the second studio album by new zealand singer lorde.

one sided 12 inch featuring an epic sascha dive remix, on melons ratio? imprint.. melons original version of >money< has been saved for his forthcoming debut album. in the meantime sascha dive (deep vibes recordings) already delivered a 15 minutes long rework, that is a pure trip into deepness and cant be kept a secret for the world much longer

yippee!!! back in stock !!! more pacey dub sounds from men at skudge.... tough and direct. tip!

premium pack incl. 10 inch vinyl and ltd marc depulse ostwind mix cd)next essential melodrama remixes !! best remix from marc depulse so far and an excellent old school interpretation by dj nolte, contains a long intro and outro to start or end your dj set... familar powerful sounding ostwind quality

next essential melodrama remixes !! best remix from marc depulse so far and an excellent old school interpretation by dj nolte, contains a long intro and outro to start or end your dj set... familar powerful sounding ostwind quality

ltd 2010 repress !!! essential remixes by oliver huntemann & marek hemmann !! disconnect me,).. incl live promo mix cd by kollektiv turmstrasse

ltd 2010 repress !!! essential remixes by oliver huntemann & marek hemmann !! disconnect me,)

new world of echo from glasgows very own guests riyl if you re into - flaming tunes, idea fire company, annea lockwood

klint is back on planet rhythm.

präsens editionen presents the debut album from leo hofmann.

rue rale records is a french label run by pipholp (members of la station rose).

a complex web – the story of dive position and the shining path ... began in 1982 when peter miller (aka dr. william s ray – vocals, tapes, guitar) met andrew millar (aka maurice spectograph the nose-y pieman – program execution) in gold coast, australia. while sharing a similar taste in music, they decided to form a band, so dive position was born. equipped with a korg synthesiser and tascam 4-track recorder, they -wanted to have the sound of kraftwerk, the groove of can, and the menace of throbbing gristle-, ending up with -a cross of suicide and the residents-, as peter recalls. in a local record shop they met stig andre leonardson (aka vincent blackshadow), who joined the duo on percussion and drum machine programming. their motto was -now is then-. dive position then became the fatal charm around 1984, and the fatal charm became the shining path who eventually released their only album -basic training manual- in an edition of only 250 copies, most probably in 1986. the band then started to drift apart, and shortly after andrew sadly passed away – this compilation -now is then- comprised of previously unreleased dive position and the shining path material is dedicated to his memory.

following their 50th release milestone cpu celebrate 5th anniversary with a 2x12- lp remix compilation. cpu has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. this all changes with this dedicated remix compilation celebrating the label s 5th anniversary. the exalted roster have chosen their favourite tracks to remix from the label s back catalogue and are brought together in a very special 2x12- gatefold sleeve. b12, jensen interceptor and morphology all make an appearance alongside some of the label s seldom seen artists. there is also a posthumous microlith remix of tryphème - mélodramatique. electro has again proven its staying power and cpu has played a key role in championing some of the genre s greatest: bringing new artists to the front line and cementing the status of the established. this five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries - all executed with precision and attention to detail that the label is known for.

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

please order fast --> last copies left !! the men from skudge deliver yet again - two heavy remixes from berghain/ostgut producer, marcel fengler and veteran aubrey (solid groove) 500 only. the cover design is printed on a paper sleeve. be quick!

luciano must be feeling generous. oour swiss-chilean hero returns with a major double-pack for cadenza proper, featuring four more remarkable tracks that capture his many versatile talents, from driving house tools to psychedelic anthems to bright, melodic, electronica...

incl first marc depulse live act !! wir danken allen beteiligten für dieses schöne vinyl und freuen uns gemeinsam mit ihnen auf das bevorstehende weihnachtsfest

nachdem hüftenwackler remix für die b103ep(ow003), werden nun die rollen getauscht und kollektiv turmstrasse veröffentlicht ihre debut ep !! >melodrama< ist wie eine nicht endende geschichte auf dem dancefloor, die durch den synthi sound und den treibenden rhythmus auch hätte von james holden erzählt werden können. >altona connection< hat den wind im rücken und fluffelt mit seinen harmonisch leichten percussions immer stätig nach vorne. nils nilson minimalisiert das melodrama und baut nach und nach einen leicht dreckigen, fx geladenen stomper remix auf, indem sich das gesprochene >disconnect me< wahrlich im ohr verankert !! beste ostwind bisher...charted by umek & pan pot (mobilee)

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.