including remix by brian miller aka detroit people mover.
supported by: darko esser, lee holman, dvs1, jeroen search, jonas kopp, dimi angelis, paul boex, markus suckut, sebastian bayne, echoplex, go hiyama, miss sunshine, samuli kemppi, philippe petit ...

art reform– being newly invented, this expression has already come in view of the people who arent indifferent to electronic music.
sure thing, as the labels releasing vinyl in ukraine can be easily counted on the fingers of one hand. most of them have already fallen into oblivion having yielded to economic realia, but for art reform records it is just the beginning.
the evidence to which is the release from the main project ideologist, kiev resident joss. well-known for his devotion to vinyl and club rhythms joss has fully embodied himself in his debut plate artreform.

the 6th release on myle serges re(form) imprint and the 3rd made by the labelboss himself comes with a remix by jeroen search. pressed on red vinyl.

reform returns with an ultraphat pumpin detroit techno 4 track monster

massive four track prime time techno ep

ultraphat raw / dark dubby detroit influenced track, very analogue flavours

reflecting influences from early detroit / chicago electroniques, myles has established himself as an artist, and refined a sound unto himself unique and haunting. pressed on limited red vinyl

detroit s new >soundshift< imprint makes a stunning debut with this intoxicating two-tracker. opening up is the soultek remix of billy dalessandro s smashing >don t sleep< release (which was found in the many sets of dan bell, ame, annie mac & pete tong last month) this mix is nothing short of brilliant and will certainly capture the hearts and sets of all those mathew jonson or loco dice fans out there. it has a subtlety that really creeps up on you and before you know it you re tapping your feet and zoning out listening to the intricacies of the music. truly minimal, there are loads of space within the track which is somewhat similar to the original but still a world apart, particularly in the fantastically eerie synth programming. in the forefront of the song is the shimmering and haunting vocal loop, >don t sleep< which has an almost hypnotic effect. (think richie hawtin in closer) the melody of the title is a delicate affair which sips cocktails in the company of some nicely chosen whirring and echoing noises. the build is effected so subtly it verges on melancholy but halfway through a rumbling bassline, appregiated melody and backbeat hi-hat pattern announce a funkier escalation!!

incl remixes by john tejada & product 01... vocals by carl a finlow

lustmordÕs extended soundtrack for the paul schrader film Òfirst reformedÓ on cd.

we are really happy to present the first release on sleepless musik, a beautiful collaboration between jerome.c and dubfluss - friendship connection pt.1 with remixes by janeret and ana poiesis aka malin genie. limited copies, vinyl only.

rock

incl francis harris, dj aakmael remix

it s been nearly 15 years since this originally hit the shelves, which literally took the immersive atmospheric sound of echospace and brought it right to the floor. with cv313 s -sailingstars- the spirit continues as they go on to preach the gospel of deep with a rippling exercise in space and bass. a sort of slow motion movement in tone and 38 hz sub frequency which nearly verges on the disturbing, a sonic threshold quite hard to achieve in a vinyl cut. the power of repetition and subtle atmosphere are clearly demonstrated here by bringing the listener to an almost hypnotic state within its melodic spatial grooves. the b side offers two immense reductions, equally effective providing a low end throb, analog spirit and organic textures captured in zero gravity, it s like truly sailing among the stars. lovingly remastered and mixed down from the original analog 1/4- reel to reel tape, strictly limited to 300 copies for the world.

dreamy , melodic & melancholic

pop

debut ep of the swedish duo ksel (kim stockblom + elias landberg aka skudge). a proper techno trip from another planet!

limited to 500, coloured vinyl (orange)

die grindcore/metalband dead cross liefert mit ii ihr zweites album nach ihrem debüterfolg!

techno from oscar mulero & psyk

magnus asberg, joss artreform remix

romperayo take colombian popular music to the next level.

2022 reissue.

eine mischung aus gefühlvollen melodien und roboterhaften rhythmen, die endlich beweist, dass techno und liebeslieder aufeinandertreffen können.

warehouse find - remixes by losoul & freeform five!!

dj savage kicks off new label pleistocene future.

incl anil aras remix

foward thinking detroit electro from francois dillinger!

vinyl only.

part 1 of 2, incl mp3 download code

incl. strong the shapeshifters and jkriv remixes

killer remix from one and only shed !!!

finest techno rave tracks gained huge support from amelie lens, charlotte de witte, richie hawtin, and anna

part 2 of this gerat longplayer! timeless!

big band jazz meets hip-hop - abstract orchestra’s hommage to madvillain goes into it’s 2nd round. the vinyl lp includes a download code.

incl. francis harris remix

cool tech hous four tracker by christian jay and rob amboule

• includes exclusive track ‘southgate’ by mount kimbie
• full world tour to support release
• lp includes download card to full mix and full length unmixed tracks
• first official mix compilation from mount kimbie

building on the already incredible collection of music so far released on francis harris’ kingdoms imprint, emil abramyan returns with the stunning ‘movement’ album. abramyan is a brooklyn based composer, musician, and producer, whose work traverses various styles and disciplines. in this release emil shares his unique perspective by bringing together his conservatory training as a cellist and his love of electronic music and sound design. the vinyl release includes a download code.

francis harris exceptional run of releases for his own labels scissors & thread and kingdoms now extends to this perfectly formed ep for hafendisko, which sees him rework some of hfn musics finest moments of the last two years. harris, the brooklynite whose feel for subtlety and space seems to infuse all his work, takes on three of the hamburg labels cannon - kicked off with kasper bjorkes cloud 9, featuring urdur. here harris deconstructs the original and reforms it into a some quite removed from its origins - shuffling drum machines bring about a kraftwerkesque feel, before beautiful tones and atmospheres reveal themselves. the track seems to develop along two paths simultaneously, somehow creating a truly affecting piece of leftfield electronica. null + voids huge dave gahan-featuring-track where i wait has been heavily remixed over the past months, but also gets the harris treatment. completely flipped form the original, this is a haunting remix with tough and funky underbelly, utilizing gahans vocals only sparingly. danish alt-pop trio ticktock have their single hatefuck refixed also, and harris zones in on the glitchy vibe and adds layers of claustrophobic depth to the production.

the 4th meters album marked their departure from josie records and was released on the reprise label in 1972. cabbage alley once again proved that the meters were one of the finest, rawest funk groups around. hailing from the soggy streets of new orleans, the meters essentially invented the second line groove, influencing funk music like no other artist (ok, aside from a singer by the name of james brown). these cats are essentially one unified rhythm section, with expertly timed drum breaks, bass driven grooves, bluesy chicken scratch guitars and southern singalong choruses.

recorded while gerald was in jamaica working on a project with lee perry in 1980. the master tapes of the four tracks that were recorded at the harry j sessions were only recently discovered. utopia was the only track that had been given a final mix back in the day. it was released on 7- on the black star liner later in the year and then reissued on partial records in 2014. the other tracks were never mixed until early 2017 when this task was undertaken by dougie wardrop. as well as mixing jerusalem (gerald did a later version of this tune for rej forte s jah works label in the early 1990s), working for the dollar and constant spring , it was decided that utopia should also enjoy a fresh mix.

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.