soul and rnb reissue

one copy per customer! map.ache s debut album on giegling. track -errante- contains a sample from emanuele errante - counterclockwise from the album time elapsing handheld, published by karaoke kalk musikverlag 2011.

fresh dancefloor madness by phillipi & rodrigo

jazz infected breaky 4 tracker! tip!

inclusive shan sunrise mix

2018 kon rework - 7 inch version!

ldt edition with extra color print on artwork

repress of the high demanded first release of these two funky jams by italian jazz-funk and libary-maestro paolo zavallone!

the greatest jazz artists of all time and their very best recordings. collection available on vinyl for the very first time!

very rare uk hardcore / uk rave ep

the new album from tempers, featuring rem koolhaas. the vinyl lp includes a cd-copy.

das hamburger nachtamt geht in die zweite runde

second release from prisma vinyl-only series

heko records presents, never before released on vinyl, essential classic cuts from 1999 by john tejada

fresh afro beat madness on legendary vinyl factory label ! inclusive kenyan singer ogoya nengo and stella chiweshe

sunday money welcomes grusti which is a collaboration of guti & roustam

one per customer! repress! after one and a half year ateq is back on giegling with his second release and some more tropical brainstorming.

inclusive mella dee remix

experimental minimal techno by audiokern / tobias.

incl. remixes by luca agnelli and red axes! support by carl cox, adam beyer, dubfire, nicole moudaber, skream, amelie lens

airhead returns to 1-800 dinosaur with this strong two tracker

deep and dark ambient techno

enei returns to the controls for the first time since his and kasra’s “transmitter” ep earlier this year, laying down five future grooves from the lush vocals of long time collaborate charli brix on “faded” to the raw deal of “rats place”. enei on form once again providing the drum & bass autumnal chills.

four years after his breakthrough, max graef returns to tartelet records with his second solo album, “lo siento mucho pero no hablo tu idioma”. a dungeon dub symphony in four parts, “lo siento mucho pero no hablo tu idioma” is an album’s album. brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of graef’s most unique music to date. “every bit of music or work represents the mood and skills of a certain period,” he says.

reissue of a classic 1999 album on 180 gram vinyl.

ihren größten erfolg feierte die us-soul- und gospel-sängerine in der zweiten hälfte der 1970er jahre, als sie ihren stil für einige jahre zur disco-musik hin veränderte und mit “young hearts run free” einen internationalen hit landete. die vinyl-lp erscheint inklusive downloadcode.

the 2006 debut album from the fratellis back again on red 180 gram vinyl with download code included.

pressing on transparent & white mixed vinyl, comes with download code.

2nd ep from david kitts new jackson yous lp released in march this year a mini lp of sorts featuring 5 new tracks! according to david: like lightning was written after a late night/early morning adventure with friends in galway city a good few years ago now. i always find it hard to choose singles but this seemed to be lot of people s favourite album track. i ve availed of every last second of space on the 10 inch to turn this release into a mini-album of sorts with three quite different instrumentals one part folk, one part modular electronic and one recorded using two buddah boxes in the glasgow underground. there are also two unreleased songs that have knocking around the hard drive for a while but fit nicely on this release.

the talents of enei and critical boss kasra combine once more to kick off 2018. with the infamous jakes on title track vocal duty, the transmitter ep rolls out four pieces of low-slung, sci-fi drum & bass designed for darkened rooms across the world.
the vinyl release includes a download code.

this time a debut at flatlife records, with two french underground acid techno pioneers!! krissmix & koss are well known in the french underground scene and with hungry bonzai they come out very powerful!! pumpin acid techno with great remixes from tassid, rene reiter & draft punk!! don’t miss this!

the message at the depth is underground rap for the digital age, far removed from the moldy crates and dusty beats of krushs mo wax classic strictly turntablized. his beats are digital, heavily resampled and quantized, splintering off like drum n bass patterns but possessing a depth and clarity not seen since the heyday of massive attack.
pressing on 180 gram audiophile vinyl.

j:kenzo heads back to 31 records with two new tracks from his arsenal. “sykura” encaptures the vibe of ’97 / ’98 drum and bass with its soundscapes and twisted analog synths, whereas “assemble” keeps the traditional 2 step rolling style with energy throughout.

one more time andy reveals his vision of a modern, deep & trippy dancefloor. 3 flawless cuts to make them feel already played by tini, raresh, sonja moonear, etc

2018 repress , bhe 8 continues the devastation from gay marvine: totally transformed donna summer, a prince disco edit that removes all the vocals, his liaisons avant apres mars master edit, and iggy bowie eno sister midnight.

2018 repress , more killer stuff from gay marvine: a lost michael cut, obscure depeche mode, his own original music for his take on see line woman, and first choices 1974 the player turned into a house jam but still using the 70s drums.

for its fifth release, french indie label rave or die introduces two new acid rave tunes. in the a side chris moss acid (don’t, 030303, shipwrec) delivered a savage acid track .on the b-side the label boss umwelt will imerse you in low bottom of the warehouse with a dark mental acid track.

fervor recordings is back with sapor of acracy by mattias fridell. swedish techno producer he was born in the early 80s, known for his mechanically & synthetic driven sound structures, is a man involved in many projects. the ep is composed by 4 tracks, two original and two remixes by the acid duo boston 168 and code 701.

the 5th vinyl release for sonora encloses a very unique selection of producers. body & soul, two originals composed by label artist simone venanzi stays true to his sound with both deep and tech structures. for the remixes, we welcome two new artists who have added completely different compositions for each song. eduardo castillos remix of body showcases his unique approach to producing with a very melodic gypset vibe with special use of his les paul for the melody. for soul, boris griggs has given a deep remix with perfect melody recorded on guitar and astounding reverb. all artists have composed incredibly thought out productions unique to their own personal influences making this release an important staple for sonora records.

his album debut - timez are weird these days was one the most exciting releases of 2011, shortly after, the trinidad born us rapper and producer appeared on the biggest music- and lifestyle magazines including spin, the nme, rolling stone, billboard, vogue, maxim, village voice, gq

2016 repress - new secret mixes sub-label f/gay marvines best secret weapons of gay disco. 3 steamy classics restructured for your pleasuring: first choice - love thang, sister sledge - lost in music, shalamar - make that move

2018 reissue , detroit styled classic, remastered

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.