vinyl edition of mini-album originally released as cassette on jolly discs.

turnend tapes erstes vinyl-angebot jenseits des clubs ist peculiar glow vol.1. eine ep voller strahlender atmosphären von mehreren künstlern, die sich der klanglichen esoterik verschrieben haben.

the concluding 12inch in the pearls trilogy shows the origins of the band with two playful rootsy numbers, no follow bad company and duke street backed with the essential dub versions. both tracks went on to feature on the pearls debut lp the war released on sly & robbies taxi label in 1981.

great 4 track ep by jullian gomes

a legend to those who know, todd sines makes his first appearance on circus company in a fit of sharp-edged, wildly expressive house music that harks back to the unhinged early days of the label. sines has a career that stretches back to the early 90s, having released lauded records under the .xtrak moniker on peacefrog and 7th city amongst other legendary labels.

first release on low life loves you comes from beans & company, backed up with remixes from craig bratley and misiu.

dop, the group of wandering minstrels that embody the very essence of circus company, have returned home with new tales to impart from their travels away. indeed the insatiable touring appetite of this trio of mariachis finds them often afar at sea, spreading their message and encountering strangers in strange lands. as such, the first side of this new ep bears the fruit of a sizzling barbeque and a raucous karaoke session held in the distant shores of san francisco, home to a talented gang of artists known as pillow talk.

limited edition of 300 numbered copies on transparent yellow vinyl.

rock

orange splattered vinyl, 2024 rsd release

reissue! limited edition of 666 individually numbered copies on yellow/green marbled vinyl

hedonistic highlights from the lowlands 1990 - 1999

comes with standard cover. 2nd edition with 13 tracks instead of 14 (on the deleted first edition)

new edition of this soul jazz records out-of-print classic album available now as a new limited-edition one-off pressing triple yellow vinyl album (plus download code).

t follows features a stunning, electronic-driven score, heavy with pulsating synths and dread in equal measure. it was composed by the renowned musician disasterpeace. this electro, 80s influenced score is a character in itself in the movie, and will haunt the listener long after the film has stopped rolling.

eine stilvolle auswahl von city pop, funk und modern soul des japanischen labels nippon columbia, ausgewählt von dj notoya und mit kultklassikern und raritäten von hiroshi sato, hatsumi shibata, hitomi penny tohyama & vielen anderen.

incl i:cube and dave aju remix

limited ten year edition - crystal clear vinyl - gatefold sleeve incl. download code, 1 per customer

gatefold sleeve incl. download code, 180 g vinyl !!

lp + 12 page booklet

incl. printed inner sleeve

soulful disco classic - the 1980 debut album from new jersey’s young & company back on 180 gram vinyl.

mettphonic, toetensen, t. coltrane, wilczynski, o. bernstein and more

fresh from perth s most prolific percussion den, we re proud to introduce gcr006: the keenly-awaited debut lp from local rhythm magician phil stroud. presented in an absorbing listening arc and captured with crystal clarity, this self-titled slow burner is an artful and meditative journey, filled out with straight up danceable joy. in just over an hour, stroud leads a pilgrimage through intricate landscapes of percussive beauty. there s the restrained, hypnotic approach of ritual and tribe in amongst organic house workouts with rich orchestrations. nimble vocal motifs and shimmering flutes ride the hefty grooves of the birds, scintillating and outside as field recordings surprise and delight. fix a glass of punch in time for the smooth, melodic neo-exotica of flow. and as the physical plane fades away, lose yourself in the shimmering ambience of middle east, a mellow final act recalling the more mystic moods of alice coltrane.

the maverick maestro from the bay dave aju is back with his circus family here with an incredible new release. based on stripped-down hardware sessions rocking just a roland tr-909 and sh-101, aju once again proves that no sound set need be limited in itself and along with the addition of one microphone for his inimitable soulful voice, creates one of his strongest and most imaginative releases to date, the 10101 ep. a multiple homage to the 101 freeway that spans his native golden state and the numeric classic analog boxes used vs digital binary to process them, the four rich tracks offer the best of both worlds and cover all the bases of mr ajus musical multiverse. low dive starts things on a deep heads-down dance floor tip where rising synth lines soar over a blast of shuffling drums and percussion for a rocksolid djs delight. always never comes next with pure aju magic, equal parts song and track, an ear worm of a chorus, and full of sunny west coast electro influences all the way through. on the flip sides may very well be one of ajus most intense transmissions ever, with a sublime and seemingly endless build-up of dark pads, driving, shifting rhythms, and voodoo vocals that will detonate many a peak-hour sound system guaranteed. aju then tastefully finishes with the cool psychedelic mid-tempo bump of tell her why which harks back to his hip-hop roots and wraps up the vibe and elements of the whole ep perfectly. welcome back with a bang brother aju!

nice price deal !!! dani sicilianos latest album is self-titled for a reason, it represents a personal statement crafted by danis own hand - feeding off her accomplished past in experimental pop and electronica and reaching to new tones and timbres in a celebration of musical liberation. culminating eight years of songwriting, production research and sonic exploration, circus company is proud to present dani sicilianos third solo album.

gwen torino is kinda weird and brings some distorted music. twisted, psychedelic science fiction jams with a small portion of acid.

a demo tape, sent to capitol records by the trash company in the early 90s, garnered this curt response from then president of the r&b division, joy bailey: some music was never meant to be heard. thug records returns with one of the most intriguing releases to grace the catalogue so far. not restricted by any one scene, max monroe of the trash company produces a hypnotic medley of original hard edge rhythm & blues, soul dance and classic psychedelic punk wave textures. armed with a condition known as synesthesia meaning he perceives sounds, words and letters in terms of color and a 4 track cassette recorder, the trash company has spent the last 30 years as a bedroom recording genius.

at times painfully raw, at others wonderfully mischevious, this is the record to confirm aquarius heaven as a project that transcends the formulas of electronic music to become something that reaches beyond the dancefloor.

lets play house finishes its first full year with its 12th release, which, like the first—runaways indoor pool ep—features one original track and three remixes. the a1 comes courtesy of river & phoenix, a new nom de disque of australias young edits. earlier in 2012, he released his debut ep—castle rock—on editainment, hence the playful moniker. this song, however, is not an edit.

2nd edition with 13 tracks instead of 14 (on the deleted first edition)

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

dancefloor three tracker as the eidolon story continues. don t wake up is a down and dirty minimal house jam! sexy and corrupting whsipers hint at joining the dark side. the bassline moves and thumps along side the hollow rim shots and falling keys. a huge track with a remix already released on patrik skoog s we are label

nice price deal !!! nice price deal !!! vocal / electro house styled.. incl punkrk & full blown rmxs

!! ltd nice price action / ltd re-issue !! nicolas jaar has graduatedÐ space is only noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic musics most exciting producers.

limited brown vinyl edition of the 5th album from citizen.

biovinyl, limited edition of 500, heavy 350gsm sleeve, sticker

friends of friends presents the second album from afternoon bike ride.

60s compilation on coloured double vinyl incl aretha franklin, cat stevens, santana & chuck berry !

coloured 180 gram double vinyl in gatefold sleeve (1x red / 1x yellow).

repress

tru thoughts presents the debut album from british singer bryony jarman-pinto. the double vinyl is housed in a gatefold sleeve.

soul jazz records’ new boombox 3 continues the story of the first rap records to be put onto vinyl. it is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping! this soul jazz records album is released on heavyweight triple vinyl (+ download code) with full notes.

our latest examination of esoteric, modal & progressive jazz of the 20th century has taken us to japan. the liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of japan. from the dawn of the jazz age to the present day, japanese audiences have been renowned tastemakers, enthusiasts and champions of the music in the 1980s, japan was the biggest per capita market in the world for jazz records, and it has even been said that japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favour in the land of its birth.