as the cab passed by, the two stars collided with an enormous energy flash. for a few seconds, the galaxy fell dark and silent. but a, has barely noticed anything. her heart was full of music, and her body, full of love.
blorp is here again, ready to take you away and melt your soul. on board, serious a, a charming parisian astronaut with a crafted signature sound you’ll fall in love with and never forget.

blissful vibes and rolling bass with love

nice price deal !!! soulful dubstep incl dub menace mix

new label serious assault brings you hot remixes of two superb vocalists. both reworked by a famous swedish producer who wishes to remain anonymous. the classic masters at work track work featuring the vocals of wumni gets the bugz style broken beat roller treatment. on side b india irie gets the urban house rework smooth and heavy bassline and new jersey style drums. music for dancefloors..

exium can be considered with no doubt pioneers in the spanish techno scene, almost two decades of devotion, passion and work on behalf of what we know as serious and militant music. in their vast career the have released countless vinyls in labels from all over the globe and have spread their live sets throughout the most respected clubs and festivals all over the place.
they decide what their pulsations are, it can be minimalistic, complex, broken, layered or tooly and precisely, this is the case in this four tracker.

with this debut ep, the ozzie producer succeeds in rounding up disparate & dubious elements together in a serious way without departing from a non-serious attitude - the record even rounds off with a very “put your hands in the air” moment with space gekko’s ravey sirens. “music to party on the river yarra to” (just google it).

club lonely welcomes this stone cold italian 92 classic from francesco farfa, original copies of which have been fetching some serious amounts on the cogs, into the cl family. complete with a new heavyweight matrixxman mayhem remix.

lou courtney recorded one of the all time great 70’s soul albums in 1974 with the jerry ragavoy co-produced ‘i’m in need of love’. the 10 great songs are expertly arranged by leon pendarvis backed with superb instrumentation and topped with wonderful expressive soulful vocal performances from lou courtney. the album includes the modern soul gems ‘what do you want me to do’, ‘i don’t want nobody else’, ‘i’m in need of love’ and ‘the common broken heart’. the philly inspired up tempo cuts ‘i will if you will’ and ‘somebody new is lovin on you’ plus there are some great ballads. essential for any 70’s soul fans.

born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

dope plates 005 brings retro flavours from some of the scenes freshest talent. north london based sicknote delivers a beautiful rolling track called -2000 ad-. east asia based brit scape comes with some serious ambient amen pressure with -escapism- and u.s producer mark kloud ends the release with his superb track -strength-.

the sandy beaches of new south wales, australia, give way to dusty beats of aussie producer shinji in this funky seven inch single on cold busted. taken from his forthcoming album in colour (coming in april 2018), this single features two retro-tastic tracks that will send the beatheads swinging across the floor. “second wind” opens up with heavy rhodes piano chords accompanied by a crucial rhythm and streetwise horns. evoking the soundtrack to a tv detective series from the ‘70s, the cut unloads serious action in a 45-slinger’s dj set. flip the record for “grand mash,” which begins in the hip hop zone before soundtracking a movie scene of the pimp-mobile once again in pursuit. groovy horns, tough beats, and a way-cool-for-school spoken interlude move this one to the top of the crate-digging charts. shinji strongly delivers the goods, queuing things up nicely for his sure-to-be essential long-player.

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

back in the area. banoffee pies original imprint continues with bp007. the more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track va. toma kami opens the a1 with the title rivershells, a slowly erupting swirl of percussion and progressive drums. a real head turner. the a2 comes from pablo marco with his second addition to banoffee after his breakbeat power track on their black label series imprint earlier in the year. murmuring vocals and a swirling feeling with all about - sure fire dance floor reset button included. the b1. comes from liem & eddie ness, whos split ep with acs on the earlier released bp005 analog acid record was enough to invite a return appearance this time with leftfield fujiyama, and welcoming of k-lone previously known for his involvement on the powerful bristol label, wisdom teeth with a down tempo track with warm spherical sounds.

rich nxt returns to fuse london for his 6th solo ep and it is perhaps his most crucial and striking material yet. these tracks have been destroying parties around the globe all summer from daytime to night time, club to warehouse, all three are certified bangers. from the ridiculous baselines of brigade, the beautifully uplifting vocal of serious and the effect of the synthesis between natural and artificial drum sounds on eight, each track combines moments of twisted raving with crystal clear breaks and heavy drops.

2018 repress . since launching last summer, rasta vibez has carved a niche for itself among the drum and bass community for those seeking out some dub and reggae flecked jungle cuts for the dance. now, after a successful series of 10 inch hand stamped records, mystic pulse kicks off a new 12 inch series pushing a more serious and distinguished sound with style. both sides start off halftime but effectively evolve into breakbeat chaos, which has already proven to shake up the dancefloor big time. in short a must have for all ragga muffin junglists!

danny berman aka red rack em is back with 2 more burners on his much loved bergerac label. after slaying everyone last year with wonky bassline disco banger and this years hotly tipped self portrait lp he s got his sights set firmly on the dancefloor once more. 2017 has been a vintage year for the berlin based dj producer with radio 1 mixes, serious air miles, remixes for tensnake, tinie tempah, shows for rinse and after a hectic summer, it s time to focus on his own productions and get back to what he does best. making slamming house cuts designed for maximum floor damage. place for me (version) is a cut up, pumping, soulful disco house slammer. originally released in 2009, it s been updated and remastered and is another great example of red rack ems ability to chop up vocal samples and make something fresh from them. guaranteed club wrecker, which served as a pre-cursor to wbdb and thus needs to be out there once more. exhalt is a super deep, spiritual house number with vibes galore. deep pads and crisp beats combine with deep bass in an ecstacy tinged, euphoric disco number. one for the heads…

bienvenue beton! a brand-new act making his mark straight out of the block. little is known about him besides the fact hes from belgium, hes clearly a graduate of the hardfloor school of knocks, hes invested in some serious analogue gear and he knows his way around a kick-ass groove! his latest project sees the launch of his own label trek u plan, which will also have a vinyl imprint. the debut release is the double header balloon/juegd already picking up major support from francois k, catz & dogz, phil kieran, slam, marco carola, psychatron to name a few. balloon is raw rumbling techno hybrid with the backbone a dark thundering drum and sharp pummelling hi hats. jeugd is a collaboration between beton & fellow belgian stealdrum, who introduce flanger madness that transitions into a warm stabbing synth, giving the track it s funk. it is rooted in classic ideas yet updated with the mind on present. for the remix of jeugd, schmutz delivers a uncompromising belter reminiscent of the i love techno days with the likes of dj rush and dave clarke. using one of the long synths in jeugd it creates a tension throughout that, together with frantic drums, give the track immense drive. beton recently presented his debut release on pets records, immediately getting support from carl cox, eats everything, paul ritch, huxley, anja schnieder, yousef, sidney charles, sante and many more. showcasing his raw sound, with straight to the floor slabs of gritty technoid machine funk, bruxelles paid homage to the citys visceral new beat and ebm roots but with contemporary muscle and a titanium jacking groove almost wink-like hypnosis to the acid as it stripped back. voice 64 continued this theme of stark leftfield savagery, once again another physical, concentrated piece of frank, honest techno. pressed on black vinyl in a hand stamped sleeve. early support from francois k, marco carola, audio injection, davide squillace, sasha carassi, slam, luigi madonna

12 records is back as serious as ever presenting bogus & hunters bad runner, with additional remixes on the flip by melchior sultana and deep88, atmospheric, lush and dopeàmusic!

parisian dj and producer kiddy smile embodies the lifeblood of house music past and present. his music flashes with nostalgia for those mid-80s new york basements where house music first came alive. ‘teardrops in the box’ pulses with the intoxicating energy of a ball in kiddy’s native paris, with its deep-rooted traditions but its intensely forward-focussing culture. following up on his fearsome debut ‘let a b!tch know’ on defected, kiddy smile has deployed the well-established remixing capabilities of mystic bill, a house champion from the underground schools of detroit and chicago. his ‘jersey dub’ eases back on the tempo for a syncopated strut to the garden state, while the ‘vocal mix’ is a bulkier prospect, emphasising kiddy’s growling vocal with some serious attitude bass. finally, his vinyl-exclusive ‘acid mix’ is specifically designed for getting twisted on dark, underground floors. cowbell and raw synths give ‘teardrops in the box’ unadulterated dancefloor credentials but this is more than a club record, the layers to this track run deep.

* mikal takes his first bow for dust audio in the form of the spirited ep . the break and bass craftsman reigns down an assault of almighty weight for the imprint which holds no barred. * off the back of his critically acclaimed wilderness album on metalheadz, mikal continues to seek out the dance floor through his precision target and locks on for a serious assault of the senses. * the ep’s title track “spirited” see’s the sinister intro build up and transform into a bass laden drop. the stepping drums and jungle infused shuffles entwine with the ghost vocal, whilst the modulated bass will move even the harshest drum n bass skeptics. unrelenting throughout. * the flip sees mikal spread his considerable studio talent over two further tunes of constant surprise. low note wastes no time in getting to the drop before you’ve had chance to take a breath. a thunderous one note bass underpins the mid ranged reece and stabs whilst the chunky drums compliment the tidy percussion nicely. a haunting vocal then sets off another 16 bars of unclouded rawness. * linear finishes the ep with aplomb. synth chords open up into what you might expect to be a lovely liquid-esque style roller… think again! mikal takes that premise and turns it upside down and inside out before bringing the dirty funk. keeping in line with the 2 tunes before, this isn’t for the faint hearted. definitely one for the drum & bass purest, who may well be dancing, but will also be taking down mental notes!

2017 repress! the third release by the dub- techno label >tiefenrausch< brings light to the unexplored depths of the bodensee. the swiss producer >idealist< presents the >expander ep<. right at the start the track >present< combines massiv drumsets and distant chords, creating a gloomy vision of the underwater world. still dreaming, our glance keeps its progressive direction. with ranges of acid sounds and grooving chords, >defective unit< on the b-side lets us resurface here and there perceiving the familiar tweeting sound of a roland. with >tail of two< the idealistfinaly sends us back, comforting and friendly leading the way. one thing becomes obvious, the >idealist< is serious about his business.

locklead is one of utrechts best kept secrets with his signature mpc beats and a deep stompin flavor. he s been catching serious attention lately with his releases on slapfunk, hot haus, unknown to the unknown and soulfood. the a side madniz combines this years utrecht sound with locklead s signature raw warmth. dancing sub-bass and radiating percussion! roa tek is a bomb, ready to explode under your command. combining shuffling grooves, alien noises and an earthquake sub. handle with care.

the first track, moaning, has a linear feeling at the beginning: a layer of bass lines makes your feet move instantly until some subtle piano sounds come in at the perfect moment. it creates an atmospheric vibe and when the bass kicks in again, everything seems to fall into place. cosmjn’s interpretation is, as expected, more serious and it has a no-nonsense approach: stripped of the melodic piano sounds, a strong bass line takes over, which makes for an interesting contrast to the original track.
if moaning was a more gentle track, fr sa su is a little bit different: dance floor oriented, the rhythm is certainly higher and it has some intriguing background sounds that go hand in hand with the powerful bass that grows on you from the start of the track. the florian meffert remix closes this ep and it goes out on a strong note: it is a complex track with very different elements and sounds that complement each other just right to get things going.
with early support from: barac, mihigh, dubtil , cristi cons, petre inspirescu , sepp , crihan

julian perez delivers his debut album solemnity on the artist’s own imprint, fathers & sons productions. this 2×12” vinyl only release is a deep sonic journey highlighting perez’s attention to detail and the evolution of style gained from many years of refining. solemnity branches out in many directions but is unmistakably perez, expressing himself musically more than ever before. presenting relaxing soundscapes that float through various atmospheres plus perfectly-mixed 909 beats, listeners can expect a journey of songs that ranges from innocent and deep to club-friendly and driving. the album’s title comes from the state of being serious and dignified, which is seen in this complete package from the artwork to the mix and expert selection of sounds. solemnity by julian perez is a window to the artist’s dedication to his craft and ability to create honest sound. it’s an album that should be listened to from start to finish. we solemnly swear.

handstamped limited to 300 copies... here comes a full of surprises ep. containing tivoli feelings, acid trance, beautifulness & genuality. funny & serious at the same time. check this out!

“day of my death” by pavel milyakov, also known as buttechno, is his 8th release coming out this year. it consists of 6 pieces which were composed for gosha rubchinskiy s/s 17 show and performed in a extraordinary place in florence which is depicted on the front cover. mostly ambient, overdriving noise soundscapes and spoken word collages referring to the dreamy mood of the show. this work is more serious and mature than milyakov’s previous releases, exploring deeper and sacred images of his world.

between the vast flatlands of western ukraine and the pacific shores of vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. initially free from the weekend routines of the established club circuit, producers from etapp kyle to stanislav tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios.

wet top mud off huggers! deaf font answer back wii thaw foe king numb a real heaven order for thin stall meant often rex drawing cad or can ease sum serious angst worries - ouuuuut hear. deep young hole, baby. blood hymn edit a reign in mere e-wood soaked hick forties shit. grab a pipe at descends damned line a cut text raw wags sends low could view t. soul ive had reaping old riding? shoe breathin! and guess whose cramp pulled the x sought tough dead banging cc lion shock healer? know less than the moth hair fog in sea care hum self - owe chess - hats write - c cares in turn nash on all is seen daos and hiss gelling like your deepfreeze on a meat so morse knightin down tongue wins. oh yes brothers and sisters, say c cares, say u if o, say aimin ants nap patio core puss!

despite his artist name and his trademark sound, steve murphy does not come from chicago, but from mira, a little town on the suburban area of venice. steve has been djing since 2001, and in the past years has been rocking almost every club in his region. he is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal. steve has produced together with die roh an album (-the chasm-) and one e.p (-windy city-) on chiwax, and a solo 10- (-planet earth-) on rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic warehouse sounds. in 2012 he has started the riviera project and has founded the muscle records label, together with lucretio, dj octopus, caio, madì grein and chevel. the label is a facility to spread what has been called -the sound of brenta-: a raw, nasty, machines powered clash of house and techno. in 2012 he also released -the dove ultimatum- on vae victis records, under the moniker of durant: an unfriendly 12- of distorted electro and funky acid beats produced with die roh and lucretio.

nice price deal !!! old school chicago style original productions from the supersound crew. here comes the first full release from control voltages old school analogue bunker. its serious acid business with not a computer to be seen for miles. 808 + 909 + 303

all good things take time, aussteiger said once. and indeed, it took a serious amount of time to get everything set for what soon will be known as dub disco s first release! we’ve been digging deep inside his tune collection. not only to make sure that the first three-tracker is a belter, but that it also showcases exactly the kind of musical approach we wanted as our personal imprint: to hell with a boring and homogeneous release that only represents one genre! we were looking for something that stands for itself, something that tells a story, something that is representative for what the artist stands for in a musical sense. and after a tedious quest, we carefully curated something we think is dope! kicking off the number one is a track disclosing the joint forces of berlin-based collective of musicians los wawis and aussteiger s capabilities as a remixer. here appears a psychedelic version of the track, which is carried by gentle guitars, a dubby bassline as well as the funky-trippy synthesizers that usher a tropical vibe onto the dancefloors. the starter on the flip is entitled “heimat” and comes around as a melancholic interpretation of aussteiger’s time in exile, a period that enabled him to craft his very own style. there is not much to say about this bomb that the ear doesn t catch instantly: this one is an honest earworm, with it s irresistibly arranged horns and a pervasive and driving bassline. to finish everything off, we went for a nasty banger, that carefully blends different aspects of the raving side of dance music. the electrifying broken beat and it’s haunting bassline are blended with an intense influence of acid.

whiskey disco continues to explore the boundaries blurring the lines between original and edit, disco and oddity. wd47 is helmed by dutchman, olivier boogie, an artist known for strengths across the spectrum, in previous releases, we ve seen his editing on display, no goodbye is a fine balance between original synthesis and editing panache. thoma cher is a newcomer to the edit scene, but has been heavily involved in a disco and house renaissance occurring in shanghai over the last few years. his club chops have honed an acute ear, we love what we re hearing from him and can t wait for more. the b-side is everything a b-side should be: weird. label staple, alkalino guides us along a cosmic journey of boogie-down grooves. arps, baby. we love em. sf crew, jp soul & anthony mansfield have been attracting serious attention of late between outings on roam recordings and sightings at the famous burning man camp, disco knights. to say they are ravelords is an understatement. their pedigree is on full display in warlord, equal parts arp energy and huge (huge) lead, the right balance of fun and cheese.

the spanish techno producer victor vera delivers the second vinyl & digital release on deep breath records. victor vera has published music on labels like intec digital, stereo productions, toolroom, trapez, pornographic recordings, kd music, deeperfect among others.....the original track from victor is -inner call-, the song has strong chords and background vocals making up a serious and compact techno track. miguel lobo (8 bit, moan, cecille, time has change) delivers the first remix with two versions of high quality groove. the second and last remix comes from deep breath & made off who have built a very personal & dark version from the original track -inner call-. the release has early support from: paco osuna, uglh, marco carola, ilario alicante, deltano, dan noel, antony pl, koma, battric & mivu, kevin rangel, matteo pitton, michael rosa & many more...

nice price deal !!! ephemerals debut on helena treats us to three deep originals, offset by a characteristically storming xdb remix on the flip. molecular and cirrus combine gritty textures, half-heard phrases, pulsing bass and cyclical synth and acid lines into the kind of meditative sound experience familiar to fans of plan b or underground quality – but here, and especially on ammonia, overlaid by the distinctly dubby feel of drizzly afternoons spent at ephemeral s home in the midlands. xdb, true to form, grabs the latter track and sticks on some serious afterburners, setting controls for a revved-up voyage across the surface of some distant planet.

deluxe reissue des vor 10 jahren erst-veröffentlichten four tet albums *rounds*. 180 gramm doppel-vinyl im klappcover, inklusive cd mit live-mitschnitt eines konzertes in kopenhagen und downloadcode.

amir alexander s anthology one brings together 4 of his most in demand tacks spread out over 3 ep s onto one 12 inch compilation. necessary sanctuary has proven to be an instant classic since it s quiet and humble release 5 years ago. only 200 copies were made with 150 ever making it to the stores, by the time people knew about it, it wasn t available anymore. that is,until now. both tracks are included. the original mix and the 3 am dub. also included is the universe from his deep vibes released outsider music ep, as well as the lovely transcend for amir s first full solo ep on machining dreams. both universe and transcend were given a fresh mixdown, and all 4 have been remastered at hard groove mastering uk. this is the first of what will be an ongoing series for collectors, dj s, serious archivists.

sometimes playful, sometimes serious and conceptual sounds that skirmish in a huge construct of 4 tracks. a sizzling noise pops up a straight kick n hi-hat rhythmic and initiates its all good by alek s, the new ep on made of concete

late nite tuff guy is a new breed of disco vigilante, prowling the neon streets on a mission from god / david mancuso to reclaim the clubs and fuck shit up. the scandalous alter-ego of genuine techno legend hmc (known to his momma as cam bianchetti), late nite tuff guy (lntg) puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous. his shit is controversial, but it doesnt stink.
peddling the most credible of disco edits – sexy and tasteful to a tight white tee – and accruing some serious acclaim from an illustrious roll call of heads in the know (including jeff mills, todd terje, richie hawtin, laurent garnier, ellen alien, steve lawler, carl cox, nic fanciulli, jackmaster, optimo and the don himself – sir greg wilson, who remixed lntgs one nite in a disco), the world is his and its about to blow up... 2015 pressing

neuro scsi make their debut on state of grace with authentic techno attitude, coming here in full effect on a 4 tracker ep entirely composed with an akai mpc2000. catch them at their next live act and expect some serious analogue power to warm up the dancefloor! mixes from sakito & cruel sushi, healthy in ibiza.

damn! did somebody upset carlo coz that boy has been throwing down some vicious balls-to-wall beats across his recent releases... and we love it! he got nasty with shaded s gender bender and kicked some serious ass on his latest for carl cox s intec. whilst carlo s latest outings may be fierce, our toronto brother has lost none of the trademark funk that permeates all of his work. the magic ingredient that keeps our hips on the move. carlo returns to mood with deebug, the rampant techno tick that burrows into your brain with its rapid, pincer-like drums and thumping kick. on the flip its fellow ear-bug, no turning back, flows with an almost laid-back and effortless groove. a perfect pair from mr. lio.

both the dub version and the listen up vox mix of give you some rest on the a-side. opening with percussion, the impending rhythmic baseline quickly grabs our attention. darius throws us some vocal sampling in the vox mix, creating an outstanding raw and iconic house vibe. flipping it over, we find drop your gimmicks on the b-side. this one is a bit more serious and bit less bouncy. with a deeper bass line that tells you what time it is, and the percussion to keep your feet shuffling, the track is, as darius put s it true house music .

hell yes!! superb moody and organic berghain infected techno for the serious and solid hours. stefan rein on his own imprint pure traxx. incl huge s.e.p.e. remix.

limited edition of 500 copies on 180 gram triple vinyl.
less than a year ago adrian niculae, aka priku, released motif 001 which was shortly followed by his second release in early spring this year. now things are getting serious and we have 3 discs to celebrate motif 003 as well as adrians first album. 8 tracks have been carefully selected to fulfill this mission, all carrying adrians acoustic legacy forward.

for legworks first outing, we ve recruited a seminal techno-soul producer from dallas, texas, who prefers to stay in the shadows, remaining nameless(ish). that said, anyone who s serious about detroit techno know s his work on matrix, down low, and most receintly delsin.

repress 2014 !!
after the hugely successful parties in paris, kill brique becomes a label for the more techier side of the house. it was hard to keep it up mixing all the styles on brique rouge. the almighty hardfloor open the new imprint with a huge huge track called soulful spirit , an hymn to independant music. you can expect the usual acid treatment as well as a detroit taste in a kms vein. pretty nice.on the flip and to prove you that we are dead serious about this new label we abducted josh wink when he came to paris and push him in the studio to make this good damn remix ! even oliver bondzio said he loves it, and the man is hard to please believe me ! so kill brique ! josh wink rmx

dj shufflemaster/tatsuya kanamori is back on his shiki kyokai with stunning new single *nuclear fallout / radiation over tokyo*. the incidents at fukushima daiichi nuclear power plant and fallout after power plant explosion provoked him to represent a serious atomosphere by his brand new sound production. perfectly capturing the energetic, acid, industrial driving techno sound that dance floor oriented. 2 tracks with funtastic printed painting record sleeve by keita ishiguro. limited to 300 copies.

we are serious about our music here at future reactions. you can tell that from our first vinyl release, the depth sifters ep. featuring cult producer rick wade, detroit veteran norm talley, up-and-coming newcomer cris j and the talent that is satore, we think it is quite an introduction.

grab the new s&c 005 record, a split 12inch by ender & stiletti-ana, put it on and lay down on your sofa. hear the opening groove from enders track p.l.i.h. and find your self getting up immediately to turn the stereo a little louder. adapt your self to the super tight, locked & futuristic and very original techno groove. watch especially out for the killer stab line in it as it is just something you will most likely find your self humming while shopping or taking your dog out. after the original mix of p.l.i.h. you will hear the stiletti-ana s stripped down version. he must have cut everything else out in his mix with his switch blade besides the ruthless stab line. dig the endless and ever growing stab jacking and remember that p.l.i.h side of the record is very serious and addictive for both club & home users. turn the record around and go back to your sofa. hear the twisted detroitian afro acid disco of stiletti-ana s track i got the master unit. filled with merciless synths and forcing rhythms i got the master unit leaves no questions of the keeper of that unit. the user of the unit seems to turn all things to the max and play midi tracks with tesla coil a like instruments. after the original it is ender s time to use the master unit and turn down the lights and ask the question: do you think that there will be something nice happening soon?

a new series from circus recordings label owner yousef, four expertly crafted cuts that he has been championing in his dj sets for some months. a collective of energies & styles, artists & friends, to create a sequence of creatively broad dance floor club tracks that harvest the effervescence circus recordings is known for, musically serious and tasteful, yet always vibrant and colourful.