one half of the kwc 92 (who has previously delivered two top notch lps for l.i.e.s.), swedish producer max stenerudh aka maxxx bass steps forward with a 9 track solo effort titled gone fishing. right off the bat we hear stenerudh immersing himself in a world of chilled out and narrative fm electronic explorations that call to mind places past. the untitled tracks leave it to the listerner to create a story on their own, as voice pads, hand drums and dare we say pan flutes push and pull their way through the album creating dreamlike textures and otherwordly escapes. ideal music to fall into a late afternoon summer siesta to. lp comes come with full color 22cmx28cm color poster and download card

180g black dipped in red vinyl

10 songs on limited 10 inch vinyl.

limited edition double transparent vinyl in gatefold cover.

fan box - must have !

limited double vinyl deluxe edition, including 4 bonus tracks.

signature dark remixes double lp (eight track included) 2x12inch, black 140g, 33 rpm, normal picture cover with 5 mm spin, black inner sleeve and wraped on plastic. >signature dark remixes<, is a collection of remixed versions from the tracks of signature darks first two albums, >foghornia< by tapani rinne and >dark days< by aleksi myllykoski. vinyl version contain eight works from top notch finnish techno producers. dub techno aesthetics is represented in remixes by roberto rodriguez or roope k, while its techno counterpart is found in remixes by samuli kemppi or tuomas narvio.

minimal, melancholic and deeply spirited noir jazz with an electronic twist! this is the extraordinary and original sound of aleksi myllykoski on his novel album dark days.

hope are in the black phase. everything around them is obscured. every lyric and every spark of music, every photograph and every recording is drenched in black. it’s not the black of wave or gothic bands, but the unpretentious black of portishead or talk talk. a black arising from a wound and at the same time covering the wound, burying it. a scab. a black letting you forget the jazz, the academics, and the provinces that hope has come from. in germany, jazz, academics and the provinces are very close, and hope had to live through most painful experiences, play many unnoticed concerts, and remain unloved to find the love for themselves and their music. only this explains the dark stringency and consequence of their self-titled debut album (produced by olaf opal), featuring monolithic songs like cell, kingdom and raw. songs, sounding rather like dystopic infinity than a light-hearted debut album. songs, compressed to one word, as if the listener should not waste any time with reading, but start listening. listen and dive into the endless hope wave of sound, vehemence and black. and yes, during all of this, the iconic singer christine börsch-supan is naked. we can only guess her contours - it is too dark.

2016 beweisen status quo erneut, dass sie auch leise können. »aquostic ii – that’s a fact!« ist die großartige fortsetzung ihrer erfolgreichen akustikreihe. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.