compilation of latin styles in classic west african dance music in high quality hj manner

freak & funky percussive experimental minimalism

percussive adventures from tribe of colin on double vinyl.

4 new tracks from don’t dj, generously spread out over 2 12 inches.

percussive & shuffling piece by light of saba veteran, dub mixed by moritz von oswald.

feat gilb r (organ, synth, handclaps, percussion)

ltd 10 inch

... super jazz ! / a deeply resonating, ‘spiritual jazz’ based listening experience

a kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in bishkek, devoted to the roots music of kyrgyzstan. loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in berlin. further, a few of these are deftly treated by moritz, using reichian de-synced double-tracking, and discreet effects. also two ten-minute dubs: a deadly, signature berlin steppers, plus its version and an echoing, mystical drum session, recorded live on stage in bishkek. and a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread facets. ravishing, rooted, searching music, beautifully presented.

vintage african musics treated in breakbeat mode though chants focused & in barranquilla and cartagena style

2017 reissue -- tony allen is the co-creator of afrobeat, and one of the most distinctive and in-demand drummers on the planet. no one swings like this nigerian rhythm man ? with that amazing, loose-limbed, poly-rhythmic technique that has powered some of the funkiest and most challenging dance music ever created. and lagos no shaking is his most powerful and personal album to date: a return to core values, a testament to the fact that afrobeat is best served straight ? hot, hard and percussion-heavy.
>lagos no shaking< is a spectacular homecoming for tony allen, an acerbic, unflinching love letter to the city that gave him life in rhythm.

nice price deal !!! an implacable, trash-and-ready son of sleng teng — bleeping, buzzing, knocking, dripping, reverberating, unresolved in nine minutes — and a high-pressurized, quick-loading hyper-grub into star wars. the sleeve is de-bossed, with metallic ink. the tracks are exclusive to this single (and wont appear on actress new hj album, out early spring

full spectrum outerspace transmissions from planet shackleton in skull disco encoding.

ace ernestus dubs for nigerian brass band obadikah - highly recommended

brand new, rambunctious, rootsy, spiritual brass-band music from lagos, with singing, drums and home-made percussion. obadikah is a group of old friends who play together in the cherubim & seraphim and baptist churches of the ikeja and isale eko districts. a couple of them were founder-members of the eko brass band, they’ve played with pretty much all the key nigerian reggae artists. the tunes are mostly traditional yoruban melodies, often sung at bed-time. the songs are mostly original, sung in yoruba (though jomido is an egun song from the badagry area of lagos state).

nice price deal !!! vintage electronica aware smart leftfield house jams & ambient interludes

shackletons most expansive, ecstatic and hallucinatory music to date’ (in impressive gatefold packaging)

pure worries from leipzig — three club burners steeped in detroit traditions, distilling the explorations in collective, nervy hypnosis of km live sets. as the music slowly unfurls, there he is at every turn, subtly tweaking its parameters, redistributing its weight, pricking its grooves into a state of utterly infectious perpetual movement. the two visions of chilazon track opposite pathways: the first is twelve minutes of gorgeous, dubwise, aquatic techno, spattered with kicks and razor-sharp hi-hats, and smeared with ghostly echoes, then a terse mesh of broken drums, escalating to a quiet yet feverishly intense peak. lanthanum is calligraphic swordplay, its toms and bass stabs warily circling one another in a graceful steppers’ dance, spaced-out and fathoms-deep

repress 2019 ~~ brilliant electronic/house rmxs of 60s bitter sweet soul by pepe bradock - tip

spherical collections of stars form around black holes in situ, that is, locally to their cosmic neighbourhoods. it is said that future space colonization will rely on sourcing supplies in situ. construction in situ uses raw materials at the site: colossal sculptures such as naqsh-e rustam, the leshan giant buddha and mount rushmore were built in this fashion. wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. melody breathes out from dubwise fx, percussion by turns sinewy and floating, sub blasts and stripped synth arrangements. keys on air. spacious, witty, melancholic, deadly.

* garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dance…* (from anne carsons new translation of bakkhai, by euripides)

tony allen, drums, max loderbauer, synthesizers, moritz von oswald, percussion sequencing, synthesizers, additional electronics. mixed by ricardo villalobos. artwork by marc brandenburg.

...and tapes added electronics - a shot of drum song and a giddily intense binghi dub. total murder.

small re-press - be fast

klasse villalobos mixe ! we love this .
mastered at d&m , side d is etched, includes insert.

ltd 2015 repress t++ delivers his final work under this guise....sounding amazing. honest jons on fire

ever amazing kassem mosse treats outstanding singer/songwriter simone white

meditative, absorbing dance music in true moritz style — at times seemingly transfixed by its own elements, and minimal almost to vanishing-point, but quickly back ticking, kicking and amassing, with the lethal dubwise density of the classic berlin sound. twelve minutes long, trenchant and forbidding but sharply alive, the dub itself is a kind of deep fort-da gambit which scoops your brain out for a quick sluice, before replacing it slightly skewiff. dont drop your guard because of the tresor.

amazing new doublepack release by morphine man rabih beaini aka morphosis - tip!!disconcerting, questing brilliance from rabih beaini: two sick, nervy techno killers (including an ethio homage), stalking the corrosive perimeters of noise, and deep, long excerpts from his engrossing soundtrack to dreyer s vampyr, with contributions from the upperground crew, and sun ra in its marrow, alternately driving and motorik, off-the-wall, lost in space.

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

*** ltd repress ***
nervy and urgent, epic and apocalyptic, kicking hard and funky as anything carl craig remixes

recorded in 1964 , blue note records, now licensed to honest jones !!

the moritz von oswald trio operates at the bleeding edges where musical lineages collide. feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. after two previous studio albums and one live album through honest jons, the trio - moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo) - returns with fetch, their most fully-realized voyage yet into these in-between worlds.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

two exclusives: erykah badus irresistible do-over of the euphoric album instrumental there, with malian synth-freak tidiane seck, and a dub by mark ernestus. lovely silk-screened sleeve

stripped down mmm killer cut b/w psychedelic dubbed out oa trip - tip!

demdike stare & hype williams meets honest jones

two dazzling, out-there contributions from the inimitable actress: an immersive, slashing thumper, ecstatic and convulsive, multi-layered and head-nodding, just about getting mars on the radio, and a kind of unhinged marimba and thumb-piano variation, grubbing around manically in half-memories of african polyrhythm

absolutely lethal, classic footwork from these three originators — body-rocking, invigorating and startling, hybrid without compromise. the a is route-one dancefloor murder, honed and nasty, vintage chicago and detroit gone clear across the border, the flip is a fiercely dazzling juke vocal collage, bare and hard as nails

in addition to the awesome p&s album b/w truly mind blowing musical trip by morphosis - highly recommended!!

the two dubstep pioneers at the top of their game. the deadly concision, the rhythmic punch and dramatic timing, the spry, side-to-side detailing of a cavernous stage, the crisp-biscuit vocal sampling and middle eastern percussion — together, their sound signatures are not so much totalled as squared. truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

massive versions by detroits theo parrish and burnt friedman!
theo roars into a fierce, uglier-than-ugly edit, with no let-up for thirteen minutes, when it crashes to a standstill: a hurtling, mesmerizing ride, multi-layered and clustered with synth washes, bleeps and alarms, galloping drums, clattering percussion.burnts shangaan variation is perforce more chilled, lithe, reverberating. the drums are crafted and fatback, with moody vocal interjections and haunting keys, chocka with dub thrills and spills, lethally spiked with bass.

killer dubbed out house stepper rv & ml version b/w some peverelist magic - tip!

killer dubbed out house version - highly recommended!

fiercely brilliant, slashing, whooping dance music from the knife man. all-original, no samples and a stonking detroit thumper from the master.

storming, squinty shangaan electro to herald the current european tour of tiyiselani, the tshetshas and producer dog. three exclsuive tracks - not - on the album.

storming, squinty shangaan electro to herald the current european tour of tiyiselani, the tshetshas and producer dog. four exclusive tracks - not on the album.

finnish experimental artist sasu ripatti, most often known as vladislav delay, has put together a new group called the vladislav delay quartet, with a self-titled debut album.