después de la muerte (after the death in spanish) is an ep of four cuts of the barcelonian producer headbirds and the first release in vinyl of the ochomel label.

on the a side, the tracks have a dub scene with deep house influences of minimalist cut and sub basses at very low frequencies, with flashes of light in their arrangements.

on the b side, the first track is a flow of increasing energy, a melodic passage with a cosmic air and a deep bass drum. the second cut is a beautiful piece of art, a story of 5 minutes of deep melancholic sensation with an intense riff, a techno flavor of the 90s.

this new strand release on lowriders, maleza is a very personal take on bass music, juke, west coast hiphop, jamaican music, prepared pianos, old detuned synths, odd time signatures and huge live reverbs. the idea of the record came when i was going through a lot of personal struggle and i was not able to get out of it. in the same period i decided to run in the woods near my home early in the morning. i ran every day, and ran and ran. eventually i got out of my problems. so i left the maleza away. this is a very personal record, each sound has a deep meaning about me and my loved ones. maleza means bad herbs, weeds, undergrowth in spanish.

the peninsulas finest purveyors of everything bass-related are back in action as iberian records releases the third instalment of the tax haven ep series, where all sorts of musical refugees find exile with unpredictable results. taking a cue from its predecessors, tax haven 3 unites four different artists on wax - bass clef, photonz, cauto and niño - who present four different brands of low-end heavy music for the dance floors, as well as that space between headphones.