label head honchos rhode & brown finally debut on their own imprint, slam city jams, after putting out music on fellow labels toy tonics and public possession. produced over the past two years, the wave 100 ep might be the most versatile record by the munich-based fellas so far. on the title track we have an euphoric hint of 80s synth nostalgia, slapped bass and banging woodsticks (did someone say safri duo?!). sparkle on a2 feels like the joy of a fresh breeze on hot summer days whilst living la vida loca in the clouds - b/w phat bass, sweet flutes & strings. on the flip there is love lane, a classic house track with a funked up bassline, shuffling snares and the most erotic vocal in human history. moon bells on b2 is the soundtrack to that road trip you did back in 86 with a juno 106 arpeggiator bassline, percussive drums and airy synths all around. over europe on b3 rounds off this special 5-tracker with beautiful ambient spheres straight from outta space.

rene pawlowitz aka shed returns to ostgut ton under the new moniker the traveller and delivers the first 12 inch of this new project. under his new guise pawlowitz picks up at his roots and delivers a deep techno record made for the floor. the beats on the a-side >a 100< are fierce, the melodic synth line lifts you up while everything around appears to be burning down. the experimental first track on the b-side >ber< meanders without beats and full of broken chords around that moment of ecstasy without ever reaching a break. on the b-sides second track >bypass< rene says hello to the techno-heroes, rolls out a red carpet and shows them what he has learned. pack your bags and head for the dancefloors.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

ltd clear vinyl only at decks.de! s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

an extraordinary ep by tensal! photon radiation ep on the cutting-edge label, void+1 recordings.

techno masterpiece

limited pressing on neon yellow vinyl.

limited 10inch in special tip on sleeve

scalameriya, 1/2 of the void+1 administration, delivers a new, conceptual techno ep.

no more tears - shakira on diamond white double vinyl ! incl. tiesto remix !

electronic/dance

rock

berlins midnight in a toyshop aka morbeck

second album from one step closer, pressed on white vinyl.

4 track 7inch on green vinyl . individual hand painted sleeves. limited to 500 copies worldwide. includes poster.

reissue of the 2017 ep from slaughter beach, dog on ocean blue mix vinyl.

new album from kathryn williams on blue coloured vinyl.

special priced voltage triple pack with gatefoldcover & stickers / incl tracks & remixes by kombinat 100, john dahlback, monoroom, john spring, micronaut and more

metal