rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

paul woolford has been seriously spreading his wings of late, becoming omni-present by landing his tracks with ease on labels like xl recordings, running back, houndstooth, hotflush and aus music. not wanting to be shackled by genres, paul comfortably serves up a wide variety of curveballs, from the technoid charge of his 4/4 persuasions to the exhilarating warped hardcore & jungle breaks of his much loved special request project. and so it’s with welcome arms that edible usher him to our release schedule, give him the comfy sofa and let him rip it up with two havoc-inducing cuts that are already a staple in label boss eats everything’s dj sets. title track ‘chaos’ finds paul in a particularly warped mode, bleepy synth pulses oscillate wildly over a granite hard beat as a single sub-bass tone drives the brain-scrambling flurry of modular tones into overdrive. a hydrochloric synth riff settles the bed, but only until the next haul of chaotic blips come firing out of the speakers - highly effective, and possibly deranged warehouse tackle. a future classic. flip side, and woolford shows off some decidedly more soulful chops on ‘meditate . a vocal hook plays against a dubwise bass line and ascending 909 rides, as a seductive and transcendental string arpeggio creeps to the fore and demands a breakdown of its own, serving up a serious bucket load of emotion. not a dry eye in the house.

already heavy hitters on the house music scene since their first releases back in 2012, waze & odyssey continue to carve out club burners with such ease, and their first release of 2017 finds a suitably fitting home on edible. the duo of firas waez and serge santiago have seemingly not put one step wrong in their ascendency within the house music circuit. be it releases for labels like wolf music, elrow or their own w&o street tracks, or remixes for the likes of disclosure, totally enormous extinct dinosaur and metronomy, w&o have found that knack of delivering sure fire winners time after time. already a staple in label boss eats everything’s dj sets, ‘down with tha’ has all the hallmarks of a bona fide club classic, if the hyperactive drums and looping vocal refrain doesn’t draw you in enough, then the downright funky bass lick that prominently packs a punch really provides the killer hook. the, quite frankly, face melting breakdown surely seals the deal, and we are anticipating this cut to ring out loud across dancefloors over the coming weeks and months. competently propping up the release, ‘seizure’ goes on a spacey, bongo odyssey (geddit?), serving up a rolling, dubby drum workout that culminates in a rather impressive snare roll breakdown that’ll have you frothing at the mouth. snatches of female vox and whistles are dotted around the galloping jungle drums, whilst the elevating key chimes provide the perfect musical lift. another slice of completely freshhouse music from w&o!

inspired by his love of &#8203,,,,brazilian beats, transatlantic hip hop and classic house music, dj/producer mele&#769,,,, debuts on edible with a single that perfectly encapsulates this young artists sound and energy. having built up an impressive production cv by remixing for the likes of tiga and disclosure, as well as releasing original tracks like the 2015 tribal house anthem, ambience, the boy from the wirral lets rip on eats everythings label with 2 killer club tracks. frenzied tribal rhythms are in full effect on scouse afrika, a track thats already picked up heat and featured in jackmasters recent radio 1 essential mix. functional and rolling beats come alive with chopped vocal refrains dipped in delay the rumbling low end supplying an irresistible groove thatll no doubt whip up some dance mania in the local discotheque. more high-octane sounds are packed into sleepless the percussive elements providing the hooks alongside choppy vocals and booming sub-bass, its perky arrangement never letting the energy drop for a minute. meles energetic and unique percussive sound has gained him prolific support and recognition from some of the biggest names across the scene, patrick topping, skream, jamie jones, annie mac and pete tong, and this single is sure to win over a whole new legion of fans. meles &#8203,,,,scouse afrika sleepless &#8203,,,,is available from 9t&#8203,,,,h&#8203,,,, december on edible.

ats everything makes his much-anticipated edible label debut with the girl powder ep, his first release since january of this year, and the first to land on his own imprint. comprising two new tracks, ritas e and veronica electronica. 2016 has already been a huge ride for the bristolian dj & producer extraordinaire along with huge club cuts the duster (featuring green velvet) and big discs, remixes for disclosure and green velvet (taking the classic) flash track to dizzying new heights), eats mixed the 86th edition of fabrics fabled compilation series back in february. and as the edible label edges towards its first anniversary, a slew of highly well received releases from the likes of rhythm masters, jesse perez, lauren lane, lord leopard and brett johnson, have established the imprint as a consistent force for quality house music. with its infectious bassline, dubbed out keys and vocal call to arms, ritas e find eats on top form, carving out an energetic and funky club cut, whilst veronica electronica gets deep, down and twisted with its duetting vocal delivery, hard hitting drums and rave-esque sirens.

miami born turntablelist & producer, jesse perez, throws down a booty shaking killer house jam for edibles fourth release. what you say about my momma has been ripping up dancefloors for months since landing in eats everythings hands, so its a welcome release on the label, backed with a deadly remix from truncate. on the original mix, perez grinds out a funky and low-slung groove, its memorable vocal hook looping and chopping from side to side as the raw mpc beats and sub bass weave their magic. truncate brings his no nonsense and direct approach on the remix, carving out a dance mania style drum workout over the cut up vox (think robert armani meets armand van helden). truncate has been a hugely dependable producer for yonks via his trax on his own truncate label as well as mixes for jimmy edgar, shlomi aber and kink, and he does not disappoint here. perez wraps up the ep with boogie down brown, another slab of funk laden house goodness, blending high tension strings and rolling drums to great effect. perez has been firing out infectious house jams for labels like bpitch, dj sneaks im a house gangster and hot creations, for some time now, as well as working his own label mr. nice guy, so its a welcome addition to the edible roster for jesse perez

the third edible release comes from a producer weve admired for many, many years. a consistent and truly dependable master of the jackin groove since the late 1990s, brett johnson has flexed his musical muscle for some of our favourite labels. singles for derrick carters classic, dj sneaks magnetic, freerange and visionquest have been record box staples for eats everything over the years, so its a big fat hello and welcome to brett on the snack attack ep.

edible unveils its second release in january 2016, and goes stateside on this one, enlisting the production prowess of la based dj/producer lauren lane for a tasty duo of tunes. a cracking start to edible’s 2016 schedules, and a hugely promising year for ms. lane, uncomplicated and frills free proper house music on offer here!

the inaugural release from edible comes from lord leopard. direct from his studio, somewhere in the depths of rural cornwall, he brings some serious heat to the first release. mark of passion is a stellar slice of face melting, twisted tech-funk whilst fantastically well is a jazz heavy slugger, the good lord gets deep into the groove, flipping vocal samples and insane breakdowns for a very individual and unique sounding cut.

raw london hip hop

mr bongo reissue

limited rsd 2021 edition on silver vinyl.

electronic music

shawn lee s take on 2 iconic tracks from the incredible bongo band.

hier verschmilzt retro mit electro flair und vintage klängen.

das electro-label a.c.e.w feiert seine zehnte veröffentlichung.

erstklassig, die random research ep bringt uns vier tracks mit reinem electro-wahnsinn. bist du darauf vorbereitet?

intergalactic electro transmissions from a credible eye witness & ghost ride.

die voices from the sun e.p. zeigt die starke musikalität und vielseitigkeit des roma-teams, das die subtile balance zwischen dancefloor und home listening-intentionen beibehält.

acid-sounds, emotionale synth-elemente und hypnotische arpeggios

a.c.e.w returns on wax with a brand new ep from the label owner himself!

die electro scuderia reist mit lichtgeschwindigkeit von planet zu planet auf einer mission die sie zum tanzen bringt und präsentiert stolz vier brandneue tracks.

strong olod skool electro sounds

massive funk monster , classic

long overdue reissue (500 copies initial press) with rock city pioneer billy jones.. here s what he had to say about his crew. in the early 80s billy jones was the lead guitarist for an outstanding group of touring musicians who called themselves the incredible rock city band. they performed on military installations all over the united states for the u.s. dept. of mwr for more than ten years during the 80s and 90s. i m sure that there are many veterans out there who remember seeing this band at nco and officer s clubs back in the day. the incredible rock city band members: justice jay little, drums/vocal karl drac lane, bass/vocal/keyboards/guitar morris mo, moore, percussion/vocal/synthesizer jerry herd. mini-moog/trumpet/keyboards/vocal james whimpy cross, sax/vocal/keyboards jerrold lewis, vocal/keyboards/bass billy jones, guitar/vocal

the return of rome based acew label with 2 tracks involved in minimalist, electro with an idm touch. vocals from carl finlow.

the inaugural release from raffaele attanasio’s letters from jerusalem represents a dark descent through various musical forms. the name of the label itself pays homage to jerusalem as a city and its metaphorical location at the center of the earth. the ep, then, is an extension of this imagery in its use of music as a descriptive source of the emotions that lie within man’s innermost recesses. credible threat, though ambitious in its breadth, is cohesive in its style and sound design: brooding, industrial, and percussive, this release is a shadowy and refreshing installment from a rising star in the underground scene.

phil evans solo vinyl debut -incredible deckshark ep- is a quirky and playful minimalistic 4-tracker. snappy grooves accompanied by moody chords are the key for this outstanding piece of work

180 gram withe vinyl. 3 strong techno electro tracks with editing & vocoder from carlo finlow and dj say!

with a bountiful career of singles and ep releases, alongside a host of collaborative and solo monikers spanning a staggering fifteen years, the revenge announces news of his long awaited full length debut album, love that will not die, scheduled for release in march 2015. the first release from the full length lp is three tracker incredible shellsuit

mehr northern soul-raritäten - erstmals seit langer zeit wieder auf 7 inch vinyl erhältlich!

3 selected tracks from fred ps third full-length cd album on proper 12 inch.

if the eyes would be the mirror of the soul we could easily know others. but that may be not true so this is the aim of giorgio gigli and obtanes >the incredible tale of secret journey through your eyes<: penetrate your eyes and reach your soul and subconsce until we know your truth. psychoanalytic claims this time for zooloft, opening with an upbuilding, dramatic techno anthem, telling us of a true love on the hills. on the other side, geophones master mike parker delivers a pulsating and acidic techno driver where heart impulses are generated by a disturbed soul, creating spasms and panic feelings. the ep get closed by a strongly romantic drone track that tells us love is still the only way-out.

vinyl only 4 track release, taken from the forthcoming album >breakdown<, featuring remixes by seiji, klic, warrior one and evil nine.

blasta s saga comes to an end with part 3 of his incredible adventures of kenzolika and quetzalcoatl among the air castles series. the product of an over-active imagination, this series has fused dubstep and post-garage riddims with traces of jazzy easy listening and psyched exotica. the most successful effort here has to be the garage rollidge of black muscatel offset by smooth and dreamy-clean synth keys, while zeppelin nacelle sails off with gently propulsive garage bass and trip42 brings the story to an end with down pitched dubstep beats subsiding into sunset 303s.

2006 mark knight & martijn ten velden and mardel & mohawk mixes!!

the first cut from their landmark album entitled >i.b.b.<, presented by this japanese-born world class human beat box trio, maurice fulton decided to take this exclusive remix role only for the fans of 12 wax, since that time he got along with the trio at the biggest music festival in australia, big day out

incredible electro houser with a strong bassline and a nice piano for the peak of the track this will set the floors alight