2xlp black vinyl edition. electro, breaks & scifi-disco! dagoberts intergalaktischer vierter longplayer auf dominance electricity dokumentiert den Übergang seines bisher electro-breakbeat-dominierten stils hin zu den verstärkt genre-mischenden electro-variationen seines neuen projekts masterarp. produziert seit seiner letzter veröffentlichung im jahr 2011, ziehen die für dieses album sorgfältig selektierten werke den zuhörer in dagobert s kosmos aus melodischer und rhythmischer verspieltheit irgendwo zwischen electro, breaks, space-disco und sci-fi filmmusik.

premium coloured vinyl edition incl poster ... electro, breaks & scifi-disco! dagoberts intergalaktischer vierter longplayer auf dominance electricity dokumentiert den Übergang seines bisher electro-breakbeat-dominierten stils hin zu den verstärkt genre-mischenden electro-variationen seines neuen projekts masterarp. produziert seit seiner letzter veröffentlichung im jahr 2011, ziehen die für dieses album sorgfältig selektierten werke den zuhörer in dagobert s kosmos aus melodischer und rhythmischer verspieltheit irgendwo zwischen electro, breaks, space-disco und sci-fi filmmusik.

electro, breaks & scifi-disco! dagoberts intergalaktischer vierter longplayer auf dominance electricity dokumentiert den †bergang seines bisher electro-breakbeat-dominierten stils hin zu den verstŠrkt genre-mischenden electro-variationen seines neuen projekts masterarp. produziert seit seiner letzter veršffentlichung im jahr 2011, ziehen die fŸr dieses album sorgfŠltig selektierten werke den zuhšrer in dagobert s kosmos aus melodischer und rhythmischer verspieltheit irgendwo zwischen electro, breaks, space-disco und sci-fi filmmusik.

after two releases on delsin son.sine gives his debut on the echocord sub label

top tip for boards of canada fans! gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. nothing left to abandon is a slow rendering of brooding introspections and imaginary spaces. memories, visions, eroded philosophies, tragedies in a few words. a childhood of livid skies, barren escarpments, homeless wastes. an absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of vangelis, boards of canada, klaus schulze, and ulrich schnauss, and the musings of joe frank and robert ashley. clocolan is south african-born composer emlyn ellis addison. a long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. from his childhood in south africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan s homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

12inch full of music with a definite sense of place. eerie synthesiser pulses, funk-infused drums and languid guitar-scapes have been part of the musical topology of düsseldorf since the early seventies: and this particular release pays full tribute to that legacy, with jagd auf den hirsch (hunt for the stag) comprising an eerie piece of swampy lazer-forest rock. this sound is also a modern day staple of düsseldorfs nightlife at the salon des amateurs, a small bar attached to the kunsthalle art gallery that is an oasis of hypnotic disco nightmares. the salon is where der räuber und der prinz made their first live appearance in 2008 (when the original composition for moogwalzer was debuted), and both members of the band frequently play there: ralf beck with his bodyrocking club act unit 4 and sebastian as half of art-rock duo noblesse oblige. meanwhile two of the guests on this release - detlef weinrich also known as toulouse lowtrax, contributing words about a ghostly maiden on moogwalzer, and thomas klein contributing drums to jagd auf den hirsch - are both original members of the quintessential düsseldorf act kreidler. salon dj resident vladimir ivkovic also had a hand in the creative clarion call for the jagd auf den hirsch (hunt for the stag). to complete the circle, düsseldorfs new resident and desolat mainstay guti wrote his remix in the middle of the night in buenos aires, as a kind of letter to his new home-to-be. there we have it: a true tribute to a city we love, with tracks for the dancefloor as well as moments of melancholic contemplation.