reissue of this rare nigerian/ghana funk record. incl. the jam african soul power which you might have heard getting spins in the clubs. incl. a poster+extensive liner notes. fela kuti believed the identical twins of basa basa to possess magical powers, bringing luck and prosperity. fela co-produced their first lp, and played on their second. but the wondrous powers of the nyaku twins from ghana reached their summit on their third album, which basa basa recorded with producer and multi-instrumentalist themba t-fire matebese in nigeria. this collaboration resulted in the bewitching homowo album, which combines the earthy mood of the twins and the futuristic vision of themba matebese as well as the hot and sweaty afro disco sound of lagos, where the album was recorded. from the blue title track homowo to the afro disco floor burner african soul power, the album makes a consistent listen. amsterdam based dj collective and vinyl shop vintage voudou makes the highly sought-after lp available again after almost four decades, working in close collaboration with the artists.

after the first ep, that you must have heard in clubs across the world - laconica is back with its second. as with the first one, this release is all about the three solid cuts, which are made especially for the dancefloors. the first track “who gave you dis” is a deep groove in tandem with whispering vocals and powerful drums. “this for b” is a perfect minimalistic tool for after-hour sets. last but not least, “lil souvenir” (b2) is revolving around the chicago house feeling with some classic vocals in it.

the third schatzi is the biggest one yet! six choice cuts of uncertain origin and vintage. just know they re the handiwork of a disco dynamo (or dynamos?) we know well, who s been around for a hot second. who is schatzi? what is schatzi? vinyl-only hand-stamped release. get it before its gone

very limited 2017 repress. early support from: marcel dettmann, marcel fengler, levon vincent, marcelus, shifted, sascha rydell, tom dicicco, and, roberto bosco,samuli kemppi, reduced to the essential and well-textured. thats what markus suckuts new label sckt is characterized best. known through releases on labels like figure spc, the producer will release only his own productions and thereby present the root of his own style. designed for the endless flow, the sustained structure and the dreamy-spherical melodies of the releases contrast each other. the luscious substructure is complemented by merciless haunting basslines. this mixture distinguishes each track as flawless, modern techno, whose steerful production is palpable in every second.

berlin-based producer, yapacc take on the original sees him transferring the song into a dancefloor-ready track whilst subtly maintaining the ambience of the original. off-beat house-esque sub-rhythms and a melodic bassline helps to keep the energy of the track moving forward, whilst the top end guitars and vocals keep the listener interest up until the very last second. russian-based dave pads remix also helps the original move onto the dancefloor with this incredibly funky, groovy-laiden back beat which simultaneously manages to hold onto the original tracks esthetical ambience. euphoric house stabs and a continuous layered texture sits behind the tracks groove, adding a sense of nostalgia and depth to an already emotive original.

nice price deal !!! hip hip hurra, here comes the second. brill detroitish chord floating techhouse with a perfect deep hypnotizing monoroom remix !!

halocyan continue to plunge deeper into their originary technicity series which has already featured an ep by hackman backed up by remixers such as timo maas and kink. for their latest offering, the l.a coterie have enlisted the talents of the legendary german duo extrawelt and have backed them up with remixes from championed master of machines ulrich schnauss as well as joey beltram and giegling affiliate vril. extrawelt s breaking bricks remixes addition to halocyan s originary technicity series will be released across two separate volumes with ulrich schnauss interpretation and the two original mixes on the first and joey beltram and vril s revisions featuring on the second.

brianna price aka b.traits, launches her new record label venture, in.toto, with a self-produced two track single, still point/north shore. in.toto, to mean as a whole, altogether, unity, will focus not only on her own productions and releases, but also provide a platform for up and coming artists, and those producers already championed in her dj sets and hugely loved bbc radio 1 show, by way of new material and compilation albums. the label will be backed by bespoke events and club nights, enabling the artists and the sound of in.toto to reach far and wide. on the labels inaugural release, brianna sets the tone perfectly with still point. gnarly, rasping bass punctures the gentle piano riff and ethereal synth pads as this club ready track blossoms into life, the assured and driving drums never letting the energy drop for one second. on the flip side of the limited edition, purple 12inch vinyl release, north shore opens with warm idm pulses and tones, grandiose strings and vocal refrains create a huge sound that takes its unexpected breakbeat twist, reminiscent of british rave heroes orbital, whilst holding its own with its fresh and bright production.

the t-rex is loose! roars can be heard from the house of uktura. ukt apa and ascon bates are collaborating and present ukt003. three tracks, all of them functioning techno, take you on a trip into the past. the elder” rousingly leads you through the prehistoric landscape and makes you curious for more. ton” advances progressively, like escaping the t-rex which gives up the chase in the last second. isn’t that just pure thrill! fog and mist” is reminiscent of a prehistoric dawn, smooth sound with rough touches. there are many ways to interpret it, but one thing is clear. all of it is techno!

deluxe double 12 inch edition, featuring the iconic “awesome mix vol. 1” on the first vinyl and the original score by tyler bates on the second.

is the doctrine of the mind fully contained within the physical brain? or are there places that we can traverse, places between places, that exist outside of ourselves and the consensual reality we all seem to inhabit? close your eyes and just try it for a second. you may be surprised where you go… exploring this theme of journeying beyond our strict sense of self, label mates and friends tale of us and mind against have joined together once again to create a work that works, fittingly, well past the summation of it s parts. playing with tension and release and a restrained but expressive sonic palate that paints a picture without words, these accomplished artists from the life and death team bring us to a place that seems to surely exist. even if we might not be able to pinpoint exactly where that is

this sampler 12inch contains a special selection of prins thomas edits. includes tracks by the mackenzie, a thunder orchestra, zazou bikaye & cy1, and a split - second.

devoted to the art of movement is the first record from nss (no spiritual surrender) a duo formed by j.c. (ahd co-owner together with damian schwartz) and kastil this e.p. centers it s attention towards electro, but continue ahds heritage of giving a twist to those 90s sounds that influenced us so much, from early idm to detroit, all is present here. the opening track is the one that gives the ep it s name, an acid stomper build around an electro beat that builds up and down fiercely. the track maintains its tension throughout its whole length by building strings and arpeggios over its acid sequence, never transferring its beat to a straight kick, capturing the attention since its first second. proposed playground is build around a more steady electro beat, strings and sounds merge themselves around the beat to create a beautifully hypnotic piece where where some background melodies tickle our ears bringing memories from idm golden years. zero one is closing track, without leaving the electro rhythms the defined the whole ep the track is build around a phrenetic synth sequence that sets the path for the whole length, rhythms are rough and strong and its syncopated hitting adds emphasis on that frenzy atmosphere since its first second till the last.

float records first vinyl release is a fact. and what could be better then divide it in 2 parts. the first output reflects the second. label owners twr72 presents you *reflect*.
the 1st remix comes from berlin based markus suckut. a subtle angle is taken on reflect which makes the remix feel sustainable. just the perfect remix to include in his impeccable oeuvre. all the way from finland is analog devotee samuli kemppi, who takes care of the 2nd remix. samuli creates a sudden tension with builds up until the very end. a001, from amsterdam, turns the original reflect into a obscure remix with an perplexing 2nd half. a001s mysterious and quiet appearance is a paradox compare to his musical output. twr72 closes the ep with the bonus track *response*. a solid and barbarous answer to reflect. no words are further needed.

float records first vinyl release is a fact. and what could be better then to divide it in two equal parts, where the first output reflects the second. label owners twr72 proudly present you *reflect*, with remixes coming from myk derill, kwartz and developer.

after patrick pulsinger on the first scram release, the label features another classic techno project on its second. ratio (central records, 7th city) returns with its first outing in over a decade: four artful tracks of broken dub techno, ranging from intense and banging to deep and hypnotic

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

on his third time out, the horseman has decided to take some time to himself and rethink all of the suffering that he has caused. after his never ending >midnight ride< he paused to take a break and fell deeply asleep. he awoke to the sounds of birds singing and the piercing sunlight in the early hours on the hilltop of >northfield lane<. he felt joyous for a split second. could this be the end of his misery?

a surreal spark of darkness slowly awakens a monstrous tune that becomes more radical by the second. with soundscapes taking serious shapes, the emotion actually comes from deep within: pointing out to infinity. desolate is a hazardous mixture of sick, twisted growls taking extremely unique forms, sub-driven resonating basslines and spacious soundscapes, which bound you to darkness instantly. as the intriguing second part of desolate flows through the mind and soul, no listener is left unharmed as it sweeps you away from reality. with further developed harsh, sharp percussive elements and frightening samples to accentuate this cold production, desolation will become a step closer each and every time you lose control.

very special release!!! no represses when working on something, many other things happen which have an appeal of their own but do not fit together with what you have in mind, or where you are heading. this series of recordings is about the unexpected, things opposed to the plan. it is a slice of life, a snapshot that divides before and after. the more conscious you are of moments like this, the more often you will experience that something special is happening right now, in this second. and then it is gone for ever… unless you buy it on vinyl... already played by karotte (cocoon / great stuff)

nice price deal !!! this new record from dj absurd on kiosk records imprint sets new musical landscapes for the parisian producer.more used to dancefloor tear-out anthems than soundtracks for meditation , he delivers there a very deep record bringing back the memories of his uk garage background. both tracks on this ep have enough sub bass to make the ground shake even if listened to on laptop speakers ! skanky drum patterns & dubby chords ride on a gigantic bass worm making its way from your feet to your brain in a second.for fans of: dmz, mosca, random trio, kryptic minds & generally speaking it will please any bass music enthousiast in a deep mood

>into our midst< might just be walls finest achievement to date: you can literally hear the duo nailing it. backed up by an exclusive edit of the title track and unreleased freeform thump-out >idle sway<, this 12 inch manages to accomplish the impossible: bringing the bounce back to the chill-out. one can only wonder what walls will do next to woo and enchant their audience growing bigger every split second.

don’t be fooled, for a second. “this is a sad, sad song / for all you sad, sad people,” announces ganglians’ creative core and lead singer ryan grubbs at the outset of the sacramento-based band’s second lp, still living. the guitars, strummed with sun- rays, and the percussion, sprightly with springtime enthusiasm, tell a different tale.

moody melodic synth patterns, stripped back electronic percussion and haunting hypnotic vocals. may i present the latest masterpiece from reuben tobias: portraits ep. a finely balanced deep underground pop release that will no doubt hold the attention of such names as troxler and jamie jones. the structure, complex enough to hold interest but simple enough to maintain elegance, takes you on a journey through the mind of reuben tobias as you listen attentively to every word of the self expressive lyrics. the b side lead, marran, shares very much the similar characteristics as portraits. minus the lyrics, marran uses subtly layered electronic synths and the comforting sound of young children playing outside to suck you down into a place of complete concentration. your focus becomes stuck in fascination for the sounds guiding you through the duration of the track right to the last second. a brilliant ep. not one for the clubs but certainly one for the collection.

nice price deal !!! after the success of render obendiences first release, we continue with the second. all three tracks comes from italy. lula circus, maiki & angelo draetta and picx are the artists who made this moderna ep. again vinyl only release, perfect for the summer time

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

esperanza strikes back and does it deep! on this release we have rosarios icon franco cinelli. establishing himself more and more as one of the most respected artists in argentina, francos response to the praising is nothing but better music every second. on the a side cinelli brings us >the sound of the city<, a trippy dubby affair with a perfect balance between modern sounds and oldschool drums. while on the flip, >joint non stop< honours its title with its super driving bass and groovy almost tribalish beat programming but still keeping the dubby flavour of the a-side. enjoy your martini and, of course, another classy affair from mr cinelli

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

having made his debut in 2006 on rip n burn recordings and also appearing on hadshots 10 year anniversary complation in 2007 under his alias audiolizer, israeli producer matan arkin has forged a style for himself that is both heavy in its orchestral audio mentality while keeping enough low end bounce and grime to be aimed squarely at maximal dancefloor effect. angels strikes a balance directly between sentimental yet bounding tech house and bass driven electro house, creating an end result that is both melodically enthralling and rhythmically grabbing. bordering on the edge of emotion, the simple melody carries the track till its end while an unwavering bass makes itself known without ever dominating the forefront. black is beautiful utilizes the sultry vocals of selecta beats recording artist elisete as the theme around which a slow, simple and naughty groove is built. with the lyrics deviously weaving their way around an ever-transforming musical backing, the song creates itself as a sweltering escapade that doesnt abandon its charm until the last second. mipt shows matan digging deep into his studio dexterity to mold a wildly distinctive piece that borders on the edge of melodic abstraction while still stealthily keeping its grip on a distinguishable degree of mesmerizing harmony. never losing its way through a complex maze of synths and squelches, the song serves as a vivid and vibrant highlight that reminds that plain simplicity isnt the only way to guarantee success on the dancefloor

rave your head with this bangers... check your head bangs from the first to the very last second. this is really no laid back chill out sound. this is rave culture from the future of germany influenced technologist music art and the soulful touch of detroits music of today. very freaky

if you already have admired dermaptera 1 you will be surprised by the phenomenal sequel dermaptera 2. but of course it will be a good surprise and even more than that! a very exciting subbass, rhythm and beats that will make you shiver! the three tracks are genial ear catchers up to the first second. exactly the right thing for people who like real hard stuff. after hearing this great record the conclusion can only be awesome! surely, the minimal scene has received a great benefit with this unique opus

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

after the great 1st ep, here finally his second. rolling well produced electro made to rock