pop

remixes by gerard hanson aka e.r.p. and convextion. limited pressing on white vinyl.

life is like a mirror ball! the first one in a hopefully long-lived series of disco and pop influenced super sound singles on running back, comes courtesy of the unmistakeable gibson brothers. leaving their biggest wedding hits -cuba- and -que sera mi vida- to the side, the philanthropic and smile-forcing -ooh, what a life- gets an extended edit service by shan & gerd janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. the flip side sees them remixing and sandpapering -heaven- into a disco-house interbred (filters and looping mandatory). to quote john lyndon: -disco sucks? you never heard that from me.-

noah gibson with atmospheric soundscapes.

krasch 3 reflektiert neues leben und lässt sich von einer unermesslichen zukunft inspirieren.

remixes by gerard hanson aka e.r.p. and convextion. bla<ck vinyl pressing.

back in stock 2019! noah gibson is a young fresh producer from the contemporary stockholm scene that is responsible for cultural phenomena such as underground party the office a wide range of young and older artists and labels who push the local scene forward as well as ryan airs sunday morning flight from skavsta to schönefeld. he has now been djing for more than a decade and in that time has earned a reputation as a living database with a real talent for making the dance floor move. this new ep proves that he has picked up many great tricks and tips on his travels and now he puts them to great use in his own music.

the greatest hits from latin disco trio gibson brothers on vinyl.

ben gibson & mary velo step up with two tracks each that are sure to find it into many record bags. on the a side ben gibson steps up with now here. massive strings and hats with a solid groove that is sure to inspire dj sets and have guaranteed crowd reaction, it’s a stomper. ben gibson follows on with trsuru river, modulated synths whirl, it has an infectious groove. a sure fire record for the bag. on the b side, mary velo steps up with code of behaviour, a deep cut that grooves and has infectious synths, one for the early hours or beginning of the night. following on rack steps up, its a big room stomper. massive kick and big hats whirl and enhance its’ presence. a peak time affair that is sure to find its’ way into many a record bag.

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wig… the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

noah gibson from sweden delivers some fresh killer techno on his own imprint krasch!

the quiet before the storm. the abyss before birth. the moments that came before everything else. this is episode zero, ben gibson s inaugural album on chronicle. it takes us soaring through a musical narrative, beaming down into vast acoustic valleys of sound. from the very rst notes the intent is apparent, lucidly slipping into a pool of full moon atmospherics. departing deeper he carefully calculates each and every step, building momentum and pace until the way back is completely forgotten. tracks like -foreclosure- reach peak potential with crushed, mangled percussion, while others such as -symptom- maintain a more seductive yet equally deadly pull. building upon pillars of 12-s, chronicle and ben gibson are now venturing into a new territory with episode zero marking the rst step. join us.

after 4 years of radio silence, prototypes is proud to announce its first vinyl release. wavefunction collapse by coefficient was first released back in 2011 and its among prototypes best-selling tunes.

ben gibson and fundamental interaction each deliver two pieces of razor sharp modern techno for their label, dyad.

life is like a mirror ball! the first one in a hopefully long-lived series of disco and pop influenced super sound singles on running back, comes courtesy of the unmistakeable gibson brothers. leaving their biggest wedding hits -cuba- and -que sera mi vida- to the side, the philanthropic and smile-forcing -ooh, what a life- gets an extended edit service by shan & gerd janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. the flip side sees them remixing and sandpapering -heaven- into a disco-house interbred (filters and looping mandatory). to quote john lyndon: -disco sucks? you never heard that from me.-

boomy, bouncy, banging techno slammer

shlomo opens the ep with a deep and droning, yet uptempo track. ben gibson continues on the a-side with a synth and tom-driven track, in which the main synth really draws you into the track. takaaki itoh is put on the b1 spot and continues the deep vibe the artists set on the a-side, yet in a more minimalistic way. his track keeps on evolving and growing ever more, while the track in it s core does not change that much. overall severity closes the ep off with a moody banger. this dance floor oriented track focuses on percussive elements and the drums a lot. this track is one of the last ones made by the late max_m, who formed overall severity together with wrong asessment, which makes this ep a little bit more special. four different artists, but a great sounding ep with four tracks that compliment each other really well!

fundamental interaction and ben gibson each deliver two pieces of uncomprimising techno for their label, dyad.

the fourth instalment in our pop ambient album series after stellar full-lengths from leandro fresco, thore pfeiffer and jens-uwe beyer. a journey through vast aural landscapes with an intricately woven tapestry of swelling string drones, shimmering pedal steel and minimalist piano motives. lp edition pressed on 180gr audiophile vinyl, including a download code for the entire album

incl joton remix, spooky delightful 5 track vinyl

• ldnwht. london white - london based vinyl only project
• great 4th release compilation
• being played and supported by the likes of: answer code request, shifted, ness, pfirter, aiken, jonas kopp, luke slater, dustin zahn, etapp kyle, ed davenport, truncate, par grindvik

tsunami records is back with ben gibson and a huge remix from christian wunsch!

rising label 04 is coming with a very complete ness ep which includes a ben gibson remix. >chronoscope< is the intro track that opens the release, a beautiful landscapes piece where ness shows his love and dexterity for the ambient music. following, >pantropy< is already starting with a heavy kick, far voices layered between the percussions and a sweet melody developing and coming up with that >trancey< touch that ness is able to do. on the b side comes >uchronia<, the track from where the release take the name, a strong broken track with shaped and dynamic percussions where some >chronoscope< landscapes are used flowing as the track goes on. to close the ep ben gibson delivers a classy >uchronia< remix going simple but effective, a perfect balance between gibson style and ness track that totally works out on the floor and makes the prefect closing track for that release.

introduction_ on vinyl by ben gibson, rodrigo garcia, sunil sharpe and myk derill.
support in the first round: truss aka mp1a3, jeroen search, roman lindau, phon.o, fanon flowers, joefarr, alex.do, drvg cvltvre, cassegrain, angel molina, josh wink, arnaud le texier, bas mooy, albert van abbe, imugem orihasam, marcel heese, paul mac, tomohiko sagae, dead sound, roberto, distant echoes, kwartz, dj t1000, ayarcana, wrong assessment, phone, eric cloutier, von grall, joton, mary velo, ryuji takeuchi, squaric, stef mendesidis, somatic responses, patrick siech, bleaching agent, south london ordnance, jesse jakob, anetha, maelstrom, hiroaki iizuka and many more ...

informa experiments volume 2 continues with the same concept as the last, 4 artists submit a bank of sounds and from these sounds each artist composes a track. a simple idea that proves very effective. this time the contributors are claudio prc (prologue), takaaki itoh (wols), ben gibson (chronicle) & deepbass (informa) each version has come out very different but all have a beautifully analogous feel. deep, pulsing hypnotic techno. the release will be available on 12 inch only.

lcseries comes back with the fourth reference, dark and bright, ascent. the a-side is covered at night. the darker side, the most ravenous, the more forceful, the wildest. starring oscar mulero remix of the original track ascent. oscars personal style makes to be all part of the sound composed through the original topic. in turn, liss c. remind us, that their tracks are by and for the club.

we who like to think of ourselves as disruptors felt that the time has come for a shift. a new path for chronicle emerges, carved out with a new series of 7 inch records limited to only 250 copies. our inaugural release, entitled words for silence, will be unleashed at our debut chronicle showcase on march 29th at berghain. as our way of giving thanks to our supporters the first 10 copies will be passed out in secrecy to attendants looming in the shaded corners of the club. words for silence features two driving tracks from aiken and the illusive ben gibson – two producers that have both crafted powerful eps for us and will be gracing the decks that evening along with nick dunton (65 d mavericks), boris, oliver deutschmann and mike dehnert among others. we could not be more honored to host this night, and look forward to unveiling more releases of this caliber for other special events/turning points. so watch out below… aikens *singularity* has a groove that beeps like a time bomb waiting to explode, washing over you with its sinful drones - while gibsons track *parallax* takes things a bit deeper with pastoral pads and fluttering hi-hats. together they create a balance of rhythm and energy that will be well suited for a number of unique moments while in the chamber.

heavy moving rhythms and interwoven throbbing modulations guide you through dance floor euphoria

more than six years into his career after several eps and a full album, there isn’t much known about ben gibson, and he is clearly keeping it that way with intent. gibson first emerged on jeff mills’ experimental, influential 6277 sublabel but then again vanished into the ether, he only reappeared three years later on perc trax, even more surprisingly with a full-length. since then, he’s gone on to steadily more notice with perc’s imprint, sect records, and most recently m_rec ltd in spite of the continuing lack of information. exposure isn’t the most important thing for us at chronicle though, and after hearing these five tracks, we saw exactly what it is that drew mills to him from the beginning. it is a sound that we find a perfect fit for the techno futurism of our chronicle series, and here we offer a platform for gibsons more sci-fi, ethereal sounding material, exclusively on vinyl for the fifth edition of our sublabel.

mehr r&b-rarit§ten aus den fr?hen 60ern auf 7 inch vinyl - die wurzeln des northern soul!

third release of lyon-based label clft featuring two originals by ben gibson (axix, perc, m_rec, sect) and two remixes provided by moerbeck (vault series, code is law) and thomas hessler (graphene, krill)

having swiftly carved a niche for himself amongst the likes of perc, ben gibson returns to sect to deliver more of his brooding and engaging techno. there is a great emphasis on sound design and atmospherics in the two tracks on quien es?, as ominous clangs and tense tones hang heavy over rugged drum workouts. >ceased to gasp< is the more industrial of the two, but still allows for a melodic slant in the cavernous echoes that define the track. >remain< adopt a swirling, psychedelic approach to sonic decoration that draws you in just as it continues flooring you, like all good techno should. highly recommended.

support from tazz, melon, roman fluegel, dan curtin, arnaud le texier, john osborn, ethyl & krl ...

ben gibson arrived on the techno scene in 2006 with the release of the techno-futurist track no signify on jeff mills axis sub-label 6277. the same year he relocated to tokyo all the way from his adopted home new zealand. elaborate, poly-rhythmic and often densely textured, the music he produced during this period contrasted heavily with a lot of the minimal techno popular at the time.

elliot and prins thomas met up for breakfast in new york and multiple late night calls and emails exchanged later we finally present these 2 special gems from elliots library of music.

5 tracks of deeper excursions from the brilliant american legend archetype of black nation and the temp japanese ben gibson of axis fame!

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

originally released in 2001

stunning electronic pounding uk techno ! laurent garnier: fucking masssssive i love it!!!

ben gibson with the latest offering from axis sub-label, 6277. a pair of dark, intense minimal techno excursions from ben here, with both utilizing moody synths and bass, and layers of crisp techno beats, whilst keeping the pace of the track very brisk. a fine example of soundscape-styled detroit techno

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wigÉ the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

die-cut cover . 2023 edition

ultimate country vinyl sampler incl. johnny cash, dolly parton, roy orbision and many more !

1000 die-cut leather structure gatefold with eight artist photo cards & insert.

1000 die-cut leather structure gatefold with eight artist photo cards & insert.

2x black lp, 5mm printed sleeve, 2x heavy weight printed inner sleeve, marketing sticker.