light blue+light pink+white coloured vinyl, 2024 rsd edition

orange splattered vinyl, 2024 rsd release

alien transistor is proud to announce a reissue of such december, the fourth album by japanese indie folk-pop artist, gratin carnival.

incl smash we ve lost dancing ! it’s fred again.. with the first part of his music diary. pressed on translucent vinyl.

incl. mauro novani, max sensation remix

electronic ep

limited edition reissue on white double vinyl. housed in a gatefold sleeve with download code and poster included.

december is back and gives us dystopian melodies with occult vocals.

brutal industrial electro tracks

austere factory techno with a distinct gallic swagger.

new years deal - juju & jordash again on downbeat, 8 records after, celebrating the 10th release. this is the recording of the live act performance at a downbeat night on december, 2015. slow jams with tropical vibes progressing leisurely in both sides. not too many copies pressed!

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

luc van acker is all except an obscure musician. already from his solo records in the early 80’s he has been building a name for himself as a multi-talented musician and performer. when you are in the middle of the night, you’ll see the revolting cocks. the session on this record is from 1981 and thus a very early piece of music in the discography of luc van acker. for this occasion he has performed with live electronics, a violin and various other gadgets and tools. the music must be seen as somewhere in between old style industrial music (thus experimental) and modern classical music. this live performance takes the listener from rhythmic to the sound of the sound. the session has been tranfered from the original tape and is edited and re-mastered to make it available for a new audience. the liner notes have been written by luc van acker himself.

nice price deal !!! second single on vernis own label comes with a slash/dash remix

sentiments is back with his very close friend frank gerard. light on earth with tribal rhythms and forest atmosphere, its all about two break house pieces. delivered with a special label for your first listening.

after some killer releases on jelous god and blackest ever black, parisian producer tomas more aka december debuts on mannequin records with a 4 tracks ep for the death of the machines serie. slow industrial techno mixed with raw ebm-ish flavours.

december is the alias of paris based techno producer tomas more. having released a slew of respected releases under his full name, tomas is mutating his focus towards the a more experimental realm with his work as december. ‘on a leash’ proceeds tomas’s sold out debut cassette for where to now?, and a 12” for blackest ever black ‘in advance of the broken arm’. december’s latest offering for where to now? explores resoundingly tuff and metallic, largely analogue sounding techno jams.

this solid dutch groove techno with a housey tip will spin your heads and feet on the dance floor. december, emo glithey techno anthem. badalos, strong techno for the bigger rooms!. peak time al over again! played by: adam beyer, karotte, shinedoe, marco carola, josh wink, sven vath, len faki, anja schneider, radio slave, richie hawtin, 2000 and one..

the latest release from persistencebit headquarters, comes with a killer single-sided, single-track ep, serving the brilliant donnacha costello remix of >cobra< by rolf and fonky (italian djs and producers mirco uguccioni and maurizio ottavi). and donnacha does it again, what he does best – delivering strong low-riding techno grooves. costello, who is no stranger to the electronic music world, with his sought after releases on mille plateaux, releases on kompakt & his colour series on his own minimise imprint, brings as fine echoing claps over a steam-driven shuffle move, letting the intensity escalates when a house feel seeps into the tracks hammering pulse, after which a gradual wind-down brings the lights down to help ease the hooded snake to sleep on this remix. the track is a pure dance floor sweeper in full effect, cut and mastered for optimal dj friendly use

a deep techhouse original with a more spacin remix by s & a

techy edged 303 flavoured progger. includes shuffling interphace remix on the flip.

hot rnb / hip hop feat pharrell, jazze pha & snoop !

vier jahre haben sie sich zeit gelassen für den nachfolger von the king is dead . the decemberists, colin meloy, chris funk (gitarre), jenny conlee (keyboard), nate query (bass) und john moen (schlagzeug), entschlossen sich nach erfolgreichem tourende 2011, eine bandpause einzulegen und sich persönlichen dingen zu widmen. sie hatten mit the king is dead immerhin gerade ein album veröffentlicht, das in den us charts sofort auf platz 1 schoss und ihr song down by the water wurde für den grammy in der kategorie best rock song nominiert. aber ganz von der bildfläche verschwanden sie dann doch nicht. ihre animierten alter egos traten bei den simpsons auf, für den soundtrack von hunger games lieferten sie den song our engine , meloy veröffentlichte die prämierte kinderbuchserie wildwood und das livealbum we all raise our voices to the air , das ihre atemberaubende intensität auf der bühne widergibt, erinnerte uns immer wieder an die wunderbare band aus portland.

reissue of the 2006 lemonheads album on orange & black splatter vinyl.