lee jarvis for chicago jackin tracks

double cd, 6 pages 4/4 digipack sleeve, 2 clear trays, 36 page booklet, sticker

cassette / tape

members only aka jamal moss / hieroglyphic being

this may be james hunters fourth album, but it is his first on daptone. produced by daptones own bosco mann (gabriel roth) at penrose recorders (daptone west) near his home in riverside, ca, hold on! is a perfect por trait of an ar tist at the top of his game. james hunter has been on the scene for enough years to acquire plenty of feathers in his cap. billboard charts, grammy nominations, and van morrison collaborations aside, he has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. this album, however, is something far deeper than just another notch in his belt. it is truly an ar tists vision come to fruition. the vinyl lp includes a download code.

1 x transparent yellow vinyl, gatefold sleeve, heavy weight printed inner sleeve, sticker

decks tipp

incl. mark knight and joshwa remix

jazz

twenty-four dance classics from the 90s on double vinyl.

14 super rare northern soul tracks

badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam, lydia lunch.

the 25th anniversary edition of 2pacalypse now will be packaged as a double lp gatefold and pressed on 180-gram vinyl.

back in stock.. archaische elektronik von owen ashworth. zum flachen klang uralter, batteriegetriebener casiotone-keyboards singt er von tiefem zweifel durchzogene gesänge der liebe, melancholische popsongs..

classic alert ! big with kosheen - hide u (john creamer & stephane k mix), db boulevard - point of view, madison avenue - dont call me baby

incl dj koze remix of :
matthias kaden feat.tomomi ukumori - kawaba

pop

hier kommt die neue jahres-compilation des allerersten danceclubs auf ibiza, das cream amnesia! cream ibiza 2017 beinhaltet zwei cds mit den hits des sommers. 40 top-tracks & mixes von und mit robin schulz, david guetta, jax jones, burak yeter, disciples, james hype, martin solveig, axwell / ingrosso, above & beyond, paul van dyk, ferry corsten, kideko & george kwali

includes bonus download code to the unmixed track versions in both wav,flac & mp3 formats. badbadnotgood bedienen sich der einflŸsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknŸpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen kŸnstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzŠhlung der ultimativen queen of siam, lydia lunch.

60 classics from the white isle!

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.