limited to 200 copies.

remaster

experimental rock, remastered lp

rock, remaster

incl justus koehncke remix

incl extrawelt remix!

aka olafur stephensen

outer space is calling! with four spaced out tracks on the new snork 105, the dutch duo ultrastation takes off with a mix of techno, acid and electro – paired with quirky space sounds.

ltd to 300 copies

blueprint returns for its first release of 2019 with a new ep from the gifted mind of label boss, james ruskin.

chateau: o you singer, solitary, singing by yourself projecting me, o solitary me, listening nevermore shall i cease perpetuating you,never more shall i escape, never more the reverberations,&#8232,,,never more the cries of unsatisfied love be absent from me,&#8232,,,never again leave me to be the peaceful child i was before what there, in the night,&#8232,,,by the sea, under the yellow and sagging moon,&#8232,,,the messenger there arousd the fire, the sweet hell within,&#8232,,, the unknown want, the destiny of me. o give me the clew! (it lurks in the night here somewhere,) o if i am to have so much, let me have more!

hunderte von herzen, manchmal schlagend, manchmal in harmonie singend, alle erstrecken sich über den horizont, jeder glücklich oder traurig in seinem oder ihrem viertel. quadrantes!

amidst destruction on the mainland, the two locomotives minør and pionér transported wagons full of rock and gravel to the icelandic seaside during the construction of the reykjavík harbour in 1913-1917. the two metallic giants ushered in a new age in iceland. however, soon after construction ceased the two trains were parked and have never driven&#8232,,,,,,since. minør is on display near the waterfront and pionér stands lifeless in an outdoor museum on a hill. they are the only trains ever to have graced the icelandic landscape. now they only serve to remind us of the grandeur of a bygone future. at the dawn of the 21st century – again, tumultuous times – we allow ourselves to dream of new minørs and pionérs capable of pulling the tremendous weight of the past strewn all around us and putting it towards constructing an ambitious future.
limited edition of 300 umbered copies.

les adventures de president bongo is a unique work that will reveal itself over the next seven years, give or take, in the form of 24 lp s. what is a groove? it is something that goes on and on, not changing much seemingly, like the growth rings exposed when you cut and fell a tree. it is no coincidence that tree rings resemble the spiral track of a record: they re both grooves of a sort.

a groove is a routine, a life lived. it may not always seem like much – a cup of bitter coffee, another day spent under the flickering fluorescent lights of an office, an overly long queue at the check-out of a suffocating supermarket. but it is also the scent of slightly burnt meat and birch by a gently flowing stream under a pink sunset, a silver fog clearing without notice to expose a starry sky and its familiar twinkling constellations, an impenetrable smile on a crowded morning train. it is the pattern exposed on the tree stump. a proper groove has ups and downs, it has drama. a good groove is a good story, a transmission into the future.

the third and final segment of the knowes universal broadcast has been received. the series of transmissions is completed by brainwaltzera, william the squid, deep space orchesta and kovyazin d spanning breaks, acid and techno.

more space age melancholic sounds for the second instalment of the craigie knowes universal broadcast series. electro to techno across 4 celestial beats.

for the first release in 2017, echovolt draws from the canadian continent to bring an ep from mysterious producer from the west coast.an inventory of thoughtful cuts bringing dubby motifs, early italian house elements, and moody synth-work. a diverse expansive 12- presented with an all around deep, straight to tape sound quality.

a series to push melancholic sounds from our vaults to the universe

a few years ago i saw a documentary about the audio trickery employed in ww2. i was totally flabbergasted and soon absorbed anything i could find on the subject. artists and scientists alike cooked up incredible situations to fool the german army. inflatable tanks and trucks stacked with speakers projecting recordings of an imaginary reality were used to deceive and deviate the opponent. this odd scenario influenced me profoundly and drove me towards composing music that related these feelings. the project only collected dust inside my head until radio bongo heard of it and encouraged me to finish. sveinbjörn bjarki jónsson aka sonic deception

kris- & konflikthantering iii/iii (kln009) is the final ending with 2, 14-minute plus tracks. one dedicated to the ancient rave grounds of hellasgarden where it all began in terms of dancing in dirty fields lit by sonar sweeps from the broadcast masts and strobes visible all the way to the city. the last song is the very live version of sabor latino, birds from the garden, hypnotic basses from the mc-202 and shimmering arps from the sun, a sunrise anthem in its own. let the summer begin

us import, another infectious one sided 12 on f.t. for the deeeeeeejays. tip.

kris- & konflikthantering ii/iii (kln008) features 4 tracks including songs from haralds live repertoire as well as a remix of his studio barnhus debut sabor latino now interpreted by the queen of pampa, areal and kompakt, ada. kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

techno pop from the woods of sweden. dark, dreamy and danceable. electronic sounds of drum machines, mellotron, synthesizers, floating and barren landscapes together with the characteristic vocal harmonies of producer duo lokatt. techno tracks influenced by sisters nina & johanna piroths background in the indie pop scene. in may lokatt released their first single the hill, which got great feedback from all around the world. the 27th of november lokatt will be releasing their debut ep, karg (digital and on limited vinyl). the ep will be released on techno producer harald björks label kranglan broadcast together with lokatts label oma gusti records, artwork by stina göthlander.

vinyl only. limited to 300! ive known roisin a long time now and it was such a pleasure to find out she was releasing new music. i asked and got the stems for the 2nd single exploitation sent to my bongomachine studios in berlin. the results are here on radio bongo for a limited vinyl release only!

this is the second album of the piano solo improv series.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground.work and non work, die frühwerk-kollektion (1997) mit allen singles aus der pre-warp-phase.

a sizzlin hot remix of sisy eys : aint got nobody on vinyl plus a track called kid.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. tender buttons, das dritte braodcast studioalbum aus 2005.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. bei the future crayon handelt es sich um eine kollektion aus insgesamt achtzehn broadcast ep- und compilationtracks (2006).

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. die 2009 er kollaboration zwischen broadcast und ihrem artwork-designer & ghost box-labelbetreiber julian house (aka the focus group).

tesla tune is dedicated to the inventor nikola tesla. the piece emits sound from an alternating transformer.

american (but berlin based) stewart walker returns with his new album release -ivory tower broadcast-!

returning to delsin after 2013s what i feel ep, italian producer herva is now serving up a double ep offering, instant broadcast, to be released this spring. herva is herve ats

formed in opposition to the media identity schizophrenia of the present, thought broadcast thrive upon the post-punk tactics of forgery and radical anonymity. *votive zero* is the second release on editions mego from this mysteriously coded american outfit. emerging from the us noise/punk background thought broadcast further trace a unique path with nine carefully considered obfuscations of rhythm and blurred takes on expressionism.

last time we visited satta outside we have been blown away by the music of young lithuanian producer 96wrld who had a couple of singles with monday jazz and renegades of bump. we signed him right away and we are excited to finally share with the world his debut ep *private language* on 12 inch vinyl, limited to 300 copies. a collection of eight tunes that showcase 96wrld s potential as a producer and songwriter that embraces different composition styles, typically in a single tune. his arrangements are complex and give away all detail only on repeated listen. however, tracks like bruce willis can put any club to pieces easily ... test yourself.

that is attack, decay, sustain, release. the adsr envelope is just one type of envelope, but it is a popular one that has been used in electronic music for decades. attack is the period of time after the initial release, it is typically the loudest part of the sound decay is the phase while you are going from the attack to the sustain – you are decaying the volume from this sharp initial phase to the normal volume phase sustain is the normal phase of the sound. it is typically less volume than the attack, and go on for an indefinite period of time, or for a specific amount of time release is the draw down from the sustain period to no sound. a fade out.
mini-lp release, cd version included.

gluteus maximus come up with some great dancefloor work feat. mixes by kaspar björke & north beach.

i am a pianist, composer, improviser, performing artist and a multitasking musician in life, currently living and working in reykjavik. i was born 1978 in seydisfjördur, iceland and have been playing the piano and keyboards since age of 9. my main focus and interest is in improvisation, composition and performance of music. how improvisation and composition can meet effortlessly as a creation of musical ideas and sounds. i am also thoughtful of the general passion & drive behind creation of things, in what way they are presented and passed on to people, in music, arts and life in general. since childhood i ve collaborated with a whole spectrum of artist, from obscure troubadours in the countryside to stadium bands, covering all fields og music, both in iceland and abroad. i have also composed and arranged a great deal of music for theater, film, art installations, performances and videos of all kinds. released my first album rask in 2002, and now i am currently composing and working on a series of records with solo piano music for radio bongo with improvised piano works i (broadcast01) as the first radio bongo release.

if you like the sound of cheap analog synthesizers from the mid 80s, drum machines and strangely pitched human voices this might be the record for you. a small warning about the quite melodic and poppy arrangement, it is not minimal, nor pure drones. sorry. estelle ep has nothing to do with the car Škoda estelle, even though some instruments used on the songs were produced during the same years. estelle ep is more or less a result of the new kranglan broadcast hardware studio environment. the plan was simple: to get rid of the machines that were not being used and to make the rest communicate with each other. this resulted in some very fine jams where realtime feelings and spontaneous ideas were converted into music. each track is its own moment in time.

montgomery clunk delivers a minimal version of maximalism, combining crackpot neon melodies with complex and well-defined beat patterns. in his hands, hip hop becomes a glistening future thing again.
comes as heavyweight 180g wax in full-color sleeves & labels as a limited edition of 300 copies. purchase includes download of full album.