super limited! one per costumer!

comes with download code

ltd copies

selections from the album rio grande

really dope 2lp full of lo-fi sounding nuggets - drawing infleunces from all over it seems. wicked stuff..there s a jam for every mood on here.. limited stock!! tip!

delroy exactly does what many have been waiting for, put this one on, and life feels a whole lot better. tip!

two stone-cold killers here from none other than delroy edwards & funkineven. pooling their talents as dirty analogue overlords, here the two are on one straight mission from start to finish: raw and fierce acid cuts aimed directly at those on the beer and sweat-soaked floor. these wont be around for long to be sure, so dont sleep!

debut release from l.a. club resource (label owned and operated by delroy edwards) dark & ruff beat tracks for the club. no frills.. straight from l.a. tip!

the first release from under bron recordings highlights a firm and direct feeling, like being seduced and sharing something personal with somebody new, the a side showcasing a mixture of dialogue and trust. keeping a steady house groove and pace, sounds in the grass inspires the dust from the ceiling at your local warehouse to come down to the ground again, while waiting to exhale turns to the conversationalists standing by the bar or on the outskirts of the dance floor. delroy edwards (l.i.e.s.) remix on the b-side expands the wrd horizon and brings in a different blueprint, where swirling sounds combines the track into a beautiful palette of youth and decay

straight and to the point high bpm club ready tracks from the world of delroy edwards. no one is left standing with the clap, whistle, and warble of this ghetto funk. rough and tough beat tracks made for mixing and getting the fuck out, just like in the old days. nothing flashy here, hard working tracks for the working dj.

limited xmas special vinyl edition, very rare

new l.i.e.s!just when we had our doubts about the west coast, los angeles via nyc producer delroy edwards steps up with his debut release for l.i.e.s. musically edwards takes his influences from that barneys ghetto sound with oversaturated 909 shuffling highs, dx bells, 101 filters and ends up making fresh, and yes, melodic ghetto style tracks that somehow get stuck in your head even without vocals. a unique take on a modern classic with the dancefloor in mind.

super-limited exclusive three track vinyl sampler ep from the upcoming l.i.e.s. >american noise< 2xcd compilation! this sampler expands upon three completely styles reflective of the diverse l.i.e.s. catalog to date. torn hawk pulverizing the entire a-side with his most unclassifiable material to date, marcos cabral returning to the label with a sinister 110 bpm techno track, and delroy edwards doing a blown-out barneys workout. a strong finish to the year.

ultra limited remix ep with download code included.

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

mit elf ausgezeichneten coverversionen von bob marley songs. hier finden sich u.a. slave driver (vom album catch a fire) in der version von bob marleys lieblingssänger dennis brown, im still waiting (im original als studio one 7-single) in der definitiven version von delroy wilson, heathen (vom album exodus) in einer superben version von cocoa tea, produziert von bobby dixon, forever loving jah (vom album uprising) in der hitversion von marcia griffiths & tony rebel, produziert von donovan germain,waiting in vain (vom album exodus) in der jamaikanischen version von leroy smart, produziert von joseph hookim für channel one,crazy baldhead (vom album rastaman vibration) in der version von luciano & beenie man mit einem sensationell tiefer gelegten bass von sly & robbie.

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

ben ufo betreibt mit david kennedy (pearson sound) und kevin mcauley (pangaea) das bassmusik-label hessle audio und liefert mit seinem fabric-set eine eklektische mixtur aus allen subgenres aktueller bassmusik & dubstep und klassischem house und techno, in der so unterschiedliche artists wie tim love lee, shackleton, k-hand, pearson sound, herbert und mr. fingers aufeinander folgen.