clear vinyl pressing.

comes on yellow coloured vinyl.

reggae, incl 3 previously unreleased tracks

vinyl only, black vinyl

vinyl only - red vinyl wax

local dub with tasteful vocal hooks, killer basslines and groovy drums.

producer danger mouse and rapper black thought team up for “cheat codes”. regular black vinyl release.

limited 30th anniversary repress on opaque neon pink vinyl, download code included.

disco vocoder masterpiece in 12- format.

reissue ! das 2005er kollabo-album von produzent danger mouse (gnarls barkley, broken bells, red hot chili peppers, a$ap rocky, norah jones, etc.) mit dem maskierten supervillain mf doom erscheint nun als wiederveröffentlichung über dooms metalface label mit 2 unveröffentlichten songs und der occult hymn ep.

reissue - das album von 1982 in einer vinylneuauflage! >skidip!< zählt zu den stärksten longplayern die eek-a-mouse je herausgebracht hat (neben >wa do dem< - grel31). das album wurde im harry j und channel one mit den roots radics eingespielt, am mischpult saßen dabei der renommierte engineer soldgie sowie der produzent linval thomspon. hier finden sich auch diverse originalversionen, die später auf dem legendären scientist album >encounters pac-man< zum einsatz kamen.

the new album from modest mouse on black double vinyl.

disco vocoder masterpiece in 12- format.

whether at home, office or in the studio, we spend a lot of time on computers. the brand-new bonzai mouse pad is just the remedy to add a bit of comfort while you’re scrolling. coming in at a regular size of 19 x 23 cm, this pad is made with a smooth, soft cloth surface with printed bonzai records logo over the classic sunburst design, the textured, padded underlay will help keep fatigue at bay.

fifth release from denise rabe on her own imprint, including remixes from luis flores and headless horseman.

remastered reissue of the 1975 soundtrack from michel magne.

limited pressing on grey double vinyl with download code included.

regular pressing on black double vinyl with download code included.

slamming house / disco mixes

slammin deep house , incl deetron mixes

handstamped vinyl

logo queen styled remixes by so inagawa for the japanese band mouse on the keys

incl. tracks & rmxs by mark broom, mighty mouse, yuksek

ltd 10-inch, 180 gram heavyweight vinyl - it contains a previously unavailable alternative version of home feat tina dico & a 1st time available on physical format: remix of somersault by danger mouse feat. mf doom & sia. both tracks were originally taken from the bands 2nd album when it falls.

limitierte nachauflage als goldenes vinyl!

limited rsd 2018 release on transparent green 7 inch vinyl.

dimensional people is by it’s nature a collaborative album. originally premiering as a spatial composition using object-based mixing technology playing with the possibilities of sonic design (4d sound) and collective musicianship, the recording expands upon these ideas. dimensional people expresses itself as a dynamic 50-piece orchestra, telling a story in sound. mouse on mars offer sound as a means to encourage open-minded societies, aided by cutting-edge technology including their own mominstruments music software or a spatial mixing technique called object based mixing, with which a spatial version of the work was created. it is a conceptual puzzle composed around one harmonic spectrum within one rhythmic scheme, mostly in the tempo of 145bpm (inspired by chicago footwork, so the dance ?oor is not entirely absent). looking ahead, dimensional people will also be realized through installation, presenting the work as an immersive listening experience, as well as performance.

mouse on mars’ andi toma and jan st. werner return with their most inventive album to date, dimensional people. the new album finds the berlin-based duo reunited with thrill jockey, a powerful aesthetic partnership marked by such seminal albums as radical connector (2004), idiology (2001), and niun niggung (2000). after a series of notorious dance floor releases, dimensional people reveals them working deep within their own vernacular, digging into fertile terrain of their inexhaustible vault of digital and acoustic experimentation, and charismatically making elemental components new again. this album makes clear how their craft is of discovery, of finding new contexts for places, sounds, memories, sensations, ambiences, technologies, relationships, and of course, people. limited colored vinyl, download code included.

radical connector was originally released in 2004 and is now fnally back on vinyl. this re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card. though reference points like daft punk and prince have rightly been thrown around, radical connector is in fact a strange album that doesnt sound like much else. pitchfork

wiederveröffentlichung des lange vergriffenen mouse on mars albums idiology aus dem jahr 2001 auf vinyl. das album erscheint mit bedruckter innenhülle und mp3-download-coupon.

the first ep from mouse on mars since their anniversary recording 21 again (2014) is clearly connected to their recent club gigs. in fact, synaptics sees the berlin duo embrace their love of juke, footwork and chopped up house music like never before. on its three tracks, andi toma and jan st. werner reinforce the collaborative idea of 21 again: eight different artists have been involved in the making of these tracks, which deliberately depart from a characteristic mouse on mars sound, creating a more organized vibe while still maintaining links to their previous work. there are two directions of research in andi and jan s sonic laboratory: one is focused on experimental club music, the other is in search of music without ties to specific genres. though heavily leaning towards the club, synaptics is caught in between. from the duo s perspective, it even touches pop territory. all three tracks came into existence during the past four years. opener „jack is out- with its pounding lazer stabs is an obvious link to their current club sets as well as a clue on future productions. after months of redesigning and rearranging, it found its final form through an edit by bon iver producer ryan olson aka arson only at his wisconsin studio, where andi and jan also recored for their next album. „bluescreen- was born out of a berlin session with jessy lanza and junior boys and was completed some year later with support from modeselektor. and the tropical funk of „sensitive person-, based on a studio jam with sepalcure, also needed some aging and refinement after a couple of months.

the unstoppable force that is raumakustik are back on the label with yet more top drawer tech flavoured beats. the german tech wizards draft in the incredible terry lynn on vocals for lead track dog eat cat eat mouse and the result is pure fire. her unmistakable tones laid over that raucous and underground tech house groove make for a sure-fire hit for the impending summer months. this will set alight the sun-drenched terraces as much as those darker, more underground floors therefore making it a perfect toolroom release

the return of cirez ds mighty mouseville pressed on limited red vinyl.

mouse on the keys are mixing diverse elements of contemporary music to one big experience.

super producer danger mouse and rap super villain mf doom join forces as dangerdoom. the mouse and the mask features cee-lo green (also of gnarls barkley), ghostface killah and the cast of cult cartoon show aqua teen hunger force.

lange vergriffen und jetzt wiederveröffentlicht als vinyl ist das album von 1983. produziert von linval thomspson und mit den roots radics im channel one studio eingespielt, am mischpult saß soldgie hamilton. mit *the mouse and the man* deckt der singjay eek-a-mouse in gekonnt gewohnter manier die ganze bandbreite von sozialkritischen texten bis zur hommage an die ladies ab - inklusive der single *terrorists in the city*.

limited boxset, contains the peel sessions on 12 inch vinyl plus 21 again collaborations (2cd), archive (cd), paeanumnion (cd), 80-page book in lp format and a 60x60cm poster drawn by moritz friedrich aka siriusmo.

blaze colour burn ist die neuste arbeit des innovatoren und pioniers der elektronischen musik, jan st. werner von mouse on mars, lithops und microstoria. er eröffnet hiermit die fiepblatter-serie von thrill jockey, die elektro-akustische experimente, algorithmische elemente, notenblätter, digitale signalverarbeitung, feldaufnahmen, improvisation, öffentliche aufführung und grafische arbeiten umfasst. es wird bei den arbeiten nicht nur um klang, sondern auch um ort, zeit, struktur und Ästhetik gehen. st. werners technische fähigkeiten und avantgarde-strategien gehen hand in hand gehen mit einem natürlichen und unerschütterlichen sinn für lyrik und harmonie, komplexität kommt nicht auf kosten der schönheit. die lp erscheint mit mp3-download-coupon.

bettingon the mouse is the first international album by the copenhagen and berlin based band bettingon the mouse. a band which is more tha anything the brainchild of singer and songwriter martha marie skou.

nice price deal !!! die langjaehrige produktionszeit des letzten mom-albums >parastrophics< spiegelt sich in seiner angemessenen gesetztheit wider, doch nun - nur 9 monate spaeter - heisst es: wow! hier kommt das totale gegenteil, die spontane reaktion auf all die langen arbeitsstunden im studio, produziert innerhalb von wenigen wochen.

global fusion is a term coined in 1980s to describe the postmodern transnational mixtures between different cultural heritages. like pizza americana or peter gabriels recordings with pakistani sufi singers.

in september 2012 we initiate the 2012/2013 big-bait-black-label-vinyl series with a tremendous solo-ep from scherbe, who recently got a lot of attention for his releases on uncanny valley and reh incarnation.

limitierte 7 inch aus dem fantastischen neuen mouse on mars-album >parastrophics< auf monkeytown mit einer neu überarbeiteten mouse on mars-version des haupttracks >they know your name<, einem der besten tracks des gesamten albums, sowie einem nagelneuen remix des derzeit heiß gehandelten produzenten machinedrum (merck, planet mu, lucky me).

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.