lp, limited edition vinyl

limited pressing on orange coloured vinyl.

one spirit pres. eomac

100 copies only

forward thinking techno 100 copies only. comes on red transparent vinyl. mastered by helmut erler at dubplates & mastering, berlin.

sold out on pre-sale 100 copies only. comes on blue transparent vinyl. mastered by helmut erler at dubplates & mastering, berlin. the next releases on eotrax will round off a busy 2018 for the label and set out an exciting proposition for a future way of working and releasing music. in what will be an ongoing, curated collaboration series artists will be invited to make work together for the label, without restrictions on genre, style or aesthetics. an open environment of collaboration and experimentation which will then be released by the label. to launch this series label head eomac teams up with four different artists over four slabs of vinyl, to be released sequentially over four months. the collaborations are improvised and composed, wild and emotive, unexpected and expected and all of them resulting in music that would never have been made by either artist individually. first up is a two-tracker from techno powerhouse and self confessed noisician paula temple and eomac. on the a-side the synth heavy gestirn takes inspiration from autechres classic eutow, driving forward with a broken beat while celestial melodic lines reach skyward to unknown realms. the b-side introduces a wilder beast, with the ferocious, pummeling techno of kralle

“resist the categories that define and divide.”
uncanny valley ep sonically explores the uneasy, obscure but familiar relationships between human and machine in contemporary life. this is the debut release on resist, the record label launched by experimental club/art hybrid event from belfast, northern ireland. this debut release is by resist event and label founder, koichi. remix comes from electronic music innovator and eotrax label owner, eomac in an anxiety driven, frenzied remix of the title track.

eomac is back in 2018 with a brand new album. after an intentionally quiet release schedule in 2017 to focus on developing a new label and presenting a monthly show on radar radio, he returns to the album format with the 11-track reconnect. it is his third studio album proper and the first on his burgeoning eotrax imprint. continuing where bedouin trax and temple of the jaguar left off, reconnect moves even further from the contemporary dancefloor and club environment and deep into uncharted territory. drawing influence from traditional irish music, haitian voodoo drumming, the raw old-school jungle of source direct and the abstract rhythms of autechre, eomac has crafted a dense, multi-layered and polyrhythmic exploration of percussion, texture and movement.

temple of the jaguar is the first release on eomacs new label eotrax. a single sided pressing with an exclusive b-side etching by artist sal stapleton. an 11 minute conceptual track that attempts to explore structure and narrative, texture and tone, taking techno as a starting point, but seeking to move beyond its conventions and expectations. conceived on a visit to teotihuacan near mexico city, inspired by both the cosmic and earthly power of the place, temple of the jaguar attempts to find a way back to the animalistic nature within us all. a reconnection to the dark, sensual part of us that has been repressed for centuries in a limiting and limited, fearbased, patriarchal society. a reconnection to the body.a reconnection to femininity.a reconnection to wildness. to intuition. to sexuality.to earth.to self acceptance.without fear, without shame.

limited double vinyl longplayer from eomac for uae based bedouin records.

german producer array access has been making beats since 2010. his latest piece of work, a beautiful four-track ep entitled *variations*, is scheduled for release on a new label, ressort imprint. *variations* consists of two tracks and remixes from eomac and evigt mörker.

• great new four track release from eomac who is also known for his work as part of lakker
• limited vinyl pressing with a5 insert

• an absolute slammer from the brothers camp
• brothers 008 - a tale of two sides, a jekyll and hyde of a record.

following the success of their fourth studio album smoke and touring for over a year dapayk & padberg felt ready to release the single come out. their brand new track is fresh and present, making it the perfect tool to dance into spring and get rid of thick winter clothing. on the b side the berlin-based electronic duo presents two more album remixes. the pole mooryc wraps the title track smoke in his fragile, soulful and bass-driven slow-mo-electronica. dublin s eomac extends the list of silent fireworks remixes. a deep wobbling sub bass combined with broken beats and spheric pad sounds give the original an eccentric touch of dubstep.

next silent steps release with 2 tracks from mick finesse plus remixes by eomac and octave.

following eomac’s debut album “spectre” on killekill, released earlier this year, here come remixes of the three most outstanding track sof the album. tommy four seven picked the title track spectre, taking away some of the dense texture of the original, speeding it up a bit and adding some straight-forward percussion to turn the original into a big anthem for the mellow moments on the dancefloor. lars stöwe aka anstam is using his anno stamm-alias to rip the distorted bassline of the grimey su riddim out and add some playful bassline variations and some serious 808 business to it to turn it into a peaktime banger with lots of chicago flavour. and do what they do best and turn shell of dark into a half-tempo stomper that after a while breaks up to a devastating weapon of distorted drums and melodies.

label-owner kastil continues the soul notes imprint with a release that represents the self-reivention process that he is currently experiencing. emphasizing on advanced synthesis and a more atmospheric approach to his sound, the basque country native takes one on an intergalactic journey through his current mindset.

raucous, volatile, crackling brilliance from north japan, testing the monster-infested electric fencing between techno and noise. plus some witching, spasming, dancefloor eomac to polish you off.

russian producer sanys has impressed with a series of raw techno records on his downfall theory label - and his latest release further showcases his talents. dominance starts with atmospheric synth washes before a granular bass and relentless percussion propel it forward. like previous sanys releases however, this is not straightforward linear techno and a rumbling vocal and insistent drums will keep the listener engaged. my concern sees sanys opt for a different approach, with a pulsing bass and a crystalline synth line going up and down the scales, intertwined with a vocal snippet, while told you so features another stylistic shift. on this occasion, it s back to the darker sound that was audible on some of the earlier downfall theory releases. tight, snappy drums and robust, insistent claps provide the basis for a droning, murky bassline that cuts through the arrangement like a lighthouse rays in the dark of night. finally, irish producer eomac, one half of lakker, delivers a version of dominance that centres on lithe broken beats, ghostly melodies and insidious tonal shifts. as its title suggests, dominance shows sanys has become a master of the techno form.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

eomac delivers 3 brilliant tracks for candela rising on this vinyl only release.

new release from fifth wall records. *doorman in formant ep* by metrist, including remix by eomac.

to start the year 2014, stroboscopic artefacts bring you sa021 - a remixes selection of tracks from lucys forthcoming lp churches schools and guns. in presenting four of the album cuts in altered impressions, sa021 helps the label keep on re-examining the timbres, tones and textures of techno

eomac unleashes 4 tracks of fearless techno for the trilogy tapes.

killekill 012 is being delivered by dubliner eomac, aka ian mcdonnell, aka half of lakker, who has proven himself as one prducer to watch. his sound design is extreme and unique. he creates dense atmospheres and fills them with subtle melodic elements, that are being pushed forward by heavy basslines and markable kick drums. with club play by no less than aphex twin, eomac is a name that is on the verge of exploding onto the scene.
standard edition on black vinyl.

killekill 012 is being delivered by dubliner eomac, aka ian mcdonnell, aka half of lakker, who has proven himself as one prducer to watch. his sound design is extreme and unique. he creates dense atmospheres and fills them with subtle melodic elements, that are being pushed forward by heavy basslines and markable kick drums. with club play by no less than aphex twin, eomac is a name that is on the verge of exploding onto the scene.
limited edition of 251 handnumbered copies on white marbled vinyl.

limited backstock available now!

vinyl 3 from the herdersmat 1-7 compilation (mordbox001).

after two impressive remix eps taken from ellen allien s seventh studio album, nost , bpitch control unveil round three with another heavyweight lineup of contributors stepping up to the plate to deliver their own interpretations of the queen bee s original works. this time around we re honoured to have alan oldham, eomac, amotik and xdb volunteering their services to bring a whole new dimension to the music from nost . each of the four artists has earned a sterling reputation, with a style all of their ow

this is high tension experimental electronica just the way i love it!

soul notes releases #007, 008 & 010 all bundled up for one special price!

first thrènes records release comes from swiss duo rotkeller, with eomac on remix duty.

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 1 features some of the future key artists and crosses over from electro to acid and back.

killekill catalogue number 025 is a jubilee release: its killekill megahits ii. but its not only a jubilee release. its also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another.

shipwrec rolls out its new remix series with a serious slab of electro red meat. the main course is served by a machine music master, umwelt. and what else would the serving be but the rawest of electro, coarsened by surging acid and slicing snares. accompanying the original are a triumvirate of talent. ekman is first, ratcheting up those sticky 303 lines whilst adding his own mischief and menace for a mind-bending mix. comes in a printed sleeve with artwork by mehdi rouchiche. limited to 200 coloured copies.

the box contains 7 x 12 inch vinyls, is sealed in plastic and features 28 fresh tunes by 28 artists. a download card for all digital files + 4 mord logo stickers are included in the package.

prolific electronica polymath emika found acclaim once again this year with new studio album drei, an opus that picked up ibiza spotlights album of the week accolade and was called *a fascinating album* by rolling stone. with six new remixes on this ep, further life has been breathed into her latest lp – with stunning results.

jonas kopp pumps the drums hard on opener shibu. it is pure peak-time material, fit with siren like synths, heavy kicks and hi-hats to get the shoulders moving. kopps tracks are always masterfully tailored for the dancefloor, and this is no exception the six-and-a-half-minute ride is richly detailed with ups, downs and subtle changes. dadub take the record deeper with force continuum abuse.

talos is eoin french and the delicate, dreamy rnb-meets-pop of tethered bones b/w bloom is the talk talk-fixated former architects opening salvo. remixes come from wife (tri-angle) and eomac (ttt/r+s). talos on tethered bones: its a love song, about how a relationship can engulf and transform you: what it can and does take away. what you lose and what you gain. early supporters include disco naivitie, pigs and planes, tlobf, phil taggart & alice levine and b traits on bbc radio 1, and the nme, with a radar write-up. the track has racked up over 300.000+ soundcloud plays since its debut on fader. crack in the road: four minutes and twenty seconds of absolute bliss. this is one of the tracks of the year.

for our 3rd vinyl release the keyword to demonstrate is freedom. a word that today is always more and more eclipsed. starting with an original mix from our young french talent deam, with his solid and hypnotic basslines, -empie- is a well executed raw techno track. the release is completed by remixes from dubit, eomac and myler. the first remix from dubit, brings a unique groove absorbed in a network of industrial sonorities, aggressive and fraught, ready to kill any dance floor. on the b1 side, we have a killer remix from eomac with his poetic fast broken-beat grooves and frozen atmospheres. this is a mix between d&b, jungle and idm which makes it a perfect execution. myler demonstrates his full personality with his own interpretation bringing out a dark and mystical feeling through a static and engaging evolution

with code is law 003, label head moerbeck plays with this artistic device with great success >movies for the blind< takes direct aim at our imagination without allowing its intent to shine through to the surface. xvii from leipzigs institut für zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. delta x, moerbeck and eomac are telling the rest of this mysterious story with a four-to-the-floor-beat.

for the second release on his young label, code is law, moerbeck has brought together four producers who all in different ways converge on the idea of >wolves<. eomac demonstrates his exquisite sense for harmonies, sawf spirals into the convolutions of your brain with his vocal track on >system< and the newcomers janzon and hound scales slip in their take on industrial sounds. four tracks with emotional depth that create a powerful pressure on your chest that you cant evade. … the wolves are coming

the third compilation (of four instalments) in the various artists catalogue of pi electronics.

25th anniversary compilation from planet mu.