lazare hoche records is back with some stunning toolish cuts from makcim & levi!

limited 2015 repress
fresh from the release of their very first lp, here is an ultra rare repress coming from mid-nineties usa via one of the paris finest new labels, lazare hoche records. the bossman himself lazare hoche is an avid collector of rare house joints, and has a penchant for anything the truly epitomises the spirit of house music, raw, undiluted and full of funk. unlike some collectors who never reveal their secrets, lazare hoche decided to share his knowledge of those hard-to-find tracks of the past with this new release, and so acquired the license for three tracks by the cult duo nimbus quartet grouping them all together in a special vinyl-only reissue.

at the tail end of the 90s, gregory darsa played around with a number of pseudonyms before finally settling on his now familiar dj gregory alias. one of those abandoned aliases was headcore. it was used for a single ep back in 1998, released on chateau flight s label, versatile (then in it s infancy). here, that ep gets a welcome reissue. it s aged rather well, with all four tracks - explorations of deep house themes with occasional nods to the dubby, african-influenced style darsa would later explore on the africanism project - sounding as fresh now as they did 16 years ago. picking highlights is tricky, but we re particularly enjoyed the sparse, swinging dub-house of -cage- (accompanied with a tasty drum dub) and the chez damier-influenced chug of -in & out

produced by lazare hoche, samuel andré madsen & malin génie.

support coming from robert owens, kerri chandler, chris ward, norm talley, delano smith, dj deep and many more ...

the big follow up to the smashing hit single no sudden moves/circles. two brand new tracks of glenn morrison on the border crossing label coldharbour red recordings

>a 1000 keys< is a fatal hommage to minimalism and a consequent denial of virtuosity and the idea of creative genius. paraphrasing the romantic idea of human perfection, brinkmann found a way to create sonic algorithms of tenderness and brutality, establishing dramatic expressiveness in his constructivist analytics. the result is of radical beauty.