limited red marbled double vinyl.

hits from your favourite era, transported into the future with 2 jjaamm hot electro reworks direct from the pxuniverse. / ltd repress / 1 per customer

incl picture sleeve

reissue

white coloured vinyl

b-stock! cover with bent corner. vinyl unaffected & mint. laurence guy makes a welcome return to the imprint with possibly his best work to date. the church staple offers up his debut lp saw you for the first time. fans of lg s breakout kojak ep should take a closer look at the track list.

incl dinked centre

limited pressing on white vinyl with 16-page booklet and download code included.

regular pressing on black vinyl with booklet and download code included.

calling marcelle a dj doesnt wholly represent what shes doing. (three) turntables and a mixer is more the medium that she uses to create and share sounds, ideas and moments.

the legendary gig that joe strummer, singer from the punk rock band “the clash” attended and inspired his writing their classic ‘white man in hammersmith palais’ took place on the 05th june 1977. at the hammersmith palais venue on shepherd’s bush road w6, london during the height of punk mania. the full line up for the show were all jamaican artists dillinger, leroy smart, delroy wilson (all the first time from jamaica) and ken boothe. “ken boothe for uk pop reggae” who had already scored some hits with ‘everything i own’ and ‘crying over you’ in 1974. joe strummer was expecting roots, rock, reggae but the sound system this evening ‘admiral ken sound’ was playing ‘four tops all night’ as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in joe’s eyes the music should have reflected more jamaican roots based music. the song also deals with bigger issues of black and white unity, but some people including the punk rockers. “they’re all too busy fighting, for a good place under the lighting”. joe strummer himself was looking for fun. “i’m the whiteman in the palais... just looking for fun”.

file under : house // jungle // bass // breakbeat

laurence guy makes a welcome return to the imprint with possibly his best work to date. the church staple offers up his debut lp saw you for the first time. fans of lg s breakout kojak ep should take a closer look at the track list.

new first time on a 45 series from mukatsuku which will focus on tracks which never made it to a 7 inch single in their own right. first up the three pieces with a sublime track taken from the 1975 fantasy album “vibes of truth”. on the flipside also from 1975 johnny hammond delivers the much sampled club favourite “tell me what to do” from the legendary “gears” album from milestone which also gave us “shifting gears”, “los conquistadores chocolates” & “can’t we smile”. two classics on a dinked friendly format. limited pressing. don’t sleep!

burgeoning dj and producer bontan makes his debut on the notorious hot creations label. hotly anticipated, the release features two original cuts to fuel his rising profile. uk based bontan has been using title track the first time as his secret weapon for the last six months and is now finally unleashing it. “i’ve been testing it and tweaking it play by play!’ he explains. ‘the vocal compliments the rolling bass melody and gives it a darker edge”. this a producer who fully understands how to create a track for a heaving dancefloor. personal question is the second cut and flips the mood entirely with a twisted vocal entwined in beeps and percussion, whilst stirring the sentiments of lost early hours. a firm favourite in the underground scene, he has built a solid reputation with releases on circus recordings, 20/20 vision, and cajual among others.

nice price deal !!! though the vast, wide-open music made by fall on your sword is made to underlie the visual images that flicker across a film screen – to enrich and inform the storytelling and further the emotional depth of the sights before our eyes – the songs of foys often seem to have their own expressed narrative. the soundtracks made by will bates and phil mossman move through moods and traverse a range of emotional environs, and seemingly possess their very own story arcs, conveyed in musics notes and tones instead of the filmic language of images. -the first time i saw jupiter- and -rhodas theme-, both extended mixes of songs featured in the film another earth, are a good place to start to see the duos ability to create a feeling and place through song. both compositions lead the listener by the ears through expansive soundscapes and textured sonic landscapes

reissue of a timeless jazz classic, originally released in 1961. the vinyl lp is housed in a gatefold sleeve.

hnny is mostly known (so far) for his amazing house take on mariah careys >i want to know what love is< which was released on fellow stockholm label studio barnhus last year. for his debut on local talk he has pulled together three house gems that showcase a remarkable diversity in production quality. repressed

incl satoshi tomiie house mix

for this second edition of the vinyl only imprint, one of the label owners s.m.a.l.l (half of the deep house duo politics of dancing) take matters in his own hands and strike with 3 deep house tracks strictly for the dancefloor. including a remix from the french underground legend chris carrier!
be fast to get your hand on this one! limited copies, 300 vinyls only ...

everyone have experienced the >first time< in their life. now is the time of sergio pace. old and young is glad to presents the first works of this young turin producer. influenced by classical piano teachings of his mother, his productions are a powerful mix of rhythmics and melodies, the right balance between dance and listening! we choose these four track for our second release, but more is yes to come!

minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!

3 tracks of sparse, loopey deephouse and 1 jazzy, melancholic vocal cut that has a similar vibe to nick holder productions. cool!
pressing on multicolor marbled vinyl.

after &#145,putting in the overtime&#146, (cliché017) by runaway, cosmo vitelli is back on his own subdivision cliché breaks with 4 big edits. enjoy!

on the second wired, we have jason little & orman bitch with 4 massive hard techno to schranz tools !!

amazing funky remixes to this big hit ?mixes from brett johnson & soul rebels

pumping prime time double header

ltd ed, 140g gold lp + 12p booklet & dl card

re:genesis is the rebirth of a man, the second origin of the soul.

reissue of the 1992 ghost album on clear blue vinyl.

cd im digisleeve inklusive 20-seitigem booklet und bedruckter innenhülle

house various artists ep

raw funk / soul nuggets

ode to 97 marks departure lounge’s second release with two new original tracks with accompanying remixes from industry heavy-weights tigerskin and i:cube.

offizielle wiederveröffentlichung dieses disco-klassikers von 1981. remastered in 2022 und gepresst auf gelbem vinyl.

kaidi tatham masterfully fuses broken beat, jazz, boogie and hip hop.