reissue der japanischen edition des soundtracks von francis lai zum erotik-filmklassiker emmanuelle 2 (1975) des regisseurs francis giacobetti. die japan-edition hatte ein freizügigeres cover und 13 statt 9 tracks.
without coverartwork - emmanuelle returns to deewee with an italo influenced 12 inch produced by david and stephen dewaele of 2manydjs / soulwax and recorded at deewee studio, gent. luomo daffari sees emmanuelle swich between her native italian tongue and english advising you to not hide behind that suit and tie. if tom tom club hung with aphex twin in the hills of naples in 1980 they may have arrived here. italove is pure dancefloor magic. syncopated rolling synths with emmanuelle as chanteuse again cutting between italian and english to the sound of disco and harps. its a beautiful thing. she loves you. sleeve design by ill studio, paris.
the deewees say: five years ago we met emmanuelle in an office in milano. for years we asked her to play us some of the music shed been making on her laptop in her bedroom. when deewee was built we invited the rio born / miami raised / milano based artist to make some music together. this is the first of many things weve done so far
what was old is new again. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.
sound as if they have stepped out of quentin tarantinos dreams, a 60s-saturated stunner uncut garagey, soundtrack-infused psych, a swirl of pounding drums, spoken french, baroque melodies mojo
first time ever available on 2x12 inch vinyl + 2xcd + poster. reproducing cult vintage concert boards & biogs and photos inside the gatefold. part of the 10 years because edition.
this is one of the seminal soundtracks that will set you on an italian groove odyssey! the film is the most depraved of all of the volumes of the emanuelle series. maestro fidenco relies heavily on layered strings, horns, flutes, violins and an array of exotic instruments and aims for eclecticism in playing with versions of the main theme.
remastered 2014 edition, originally released in 1976.
the lost movie is an outcome of ilkers cinematic perception, approach, interpretation of his constantly intriguing dusty compositions. as a result of his tiring yet inspirational shift over the years, lp has been written in different cities like istanbul, rotterdam, antwerp and the current final stop: amsterdam - different surroundings & moods.
>what was old is new again<. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.
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