dream team ...

proggy with remix by double agents, midor and signalrunners !!

funk / jazz / hip-hop / afrobeat

balearic house feeling

birdsmakingmachine are back on track and continuing their series in style with bmm 007. kicking off things on a1, at 124 bpm, “the draft” is a joyful number that bursts with relentless energy while managing to fuse sharp metallic drum patterns with juggling ambient hooks. the more dancefloor-oriented track is nevertheless found on a2. as the title suggests, “area 52” is quite literally a journey through the unknown and mysterious, a metaphor for the deep minimal house amazon, a track that stands out with an extra subby bassline, swinging hihats and those ever-so-warm sequenced analog pads in the background. flip the record over and you find yourself with two slightly more industrial affairs, “the voice of kudha” on b1 offering a breakier alternative than it’s predecessors and “zagonity”, on b2, galloping its way to close off the record with shuffling vocal hits and an amalgamation of bouncing hats and snares.

emmplekz aka ekoplekz and baron mordant on c40 cassette.

radiophonic folk in continual accelerando for geoffrey jones via the stockton & darlington railway composed by station master donald fraser & performed by members of steeleye span…teased from 75 state-of-the-art electronics & pulsing like a possessed mallard…mm buffer a headphone remmix on the dlr & donald fraser ghosts a version into the sidings…ticket pleads…ibm

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

phunky disco edits... on red vinyl

gamm proudly presents the reflex, a new and rising star within the edit scene. after his edits made big noise on soundcloud they are now finally coming out on two separate gamm releases. note, these are not just standard edits but fully reworked productions using multitracks, original samples and even live elements. the second ep by the reflex delivers three outstanding reworks. first up is a killer stomping breakbeat take on marvins & tammy terrells >aint no mountin high enough<. next is a 60s soul twist on amys >rehab< hit. the best is saved for the last when mavins >whats going on< gets an tasteful beatless rework … simply beautiful!

slamming phunky / disco edits ... well known ...mj& jb

following edit maestro onur engins debut release on gamm was never going to be easy. but once again he delivers two excellent and respectful rewires of perennial classics from james mason & kool & the gang. quality!

nobody does it like gamm does it! the second part in dj will-rocks duo of heavyweight eps, jam packed with dancefloor jams, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco & funk rewires, its all 100 % proof!

nobody does it like gamm does it! the first in a series of two eps from dj will-rock.
its another heavyweight 4 tracker of dancefloor dynamite, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco rewires, its all 100% proof!

this is the second series of quality edits delivered by our new boy seegweed. this time we go disco with willie hutch, afro-cuban with los monequitos and deep/folky with lou bond. basically, we got something for everyone!

2001 slammin classic tech traxx by pacou

aka steve rachmad !! >> this classic monster returns with the coolest detroit techno drive !!! !!!

megaphat remixepack by dave clarke, thomas krome, francois k, zzini vs filterheadz, floppy sounds...big tune

einzigartiges clubmonster, unglaublich sexy und dreckig, >>ive been the one who party, until the end<< / wieder da!!

elliot adamson knows how good he is, which is equally as daunting as it is impressive. i’ve known him since he was the eager beaver barman at a place i’d play regularly in my hometown, who used to try and stick his demos under my nose, and now he seems poised for world domination with a who s who of the worlds biggest djs singing his praises. i’m so pleased i listened to those demos when i did. elliot has a startling breadth and depth of taste for someone of such tender years (although to be honest, people only mention other peoples youth when they feel like they’re getting old themselves). the ep elliot has provided for me me me covers a range of vibes which can be traced through mid 90s house, millennial techno and that current and contemporary feel that we’re all still struggling to name adequately. elliot is a real talent and i couldn’t be happier to provide a platform for what i feel is his most esoteric work to date, and a worthy showcase of his real capabilities.