a killer chicago-style acid groover by way of san diego s matthew brian. absolute peak time gear here and already in heavy rotation. excellent mastering and loud af- - mark e quark a hard hittin jackin house track laced with a velvety 303 bassline that is sure to be a floor filler. comes in both original and dub mixes. pressed on stunning translucent emerald green vinyl with a black splatter. debut vinyl release on cali s tabby traxx (very chicago sounding though).

limited splatter double 12inch vinyl from boris classic longplayer do not sleep!

nice price deal !!! hinter juno6 verbirgt sich ein bub aus leipzig, welcher eine ordentlich portion techno-deepness gefressen hat. er versteht sich als expandiertes liveprojekt mit einem setting bestehend >nur< aus silbern glŠnzenden maschinchen und einem dicken mischpult. das ist back to the raw vs. ich und die maschinen!!

limited rsd release, us pressing.

limited 2018 repress ! before producing on roulé, dj falcon worked in a&r department at virgin. in 1999 he released his first ep (on roulé) and produced a remix of cassius’ “la mouche” which is an all-time classic now. one year later, he started working with thomas bangalter on a track called “together”. two years later, the second release “so much love to give” of the duo appeared, which also remained the last release of dj falcon for a very long time. after 10 years of releasing nothing, dj falcon finally made a comeback in 2012 with several remixes such as justice’ “new lands”, alex gopher’s “hello inc.” and alan braxe’s “time machine”. in 2013 he reunited with thomas bangalter to release the track “contact” on the daft punk album “random access memories” together with guy-manuel de homem-christo.

its a thin line between love & mess. martin mercer decided to produce music for the next 20 decades before hes going release anything. eventough he didnt publish his tracks on labels his music found its way and attention in the sets of reputated acts like tini. you dont need much imagination to realize that this record could fly in high discogs speheres quicker as you can spell the word chaos. ladies and gentleman please listen to martin mercer.

with >my name is acid< and >all in<, immersion delivers two acid anthems like back in the days. free the frogs!

nice price deal !!! hinter juno6 verbirgt sich ein bub aus leipzig, welcher eine ordentlich portion techno-deepness gefressen hat. er versteht sich als expandiertes liveprojekt mit einem setting bestehend >nur< aus silbern glänzenden maschinchen und einem dicken mischpult. das ist back to the raw vs. ich und die maschinen!!

the mighty shoes crew follow up their miles davis 12inch with this 4 track ep of bohannon re edits/remixes. deep and groovy and sure to please. me & my diva (a groover), summertime groove (with some serious slap bass), save their soles (deep head nodder) and come and dance (awesome!).

classic electro techno , back from 2000, incl remixes by autotune (fumakilla), dj rok, beroshima, dj dero...

incl. skoozbot rmx & acr edit !! mystery label with some serious richie hawtin proof minimal bombs!

played by pete tong!! includes remixes by jose amnesia, martinez, lenny & aker and bertolini & rigamonti.

electrotechno smasher for big rooms.. hot spoken vocals by a woman shes called courtney.. for fans of azzido da bass style

limited edition pink with purple & cream swirl coloured vinyl.

metal

metal

metal

rock

new pressing on coke bottle clear colored vinyl.

reissue

limited orange/black splatter 7 inch vinyl.

fresh combination of dusty break-beats and stuttering rhythms boosted by rough, yet emotive melodies. a very well balanced pack melting together all sides of electro, drum & bass and glitchy atmospheres

1986 italo-disco classic from lisa g., remixed by flemming dalum and victor ark.

scott bomar’s music from the netflix film “dolemite is my name” on limited purple 180 gram vinyl.

official reissue on 12 inch vinyl.

nice price deal !!! the moody boyz remix of ‘know my name’ lends ms omega’s vocal a more calescent energy, purely due to the lucid dependability of its boisterous, bolstering bassline. it seems only natural that a trailblazing spearhead of the genre of dub should be one to reconstruct the soulful precursor to this experiential achievement, in a version that compels the attentions of both the passive tranquilized listener and the active dancefloor denizen. mischievous percussive splattering, playfully arpeggiated sonic energy and clarified stereo legroom are all integral elements of this dazzling interpretation, as it retains the unornamented, spatial candor of the original, while simultaneously instilling it with a current of what can only be described as voltaic charisma. in short, this tune is a powerful invocation to an inestimable ensemble of musical heritage: concurrent harmonic simplicity interleaved with melodic ascension make the moody boyz remix a consolidated torpedo of euphoniously triumphant achievement and savvily creative coordination.