a simmering two tracker from adam marshall – backed with a tough remix from torontos kevin mcphee (idle hands, naked lunch).

limited backstock action !!!

stuart li aka basic soul unit (versatile, mathematics, ostgut ton) has delivered 4 new cuts of submerged bass excursions for nouveau kanada. all tracks sound distinctly raw and heavy, but with modern nods to uk bass and spatial elektro. stuarts deep appreciation of dusty house grooves shines through on all tracks - but his treatment of the lead cut >deep diving< pays homage to those dope dance mania b-sides of yore. for fans of kassem mosse, move d, adonis, larry heard, early ur, stl, edgy pearson sound or good brazilian jams from the 60s.

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

new kanada enters 11 with a an alpha ep from tolga fidan. haunting, percussive and emotional - tolga trots his mystical funk down the old thrace streets, and emerges with an ep full of personal darkness. >berg< is a mesmerizing monster of a cut, bristling with surprises. tolgas own vocal plays masterfully with dusty rave samples and woodblock jazz. watch this jack the shit out of the advanced dancefloor. >old< is a golden working tool, made for the mix. pounding drums and crashing chords. ottoman mathemetics gone wild.

new kanada hits the quarter century mark with a long, subtle 10-minute analogue jam session. with milosh (plug research/k7) on vocals and melodies, and adam on the mixing desk - the single sided vinyl release is made for the long mix. a real slow burner that climaxes with an emotional payoff at the 5 minute mark. gavin russom meets talk talk. red, yellow and orange.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

new kanada drops into summer with two new cuts from adam marshall

the mole cooks up two slow burners for the warm northern nights. >nervous disid< emerges from somewhere between bobby konders and that old dance mania b-side you always want to play - but never have the nerve. thick fuzzy kicks, and jacked up toms - result in a heavy techno disco jam for the mixers and lovers.
>secret mummy< is a slo-mo romp into colins secret cookie factory, flavors are tough, fierce, and popping. 9 minutes of organico-inspired house music mixed with forgotten disco horns and old rusted cowbells.

nk20 >sunday morning 2< by murr with remixes by marc schneider & dan m. and mood edit featuring takeshi nishimoto.

solid building acidic mini tech two tracker

great raw analog jackin tech stuff!!

new kanada enters the year of darkness with two cuts of techno that go straight for the throat. raw house music for mixers, jackers, and people of ill repute everywhere. side a features a slamming remix of murr’s “stay” track by adam marshall. murr’s original moog bassline gets jacked into a dj-friendly mix weapon of the highest calibre. 10+ minutes of erratic hats, swung snares and some weird noises that would do octave one proud. sibe b is a homage to our favourite analog mixer of days gone by - the numark dm1950. mood edit embraces the chaos of chicago house, and the class of new york city in this long playing dub tool that will be sure to evoke fear in the legs - and passion somewhere inbetween. complete with off kilter bassline, counterpoint bump, and a long deep mix for the heads.

excellent hypnotic and groovy techno

adam marshall comes here with a late-night igniter with a tough house groove, and two jamming remixes from todd sines and scott monteith aka deadbeat

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

just brilliant minimal deep & detroit-ish tech tracks, incl rmxs by jeff milligan & adam marshall

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

excellent phunked up minimal detroit inspired tech tracks >> incl hearthrob remix (well known from richie hawtins minus label) … already a classic

new kanada follows up adam marshalls >black snow ep< (nk01) with a killer set of remixes from the hottest canadian talent this side of berlin. the a-side is a seriously advanced workout of minimal funk from cynosures mike shannon, who remixes >black snow< into a stripped-down house groove. on the b-side, we have jeremy p. caulfields treatment of >mission<, which continues into the dark and precise mood set up so well on his dumb-unit imprint. ending things on b2 is j. hunsbergers delicate and beautiful rework of >hot spring<. jay spices things up a little with vocal snippets and rocked-out drums, and hints at the sounds he just unleashed on steve bugs audiomatique label<

ew kanada presents its premier release from toronto s adam marshall. hot on the heels of his remote culture ep on mike shannon s cynosure imprint, adam continues to push the boundaries between soulful techno and minimal house. dark, heavy bass lines reminiscent of the early get physical sound combine with berlin-style chord stabs and baby ford-esque funk to create a strong ep of advanced dance floor style

african world music

new album