the latest incarnation for bliq comes in the form of brazilian future primitive thingamajicks and his lysergic quest through sound on >patricks last trip<, with vernon felicity channeling a different kind of synesthesia. drop out – turn on – tune in.

finest minimalistic techhouse to dubby influenced deep techhouse! incl great thor remix

bliq are proud to present bliq05:nicuris paradigms fresh out of union city, ny. the paradigms of which nicuri speaks are darkness, deliverance and determination, modal expressions delivered on three cuts of resonant electronic music. on doldrums nicuri plays with paradox,combining staggered, dreamy synths with unnerving bass rumbles. to reinvigorate the doldrums, or as he puts it replenish the earth, the producer implements a menacing analog rumble in the style of new york greats dj qu and joey anderson. but to ensure that the ground is re-imbued with rational vitality, nicuri adds a layer of baroscopic viscosity: smog surrounds and engulfs, a suppressed vocal intermittently choking. on the flip, parrish adams – aka intrinsic of emphasis records in chicago – gives the earth an even harder, more insistent techno edge. he introduces melodic light flashes at the edges of urban darkness, and rumbles it like a train escaping grand central station. bliq05 is on the run.

from the start of this debut release from amsterdam-based lapien, one conceives that the young producer is conscientious. >anvers<, the french name for belgian port antwerp, starts in unassuming manner, synths swimming, bass pondering, a gentle cymbal tapping. its the sound of thoughtful admiration, as if lapien is standing in front of the citys towering gothic cathedral, motionless in the midst of a now modern metropolis. but then, as loops spring uncomfortably back and an insistent beat thunders into the fray, one realizes that this is no time for admiring architecture: this is a night drive through the city – coarse orange streetlamps, chrome blue reflections, droplet-stained window panes. it is, also, at an unusually and unsettlingly fast pace, dragging its deeper house timbres and textures upwards. conforces mix is anything but restful: alarms in the distance fall around offbeat rhythms of increasingly diverse dynamics, bringing rain down on the city at night. to end, fred ps composition is heavy & uncompromising, yet it quivers with synths washed in beautiful, calming ambience

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

bliq are showcasing london newcomers homepark on their debut, with james duncan on the remix duties - a producer that has been sizzlin the underground with his illusive vinyl cuts, for quite a long time

aphelion on bliq with remix support from silicon scally (aka carl finlow).