limited reissue on lemon clear double vinyl, housed in a gatefold sleeve.

pressing on transparent green vinyl.

limited tickled pink glass coloured double vinyl.

classic black double vinyl.

ltd. dunkel-grüne 4fach vinyl

very limited copies

contains 12inch insert with liner notes from author tim lawrence

here it is - the instrumental version of carlton jumel smith’ “1634 lexington avenue”, played by cold diamond & mink.

kreattones third release is here, and we are extremely proud and thrilled to present “day tripper” from the outrageously talented jesse bru. this four-track ep is a lesson on sampling, cutting and building, an aspect already acclaimed and recognized by all that had the chance to hear jesse s work (released on heart to heart, egoplanet, etc…). the opening track shares the ep title and clearly demonstrates mr. bru’s vision on deep-house, with elements coming and going, breaks and drops, all working in perfect harmony. “i want u” is a groundbreaking piece of art, filled with melancholy, heart-driven feelings and shivering whispers, resulting in a gorgeous love song. the first track on the b side, “they told me” is a uplifting tune, with clinic-cut sampling, powerful vocals and beautiful percussion. last but not least “remember how it used to be”, a groovy arrangement of pads and vocals topped with a killer bass, ideal for club use. considering that this one blew our scale, we hope you enjoy this record as much as we do.
strictly limited to 300 copies. no repress. artwork & design: andy book

massive deep house vinyl, for those who knows, vinyl only release, limited edition 300 copies.

we kick off in fine style with the first official full length album from vatican shadow (aka dominick fernow from prurient/cold cave) after over a dozen cassette and vinyl only releases and reissues. includes additional production assistance from juan mendez (silent servant) vatican shadow is currently touring in europe including shows at sonar,fabric, richie hawtins enter ibiza, roskilde festival, berlin atonal and more vatican shadow was featured on the recent sandwell district mix cd for fabric.

reissue on transparent red coloured vinyl.

incl his dance radio power play hits waterfall (r3hab) & bye bye bye (younotus), with you

rock

originally released in 1970, pressed on 180 g lilac vinyl

8th studio album (1975) now on picture vinyl !

reissue

metal

billie holiday’s essential works from 1937 - 1958 on double vinyl.

limited edition of 1000 numbered copies on translucent green 180 gram vinyl.

the solo debut from migos member takeoff on vinyl lp.

remastered reissue on 180 gram vinyl. the cd included contains the full album plus 8 bonus tracks.

images by iconic french photographer jean-pierre leloir, 180 g vinyl, legendary jazz album, deluxe gatefold set, limited edition

part 2 of this gerat longplayer! timeless!

rocksteady sound at its finest from one of the most soulful voices to come out of jamaica - alton ellis.

the 3rd album from rudimental as double vinyl in gatefold sleeve.

16 brand new remixes by robert smith. half speed mastered double vinyl in gatefold sleeve.

the motionless present is a collection of unreleased poems and soundscapes by the philadelphia-based artist and activist camae ayewa, who performs as moor mother. reverberating and rumbling through the thoracic cavity, few records spoke to the contemporary black american experience quite like moor mother’s 2016 protest album fetish bones. her first new material since that visceral and political work,the motionless present is a statement towards understanding the disconnect between humanity and injustice. the release features various new collaborations and previews of upcoming projects: black quantum futurism, moor jewelry, mental jewelry, 700 bliss and more. the motionless present was created in collaboration with the vinyl factory ahead of moor mother’s ctm festival performance at berghain. artwork designed by bcmh using the collage artwork of grassi.

originally released in 1972, “it’s just begun” set the tone for the jimmy castor bunch’s success through an effective and distinctive mix of funk, pop hooks, social commentary, and gonzo comedy. the album also helped the group score a million-selling crossover hit single with “troglodyte”. in the united states the track peaked at #6 in the billboard hot 100. it was a million seller by june 1972 and received a gold disc award from the riaa.
pressing on 180 gram audiophile vinyl.

after showcasing the debut releases from the high on wye quintet (magic mountain high, soulphiction and steevio) and monoak, the freerotation label returns with a various artists 12” featuring four more artists intrinsically linked by the annual festival. anthony child, aka surgeon, has been a regular fixture since first appearing at freerotation in 2011. his recent exploration of modular synthesis and use of the buchla music easel has found a home in the ambient yurt at the festival, and equally has manifested in album projects such as 2015’s electronic recordings from maui jungle vol 1. “unconscious fearless determination” follows on from this more experimental, less dancefloor-focused side to child’s work, while still pulsing with the techno fundamentals that quickly defined him back in the mid ‘90s. duckett hails from north wales, and has been a key part of the freerotation fabric since the beginning of the event. after some releases on mindtours, mindyourhead and sthlmaudio back in the mid-‘00s, his music has started to reach a new audience through releases on untilmyheartstops and a clutch of lauded live performances. “breaks my heart when i remember that day” captures the alien synthesis and emotional heft that singles duckett out as such a remarkable artist. steevio is the co-founder of freerotation and mindtours records, responsible for a huge swathe of techno releases reaching back to the ‘90s. as well as his releases on mindtours, he has recently appeared on untilmyheartstops and in collaboration with pev on schmorgabsord, and is set to appear on russ gabriel’s new label rivers of groove. with its expressive swells of off-kilter melody and snaking drum lines, “pendulum” continues the thread of exploration steevio has been following on his journey into experimental modular techno. tom ellis has been prolifically issuing forth material in a soul-enriched space in between house, techno and funk for more than ten years. from running the acclaimed trimsound label to releasing albums and singles on telegraph, archipel, hartchef discos and more recently ethereal sound to name but a few, tom’s recorded work and immersive live performances continue to reach out to new moods and timbres. “as a take” finds tom at his most reflective, layering on dubby effects and organic instrumentation in a truly meditative end to the ep.