2024 repress

2x12inch 180g vinyl, full printed sleeve, artwork by cyprien gaillard

remixes from carl craig, al wootton and peverelist.

after a 6 year hiatus, moritz von oswald assembles drummer heinrich köbberling and electronic producer laurel halo for a new longplayer of his jazz trio.

ltd rpress : 2 masterminds : carl craig & moritz von oswald

reissue 2020

salon records is back with a very unique production from moritz piske

max & moritz - eine bubengeschichte von wilhelm busch in sieben streichen. auf der b-seite eine sammlung von 26 kinderliedern. die vinyl-lp erscheint im klappcover inklusive max und moritz buch.

moritz krämer mit seinem 2. album auf tapete. das doppelvinyl erscheint im klappcover.

max und moritz (wilhelm busch) & der struwwelpeter (dr. heinrich hoffmann) auf picture vinyl. erzähler hans paetsch und ein kinderchor.

moritz simon geist lets the robots play on his first full-length. the vinyl lp comes in a gatefold sleeve.

on the 4-track ep “the material turn” moritz simon geist turns materials into sounds

2001 house classic from teo moritz aka boogymann back in stock.

snf welcome paris based newcomer pierre moritz to their family with four groovy, disco fuelled jams. housed in full sleeve artwork, with inner disco bag.

excellent deep funky house 4 tracker. 2018 repress

closely following the release of the last borderland single, the focus returns on transport, the last collaborative album by juan atkins and moritz von oswald. long time friend and studio partner of moritz von oswald, carl craig provides a new take on “transport”. extending and stripping the original sequence to its bone, the illustrious planet e president and illustrious detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. this 12“ edit is cut on the a-side. the full version of carl craig’s remix clocks just above 20 minutes and is available digitally. both are available to anyone who purchases the record, through the enclosed download card. on the flip, dj deep & roman poncet rework carl craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.

a kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in bishkek, devoted to the roots music of kyrgyzstan. loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in berlin. further, a few of these are deftly treated by moritz, using reichian de-synced double-tracking, and discreet effects. also two ten-minute dubs: a deadly, signature berlin steppers, plus its version and an echoing, mystical drum session, recorded live on stage in bishkek. and a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread facets. ravishing, rooted, searching music, beautifully presented.

juan atkins and moritz von oswald – the two indispensable protagonists of the electric garden – plug back into the wilderness. ‘transport’ – the new full length effort of the borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’. ‘riod’ is the first streak to bolt through. the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.
the vinyl release includes a download code.

tony allen, drums, max loderbauer, synthesizers, moritz von oswald, percussion sequencing, synthesizers, additional electronics. mixed by ricardo villalobos. artwork by marc brandenburg.

* repress. nb: comes in house bag now, not picture sleeve like original pressing.

*repress. nb: comes in house bag now, not picture sleeve like original pressing.

*repress. nb: comes in house bag now, not picture sleeve like original pressing.
after more than two decades of behind the scenes collaboration juan atkins & moritz von oswald present borderland - their debut collaborative album to be released this summer on tresor records. the album - made up of 8 sequences, which seamlessly blend the styles of both masters - was recorded at the beginning of 2013 over various studio sessions in berlin and will be released as a series of three 12 inches and a cd album

meditative, absorbing dance music in true moritz style — at times seemingly transfixed by its own elements, and minimal almost to vanishing-point, but quickly back ticking, kicking and amassing, with the lethal dubwise density of the classic berlin sound. twelve minutes long, trenchant and forbidding but sharply alive, the dub itself is a kind of deep fort-da gambit which scoops your brain out for a quick sluice, before replacing it slightly skewiff. dont drop your guard because of the tresor.

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

mimique presents their no. 7. the new vinyl contains 2 exotic tracks produced by sebastian phillip and moritz ochsenbauer, both part of the well known rabauken-crew. patrick kunkel (cocoon, weplayminimal) and david jach (keno records, mangue) gave their own touch into the remixes and not just that makes this release a dancefloorfiller.

the moritz von oswald trio operates at the bleeding edges where musical lineages collide. feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. after two previous studio albums and one live album through honest jons, the trio - moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo) - returns with fetch, their most fully-realized voyage yet into these in-between worlds.

slamming and pumpin / jackin techhouse.. incl mixes from mollono.bass & spirit catcher

zwei klasse moritz von oswald remixe flankiert von einem lawrence remix, der auch deep house freunde glücklich macht

the trio of moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo), with a third album, this time enriched and expanded by guitar contributions from paul st hilaire (also known as tikiman), and double bass courtesy of marc muellbauer (via ecm). horizontal structures is palpably a more open, more expressive album than the previous studio recording, vertical ascent. there is more contrast, more light and shade. st hilaire and muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping. the coherence of the five-piece is remarkable, the boundary between acoustic and electronic undone.

a side = fresh jazzy techno as we like it! / flipside = fresh steppin dubstep remix from digital mystikz !!! well done!!

huge intergalactic extended techno jazz killer cuts with vladislav delay, max loderbauer (of nsi) & guests carl craig & francois k, 1st pressing comes in handmade sleeves & incl. cd as well.

1999 funky & soulful deephouse by teo boogieman moritz the first release for his superhuit imprint.

played by ricardo villalobos! our man marquese heads up the next niveous with a stunning release! a four tracker that dont let us doubt about his talent for deep sounds and rough grooves. the ep comes with a fat rollin moritz piske remix. enjoy! early support by: anthony collins, jin choi, moodymanc, venedikt reyf

limited 10 inch edition !!!

through basic channel and rhythm and sound — his collaborations with mark ernestus — moritz von oswald first of all conjured from thin air, then comprehensively mapped out the grounds of a deep exchange between real deal jamaican dub and classic, detroit style techno. the duos accomplishment and influence are immense. the repercussions of their work within electronic dance music have been incalculable...

supported by sis, einzelkind, robert diez, ilario alicante, andre crom, somone else and many more... tres colores = new label from sercan (cecille) and friends!!!

monster house track! also big with: someone else, mathias kaden, ptoile, markus schatz, frankie, karotte, alexx, audio werner, barbara preisinger, antislash, ark, nick curly, kabale & liebe !! moritz piske send us directky to the dancefloor with this monster house track! with the remix of pit draengler, this two tracker keeps alive the spirit of what makes house music groovy, jackin and funky and the samples used, keep us in mind how huge is to mix up jazz to house. the vinyl is provided with a special picture from the renounded malian photographer malick sidibÚ. he made this picture in 1962, time he was taking picture of surprise parties in bamako. a big thanks to andre magnin who gave the opportunity to associate the music with this amazing picture and artist!

superhuit presents the 3rd teo boogymann moritz album. eight funky & soul house tracks produced by teo boogymann moritz. this album, thick black theory is a shoot to 60s & 70s soul music and its political engagement forgotten today.

excellent deephouse 4 track trip by teo moritz!! originally released in 2000!! a must have

great electronic re-composed classics / carl craig & moritz von oswald release

a superb moritz von oswald remix and the highly sought after original, one of the highlights of loco dices sets since months, are making this record a real must have

after releases on schieber and opossum comes here the third solo ep from moritz piske !! and again he shows us his talent for making sub heavy grooves

die kahlwild 5.1 ist sozusagen die ergänzung zur merlin ep (kahlwild 005) von moritz von pein. tolle handclaps und ein energetischer bass plus leichte störgeräusche sind von peins zutaten. heraus kommt laut groove eine zeitlose platte, die sich von 90% der gegenwärtigen minimal platten abhebt.!! limitiertes 10 inch release !!!

die labelphilosophie, zumeist unbekannten artists eine plattform für beflügelnden, reduzierten techno zu bieten, geht komplett auf. da macht von pein keine ausnahme, denn: adel verpflichtet

moritz piske is a new talented producer who know what kind of basses and drums are rockin… pumpin sounds, minimal basslines and a groove that goes into trousers! crowning conclusion is a sweetn.candy rmx. formerly known from his productions of raum…musik, opossumrec., musik krause. finest minimal shit!!! taste it

artwork by cyprien gaillard, jewel case cd