incl krl remix

b-stock , seam split , music uneffected

quintessentials new output by krl

soulful female vocals by janine small

2016 repress.. these reworks by the revenge (soul heaven, jisco music) & greymatter (mr bongo, unique uncut) present two unique interpretations of the original, the revenge strips the track down into one of his trademark slamming mid tempo grooves, whilst greymatter keeps it closer to the original but adds a new level of drama for the dance floor. side b introduces a new talent to the scene – krl. playing on samples and influences from the soul scene and restructuring and resurrecting them as modern dance floor bangers, krls tracks are already creating a big buzz. the massive recession beat has been in constant demand since its first initial promo airings and the storming remember (greymatter rework) is also set to do big things.

krl returns to wolf music after a production hiatus. the ep contains four krl dancefloor cuts and three skits that tap into his hip hop roots.

for their 20th release wolf music present a collaborative effort from greymatter & krl. the two brothers styles compliment themselves perfectly on the three original tracks contained on the ep. to round off the release, the label has drafted in remix duties from their third resident producer, medlar.

after their sure-fire succession of great releases dam swindle end up on the excellent freerange imprint. and if you like the words deep along with atmospheric then this will most definitely appeal to you. from the opening title track with its lush, moody nu-groove styled pads and thunderous hand-claps these three productions simply ooze class and intensity in abundance. next is >gotta know< which rewinds back to classic house sounds and injects a sense of melody into the already swinging rhythms and punchy, detroit bass. which is then followed by >brotherman< and yet more in-depth moods, this time accompanied by jazzy, scat styled vocals for added diversity. finally we have wolf music main man krl stepping up to remix brotherman and a rather sterling job he does to. making great use of the vocal krl brings us a slowed down version with his trademark shuffling drums and a dynamic arrangement. piano stabs and a cheeky boogie synth sample all help bring his own sound to the track and round off the package perfectly.

theres no need to do a big introduction of deep space orchestra. si murray and chris barker have releases on a number of heavyweight labels (e.g. delusions of grandeur or use of weapons) and regular guest appearances at club nights and radio shows throughout the uk and rest of the world. their second ep for quintessentials is some raw and analogue business topped with the dso funk! wolf music hot shot krl adds some piano and old school power on his remix and we must admit were delighted!

jmx makes his second appearance for us after his remix on the atapy ep last year. also known as one half of belfast duo jet project, jmxs solo project takes influence from everything from old mood ii swing records to modern day bass music creating a raw sound that is completely his own.
we have got a few remixes on this one: first up is krl, on loan from the excellent wolf music, with a deeper take of >on u<. moscows s.k.a.m. turns in a remix ahead of his debut ep for us in july (more on that soon).

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

in vier neuinterpretationen verschmilzt der tiefgründige charakter des aktuellen douglas greed albums krl mit dem groove ausgewählter produzenten. so erfährt das ohnehin bemerkenswert vielschichtige werk nochmals eine mitreißende erweiterung seines atmosphärischen klangspektrums. rundfunk3000 gestalten das experimentelle shiver mit ihren gut gelaunten beats und warmen instrumentierungen aus, wodurch der titel zum tanzen einlädt, ohne auf die verträumte stimme von sängerin delhia zu verzichten. auch der sentimentale gesang aus pain bleibt erhalten, acid pauli balanciert ihn jedoch gewitzt mit einem perkussiven cumbia-rhythmus und dessen südamerikanischem frohsinn aus. mollono.bass wiederum nutzt die emotionale kraft jener stimme für eine hypnotische, eskalierende, zum ende gar in zwitschernde acid-zitate ausufernde dancefloor-abfahrt. den abschluss bildet die akustische song-version von morning gloria aus dem studio von mooryc, ein atmosphärisches destillat des sinnlich-besinnlichen originals.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

a welcome return for wolf with new sleeves and featuring the massive medlar - terrell alongside tracks from greymatter, krl & chicago damn.
support from: dark sky, zoo look, om unit, sarah sweeney, tim sweeney beats in space, red snapper, lucky me, mark potts, favouritizm, brackles, shook magazine, subeena, leftoo, delusions of grandeur, james barrie (bbe), feel my bicep, kelvin k (nordic trax), ian blevins (we love...), duffstep.

wolf music with yet another killer 4 track ep featuring ooft / krl / brothers rise & fantastic man. limited - act fast!

good price for good music! these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein he s distributing straight dope, however, in the sense of emotional impact Ð dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated author-future-popfor the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos

sixth album: the strand cinema

the album comes with a full cover by stefan marx and the first edition includes a special 60x60 cm poster!

blue coloured vinyl incl mp3

debut 8ball on sneaker social club

dnb album by sonic

incl. ashford, knights appleblim, coco bryce

remixes by x-altera , dj guy

with a great style variety...

180 gram double vinyl release.

limited pressing on yellow vinyl.

etchs ups & downs album is a collection of dubs which date as far back as 2014 and up to the present day.

fierce straight forward house burners by mr tophat celebrating the 10th and final krlvk release! after nine successful releases on the krlvk series of the karlovak label, mr. tophat - only one ep will be the tenth and final release on karlovak recordings (forever and ever). a sincere thanks for all the fun we had on the dancefloor!! <3

more than ten years since he first emerged on skull disco, appleblim presents his debut album. the label he co-founded with shackleton was the first the world heard of his productions, but laurie osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. at that time fwd>> and dmz were the church for this ritualistic sound, and appleblim was a regular fixture at both.

reissue of belmond black s forgotten album from nigeria, originally releases in 1979. incl. standout track. its never too late

it is with great pleasure that we announce the first edition of the krill south series. the series will be making history, right from its inaugural release, by being the first ever techno release to be pressed and distributed from argentina. the release will coincide with a partnership with conekta records. the first release will be a reissue of a remastered version of two of krill’s hottest releases - jonas kopp’s ‘anklad’ (which was featured on krill’s maiden voyage back in 2011) and raffael attanasio’s x501’s ‘x505.5’ (which can be found on the a-side of the fourth krill release with bleak’s offerings on the flip). kopp and attanasio’s contributions to the techno scene have sky-rocketed since their last krill output and it’s an honour to be able to reissue something that has been marked as legendary on krill’s accolade. krill music

limited 100 copies vinyl only. technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref in 2016 really aims at it. krlf003 split vinyl release named purple split (from the cover colour) signed by the british patrick cooper (coefficient) on the a side and by the colombian alexander soto (gotshell) on b side. it&#146,s the first krlf release including digital bonus tracks: d-meson and t1995. supports: dave clarke, chris liebing, dax j, ilario alicante, joseph capriati, paula temple, randomer, carl craig, marco bailey, danny tenaglia, paco osuna, don rimini, sasha carassi, slam, damon wild.

karlovak co-founder art alfie steps up for some solo action on home turf. three karlovak centered house/techno bombs, as always!

modern radical changes have to be found inside the man-­&#8208,machine relationship and the chief kill ref debuts on his own label with a set of live recorded originals, and two studio remixes: human touch drives simplehardware automations: metal, fast rhythmic, blind acid synthesizers starring the title track &#147,night speaker&#148,, the distorted drummachines builton hars trippy synths paint original &#147,sigh notch&#148, and the original &#147,lowering sight&#148,. developer gives an hypno bigroom remix to the unreleased track &#147,cloudlike&#148, and charlton re-­&#8208,invents &#147,sight notch&#148, offsetting its rhythms and delays.

2016 has been a very fruitful year for krill music. the habitat series places focus on shedding light on budding new talents and seasoned veterans alike through solitary tracks. the year kicked off with an ep from those that fall into the latter category - those of whom need little introduction, in stanislav tolkachev, i/y, +platfform and stefan vincent. throughout the course of the year, we then saw the likes of matrixxman, ilario alicante and mental resonance contribute to the now infamous concatenation.

funk drenched classic new york influenced house tracks from stockholm house legend tiger stripes! timeless!

oi... big house tunes alert!! 2 big tunes from the north that sounds like the hay days of club house in the mid and late 90 s! fresh house bangers from the karlovak label honchos them selfs!!

technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref, really aims at it. endlec, already known for his double appearance on mord, ushers the label series: “linear authority” is a fast techno cutting-edge sound designed ep. thus aesthetically classic, it can also truly represent the modern rhythm contemplation kr/lf is seeking.

krill music habitat va part v comes armed with 4 original cuts. carefully curated to create a breadth of styles whilst maintaing a sense of cohesion, with a thin thread running throughout - in the form of hypnotism and unease. its been nearly 5 years since krill music embarked on its maiden voyage, and in that time has managed to accumulate quite the accolade of heavy weight artists. providing a platform for ever relevant luminaries, such as pfirter, thomas hessler, charlton and the rogue-techno-mercenary stanislav tolkachev- the argentinian/norwegian outpost has garnered quite the momentum in just half a decade.

next up on karlovak is italian dj and producer santos. having released music since 1995 on labels such as crosstown rebels, desolate, ovum and bedrock, santos has an impressive string of releases in his back. we are thrilled welcoming him to karlovak with this 2x12 containing four house burners thats been road tested and approved by the label heads themselves, mr.tophat & art alfie, over the past year.

arlovak dropping its first various artist record with sakro and champy on the bill! super solid sample driven house tunes in the vein of label headhonchos mr. tophat & art alfie. filter disco vibes combined with warm chords doing the job.

cj scott is a stockholm based house talent with an extra

after the part iii, the part iv of habitat series focuses all the energies on the next 4 track project where matrixxman, mental resonance, benjamin mull and christian lisco are the protagonist of this highly flammable ep. dark, acid, futuristic and rough elements blend together into something incredibly harmonious.

once again krill music takes command of the shuttle towards another sonic dimension, a complicated journey to the limits of sound where mesmerising melodies act like the songs of sirens, through obscure and dense jungle foliage where the sunlight is rare and the night reigns. so with seat-belts fastened, onto the latest release...

big time karlovak hero radio slave delivers a killer ep for the krlvk series. two groovers for the neverending dancefloors!

so many great names on one release! thomas hessler, henning baer, jonas kopp, szare, pulse one, tom dicicco, x501 vs lfj, tempre. argentinian-norwegian label now based in berlin, krill music drops yet another bomb on the techno grounds that will downright haunt your ears. enjoy these trippy head melting remix collection that will take you on a journey over the labels crown jewels reawakened. krill music will be back with you shortly, with another promising quality release intended to leaving you off guard.