legendary 1977 dub album

repro of this sought after 1969 reggae lp. includes 10 classic tracks featuring top jamaican session players such val bennett, winston wright, and gladstone anderson.

limited edition one-off pressing on silver coloured double vinyl.

remaster

trojan records celebrates the 60th anniversary of jamaican independence with a special compilation of 28 tracks on transparent green and yellow coloured double vinyl, housed in a gatefold sleeve.

legendary jamaican reggae band toots & the maytals are back with a new studio album.

original reggae classics from kingston town, jamaica.

jamaica suk returns with the third release on her quality-not-quantity imprint gradient, with two fine originals matched by two excellent remixes

a collection of hits from bob marley, that didn’t became mainstream - plus tributes on side b.

carib roots, jazz, mento, latin, merengue and rhumba from the vault of jamaican label federal records, 1960-1968. the double vinyl is housed in a gatefold sleeve.

bangin analog sounding underground techno

the legendary gig that joe strummer, singer from the punk rock band “the clash” attended and inspired his writing their classic ‘white man in hammersmith palais’ took place on the 05th june 1977. at the hammersmith palais venue on shepherd’s bush road w6, london during the height of punk mania. the full line up for the show were all jamaican artists dillinger, leroy smart, delroy wilson (all the first time from jamaica) and ken boothe. “ken boothe for uk pop reggae” who had already scored some hits with ‘everything i own’ and ‘crying over you’ in 1974. joe strummer was expecting roots, rock, reggae but the sound system this evening ‘admiral ken sound’ was playing ‘four tops all night’ as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in joe’s eyes the music should have reflected more jamaican roots based music. the song also deals with bigger issues of black and white unity, but some people including the punk rockers. “they’re all too busy fighting, for a good place under the lighting”. joe strummer himself was looking for fun. “i’m the whiteman in the palais... just looking for fun”.

emotional rescue and jamwax return to capo disco with the first ever-official release of a holy grail of the caribbean disco sound. fully licensed and remastered especially for this release, there is no now requirement for badly pressed rip offs. while little is known about the crashers, all leads point to an incarnation of the revolving “house” band of glen adams. as often the case, the floating nature of jamaican born labels, rhythm sections naming and renaming to fit occasions was endless.

50s jamaican mento at its best, reissue of a double 10 inch album into one solid disc. happy and delightful jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm sp singles.

sparrow s visit of jamaica, “the isle of springs”, during the month of june 1963, has left him with very pleasant and joyful reminiscences of the love, warmth and hospitality of its people. well! and it s from there it all started, for like oliver twist, sparrow continued, where ever he went to ask for more, and, obviously when the drinks are in, the wits are out. you are therefore left to deduce whatever you may during his presentation of this contribution. “i ll be around” (bossa-nova) is a warning to one of his lovers of her promiscuous traits towards him and the retribution she would eventually suffer for so doing. theses two calypso songs were recorded with the famous bert inniss national recording orchestra. this single 7” is absolutely impossible to find and will warm any dances in the world.

freshly launched vinyl label exploring the gradients of techno with a direction to move. 3 raw cuts from producer jamaica suk, san francisco native now based in berlin, featuring a remix from cassegrain.

patrick keel is a multi-instrumentalist, composer, producer, and performer. the pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. patrick was heavily influenced by the radio of the early and mid 1960

this is the second collection to bring together many of the visionary producer clement ‘sir coxsone’ dodd’s early recordings made with jamaica’s most exciting young artists and musicians. the triple 180 gram vinyl release includes a download code.

the next release on lag is from bay area to berlin transplant jamaica suk. the kontort ep (lag006) is another 3 cut record with all original music. the title track kontort is a composition with the big room in mind with thunderous kicks and bass with intricate panning and dub inflections. holographic is a another big room techno workout with a deliciously infectious piano line which allows the producers personality to shine through. depth between waves is a dub techno roller. this track shows restraint till the break then re-emerges with a synth sound that pushes the groove forward in a simple yet undeniable manner.

fiif001, fiif002 & fiif003 all together in a special price bundle!

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

following the success of deepchild s haitian rum runner, face to face recordings returns with a strong follow up. tim xaviers newest imprint looks to cross the boundaries between house and techno, this time featuring jamaica suk with her spektrum ep. stepping into harder techno territory the up and coming artist brings a solid 4-track ep with style and flair like none other.

mit wunderbaren songs wie -no problem- oder -i think i like u2- begeisterte jamaica, ein duo bestehend aus den franzosen antoine hilaire und florent lyonnet, bereits 2010 die fans weltweit. nun schickt sich jamaica an daran anzuknüpfen. -ventura- heißt das neue album, das abermals von peter franco produziert wurde, der zuletzt noch bei daft punk an den reglern saß und dem album den letzten musikalischen schliff gab. -ventura- ist dabei die logische fortführung seines vorgängers. geradlinige poprock-songs, die zeigen, dass die leichtigkeit des seins auch in der musik zu finden ist. die vinyl lp erscheint inklusive cd-versdion des albums.

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

killer !!!

sometimes, its still worth not to waste your youth with nonsense but to learn to play an instrument. like in the case of sebastian mullaert, who has learned to play violin, organ and piano, while his partner marcus henriksson rather came from kraftwerk and human league to electronic music. as son kite, the two swedes have already a well-known name in the psy-trance scene, and as minilogue, they now start to conquer the minimal and house world. with their rather unique sound, they manage the tightrope walk between minimal and trance and never allow us to put them into a drawer. especially with their debut on cocoon rec, minilogue present themselves in a different way, compared to their releases on traum or wagon repair. >jamaica< is a calm track at the first hearing and is perfect for building up a set. beginning with bird-like sounds, the track builds up slowly and quickly becomes very interesting and tricky, ramifies as organic as a climbing plant, and when the tribal sound emerges from the underground, this track has exactly what makes minilogue so special: organic matter and groovy sounds, worked into a minimal labyrinth with very much love for the details. all of that can also be found on the b side which seems to be more adequate for the morning hours, with its somehow spacey sound. with >jamaica<, mullaert and henriksson prove that they are floating on the very surface of the endless minimal ocean. and with their album >animals< being already in sight on cocoon recordings, one can be highly anxious of what is coming ahead, by minilogue and techno made in sweden

dela aka soul village teaming up with us vocalist tiffany paige for a live cover of tom browns jazz funk classic the second track is a straight up hip hop smash with a deep string groove bouncing beats and supa hot vocals from us vocalist supastition

snapchat-kšnig und paradiesvogel kaas war zusammen mit den -jugglerz- in jamaica. einzige zielvorgabe dabei: bring eine fertige -kaas & jugglerz in jamaica--ep mit zurźck. ob am ende hardcore-dancehall, roots-reggae, rap oder gospel herauskommen wźrde, war dabei všllig offen. das stuttgarter soundsystem jugglerz, bestehend aus shotta paul und meska, ist weit źber die schwŠbischen landesgrenzen aktiv und bekannt. mit ihrem sieg gegen tony matterhorn 2014 und dem gewonnenen -war ina east- soundclash auf jamaica gegen black chiney aus miami auf der habenseite, sind die jugglerz eines der erfolgreichsten soundsystems europas. dadurch ist das duo auf der sźdsee-insel bestens vernetzt und fungierte bei diesem projekt nicht nur als produzentenduo, sondern auch als tourguide.

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

incl. delroy wilson, john holt, slim smith and more