j.robinson whodemsound meets former maasai warrior member kai dub in a steppa style feat the one and only don fe on flute.

with flaneurecordings no. 5 comes a new -robin masters orchestra- ep. after the last remixes on fm music, sonar collective or society 3. 0 recordings, now follows the sixth ep of the -robin masters orchestra- and is also the first release from the upcoming album.

ltd 7 inch

schwarzes doppelvinyl im klappcover, downloadcode inklusive.
vor mehr als einer dekade erschien das großartige debütalbum -attack decay sustain release- des englischen duos simian mobile disco auf wichita recordings. für ihr fünftes album mit dem titel -murmurations- haben sich die beiden das schwarmverhalten (auf englisch -murmurations-) von vögeln als vorlage genommen und zusammen mit den sängerinnen des londoner deep throat choir (bella union) ein besonderes klangkonzept entwickelt. nahezu unheimliche soundstrukturen steigen aus einem meer an stimmern empor und bilden ungewöhnliche wie komplexe akkorde und harmonien. das bedeutet jedoch nicht, dass das album avantgardistisch oder schwierig ist. vielmehr vermischen sich die stimmexperimente perfekt mit den bekannten techno/dancefloor-beats des duos.

robin ordell is back on fh with 4 cuts of forward thinking spacey house cuts.

the label say: ben loves terre loves robin is the second ep off premature. featuring works by terre thaemlitz (aka dj sprinkles), scanner, and a first from london based producer ben galyas. the ep builds upon a private archival project involving thaemlitz and scanner, terre loves robin brings deep solo recitals to intercepted telephone conversations (think leveson, just more intimate). galyas cloud version is heavy ambience, glitched piano and harpsichord. limited to 500 copies.

toby tobias has a lengthy history of disturbing the peace. this is his second offering for the esp institute. on side a, second stimulus stirs shimmering staccato chords, roaming pipes and detuned robotic sighs into quite the disorienting stew—the loose arrangement remaining fragmented over 9 minutes of touch-and-go 808 programming, picking up a pseudo bassline assembled from sub toms, introducing a gritty break loop and eventually blissing out into oblivion. with side bs synchro surfer, toby plays with the notion of suspense by gently teasing a muted kick and percussion rhythm under washes of white noise, bleeps and sirens that are tape-dubbed and which, over time, begin a dialogue with each other, as if the machines have declared mutiny on the garage. toby continues to stretch his limits with his output for the esp institute, possibly headed toward a full-fledged devolution of conventional dance music. these two songs may have you arrested for public nuisance.

hard work is the first release on industria, robi insinna s brand new project label.

back in 2001 robi insinna founded the seminal relish label in direct response to a then- dominant sound in club music. its catalogue is as vast as it is varied and foreshadowing the music he d go on to make himself under headman/manhead. fast forward to 2018 and after more than a decade he s on the move again launching new project label, industria with not quite an album, not quite an ep, hard work. robi felt there was no reason to split projects the way he did with his aliases and as such the debut will be released under robi s own name.
industria will be focused more on vinyl releases, but not solely vinyl. the project will encompass all area s of robi s work and ties together elements of his art and visual design projects.
limited to 150 numbered copies.

the second release in no bad days’ sister imprint no bad edits comes from montréal upstart unknown mobile, who first caught our ear with a lovely debut on asl singles club. here, he looks to the 1980s for inspiration, channeling that decade’s confidence and colour with three shimmering reworks. the a-side’s “dream state” matches its namesake, evoking a busy fourth world market scene, with pipes, bells and flutes chiming away in happy harmony.
on the flip, “programmer” is a slab of excitable and effects-slathered fusion funk, as if a computer has sprung to life and begun to dance. the 12” wraps with “valerian slip”, where unknown mobile folds the strands of silk from a free-form windham hill deep cut into a new shape, every bit as smooth as the original but with a nagging groove to underpin it.

hobie steps up for his debut ep on seb wildbloods all my thoughts.

pino presti comes back in 2018 on best record italy with another top class disco production. this time featuring the hot voice of roxy robinson on three unreleased extended disco songs from his 1977 quality archive. the drum groove is enriched by the percussions played by one of the biggest italian drummer tullio de piscopo.

robin ball has been on a roll of late, flaunting his wares on the memory box label amongst others. he makes a second outing on groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. there s atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on mr mumble. the b side features the steadiest material in the shape of two versions of satin that tap into the housier end of ball s output.

genesa records continues to push newcomers in 2018. this time we have a split ep by the dutch duo phobia and the italian producer blacksun. both projects have released on the label’s digital only series in the past and have proven themselves with bold and effective productions. for this ep, they conjured astonishing tracks that make a must-have release for vinyl djs!

robin ordell debuts on hello?repeat with four cuts of stripped down cyborg funk deepness!

omar di bongo ist ein audio-visuelles projekt, das video-feedback von hugo saugier mit zwei figuren der französischen underground-techno-szene verschmilzt: somaticae (in paradisum, tanzprocesz ...) bekannt für seinen dark cutting-techno, und c_c (small but hard, kvitnu ...) meister der feedbacks, und wilde analoge industrielle beats. ihre musik verbindet industrielle musik mit tribalen polyrhythmen und lässt uns in eine bestimmte art von psychedelia eintauchen, halluziniert oder demenziert. ihre produktionen bringen techno zu seinem kern zurück, der trance-dimension, die in vielen modernen musiken dieses genres oft vergessen wird.

montreal-based outdoor enthusiast unknown mobile offers up his debut on normals welcome with this 12inch full of gentle hand drums and wavy melodies. percussion guides the way through levels of airy pads and catchy synth lines on 3 solo cuts. his dancefloor sensibilities then interlock with vancouver s amiable big zen for a spaced-out collaborative track on the b side.

after releases by cez and ashac, high ends returns with an ep by thomas romain and his mother, famed free jazz pianist christine wodrascka. christine’s style is wholly unique: there are no barriers for her sonic exploration. sound matter, energy, forms, architecture and emotion all play a part in shaping the style of one the most unique musicians out there. with influences such as cecile taylor, terry riley or thelonious monk, no two wodrascka performances are the same. in his own irregular style, thomas adds a sense of swing to his mother’s improvisations. this fusion of acoustic and electronic creates wholly original experimental journeys which will delight the auditory senses of those listening.

time for a little recognition… pets welcome a true polish techno founding father to the fold: jacek sienkiewicz. dj since the early 90s, producer since the late 90s and one of the earliest artists to stamp their country down on the techno map, jacek was one of the first polish producers to be signed by the likes of trapez, cocoon and klang and laid down the foundations for the likes of pets founders catz n dogz several years later when they emerged as 3 channels. og status confirmed, hes remained just as consistent as he is influential. this single is proof: ‘su17 is a bubbling sine cauldron that starts with a simmer but builds to a boil with its ever-morphing, lava-like flow. expert drum momentum and sudden layers of instrumental help to create a fluid three-track-in-one experience that spellbinds you crowd for the entire eight minutes without realising. ‘mustang is a cascading synth odyssey that gently rises and falls like an escher looped staircase. gradually building in momentum with more of jaceks signature hypnosis flare, its not until the drums double up with an almost live-style visceral feel that you realise just how high jaceks taken you. it comes complete with a star-lit switch from berlins serial innovator tobias, where the synths are deftly refocused and a whole layer of orchestral delight are layered within.

domina trxxx welcomes two legends to the family. mr neil landtsrumm and the horrorist. both don t need any introdution. their great collaboration comes around with an additional remix by tobias schmidt!

art pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange), tom dissevelt and kid baltan (bowie’s favourite band) meet tame impala. the fifth album from marsmobil has been hailed by many as their best yet. with closer ties to “minx” (2006) than the last two albums, “fairytales of the supersurvivor” returns to marsmobil’s signature strength of wondrously brilliant songs (“and the fishes in the ocean”, “shadows of the inner light”) that blend off-the-wall cinemascope sounds with dazzling beats and punchy, powerful hooks to create uniquely distinctive art pop anthems. as always with marsmobil, roberto di gioia writes, plays, sings and programs everything himself. here, as on “minx”, he’s brought in support from a fabulous singer – the very wonderful amber lin, who contributes vocals on four songs. all the cover illustrations are also by di gioia.

seth troxler’s always dynamite play it say it label kicks off 2018 with a thrilling three track ep from heartthrob. jesse siminski aka heartthrob has long been an essential voice in the global techno conversation. from early eps and lps on the influential minus label via a trio of releases on his own isnisnt, he has explored every facet of house and techno in great detail. always conjuring up bold melodies and slick arrangements, this is his first solo outing in a few years and marks a very welcome return.

limitierte pressung auf weißem doppel-vinyl vom bislang auf vinyl unveröffentlichten best of von der tobi & das bo.

reguläre pressung auf schwarzem vinyl vom bislang auf vinyl unveröffentlichten best of von der tobi & das bo.

pretty great sounds from the legendary antonio carlos jobim – an album cut a bit later than his bossa years, but with a darkly sophisticated sound that’s pretty darn compelling! the album features larger orchestrations by claus ogerman, and in a way, it’s similar to the jobim album on decca from 1973 (aka maita pere) – in that it’s got all the simple elements of jobim’s earlier bossa scoring, flushed out into moodier orchestral forms that we’d rank right up there with the modernist work of gil evans or duke ellington. a few cuts have a breezier sparer sound, and you’ll hear english versions of some older bossa tunes. titles include -dreamer-, -canta mais-, -olha maria-, -wave-, -two kites-, -this happy madness-, -song of the sabia-, -estrada do sol-, -voce vai ver-, -off key-, and -triste-.

brilliant 70s material by antonio carlos jobim – one of his key sets from the middle part of the decade that had the composer really deepening his approach to both singing and songwriting – moving past some of the more instrumental modes that he was using at the start of the decade! there’s a richness to the songs that goes way past simple bossa styles – and the lyrical brilliance shows that jobim hardly ever needed a poet or co-writer to help him hit the heights – as he really wins us over with his words as much as his music. claus ogerman produced, and gives things the right balance between fullness and space in the charts – which allows both a great focus on antonio’s vocal style – expressive, but very down to earth – and a few nice solos on fender rhodes too! titles include -saudade do brasil-, -correnteza-, -boto-, -ligia-, -valse-, -arquitetura de morar-, and -o homem-.

limitierte nachauflage des debütalbums genie und wahnsinn liegen dicht beieinander von der tobi & das bo auf weißem doppel-vinyl.

reguläre limitierte nachauflage des debütalbums genie und wahnsinn liegen dicht beieinander von der tobi & das bo auf schwarzem doppel-vinyl.

great 80s disco classic , ltd - be fast

super deluxe lo fi 7inch grape-colored vinyl housed in diy low-budget sleeve, + includes i love my vcr sticker

vinyl only!

with muna musik mathias kaden created a label that brings together like-minded and talented artists and friends. muna 006 features tracks from steve bug, tobi neumann, magit cacoon und uncanny valley’s jakob korn.
the vinyl ep includes a download code.

luv shack records’ newest ep marks the 26th release on the label, and it’s a classic split affair by stalwart artists space echo and jakobin & domino.
dj support from gerd, pete herbert, fingerman, hard ton, alkalino, massimiliano pagliara, lenny fontana, thomas herb, jason kendig (honey soundsystem), hurlee, jacques renault, joyce muniz, tensnake

after launching into memory box with aplomb on the deadly acid stomp 12inch, robin ball steps up on the london-based imprint once again with the saucy tones of his latest four track ep. drop it down low and its accompanying dub mix are classy twists on the tech house formula that lean towards old-skool methods while keeping the sleaze factor ramped up high. remember takes a more tripped out tribal approach, with the vibes mix providing a more subtle twist to the warm, melodic undulations of the full fat version. it s an ep loaded with personality and flair for sophisticated dancefloors.

2017 repress! slamming hypnotic reworks by tobias. & makam

robin schulz ist ein phänomen. nachdem der deutsche dj und produzent vor gut vier jahren mit »waves« seinen durchbruch feierte, ist er beständig auf erfolgskurs. sein debütalbum »prayer« landete in deutschland direkt auf platz sieben, der nachfolger »sugar« sogar auf platz drei. und anstatt sich mal eine pause zu gönnen, präsentiert schulz 2017 bereits album nummer drei. »uncovered« heißt die platte, die neben seinen deep-house-künsten wieder einige spannende features verspricht.
schwarzes doppel-vinyl im klappcover mit downloadcode.

music with soul is back with another boundary-pushing smasher. the unexpected debut from eládio & robinho, a mysterious afro-fuzzed-hair duo from the fourth world that has emerged to explore and expand the inexplicably hesitant relation between the classic rhythms of jamaica and the southern hemisphere of the american continent. “queimando quente” showcases a swinging brazilian-infused heavy-hitting reggae, masterfully painted by the hypnotic sound of a tenor-sax melody and a laid-back cuíca, all recorded in our very own barracao sound studio, under the baton of the unmistakable alex figueira of fumaça preta and conjunto papa upa.

robin schulz ist ein phänomen. nachdem der deutsche dj und produzent vor gut vier jahren mit »waves« seinen durchbruch feierte, ist er beständig auf erfolgskurs. sein debütalbum »prayer« landete in deutschland direkt auf platz sieben, der nachfolger »sugar« sogar auf platz drei. und anstatt sich mal eine pause zu gönnen, präsentiert schulz 2017 bereits album nummer drei. »uncovered« heißt die platte, die neben seinen deep-house-künsten wieder einige spannende features verspricht.
limitierte deluxe-edition auf transparentem 180 gramm doppel-vinyl, inklusive slipmat, 20-seitigem foto-booklet, poster, album-cd und downloadcode.

unknown mobile has quietly carved out a place for himself in the ever-evolving vancouver beat camp among contemporaries like mood hut, 1080p and project pablo. last years no motion 12 on a/s/l singles club was levi bruces dreamy introduction to most, and 2017 finds him stretching out a bit to further expand his palate of rhythms and textures across the five track mixed use ep for young adults. four sided pebble is a breezy bouncer woven with tickled keys, raw bass and a seamlessly organic live feel throughout. shoreline dub pulses in stuttered syncopation, but keeps its sights set on the dusk dusted horizon with delayed rhodes chords and ocean swells. country side is a total mind-melt, a pastoral graze through mazes of circuit board crop circles. the juggler churns a buttery 4/4 beat in an echo chamber, while proteus 216 dims the lights on its way out to an interstellar communications convention.

ltd warehouse found ! ** ltd vinyl only **, underground electronic music label minimood celebrates ten years of existence with a special double 12 inch vinyl only release, presenting finest dub infusions by luke hess & sascha dive, delano smith, steve o sullivan, and tobias.

vinyl only! resista welcomes toby tobias to the family. toby has been behind plenty of widely regarded records over the past decade, putting his hand to a large number of releases for labels such as rekids, delusion of degradeur, more music, lats play house and more. needless to say, toby knows his way around the studio but hes also equally adet when it comes to cutting and splicing , as you can hear on the title track of this special 12 inch for resista re-editing and embelishing this slice of pure sunshine.

the memory box parties have been celebrating the classic foundations of acid house for some time, and now they ve launched a label to push their love of squelchy 303 even further. robin ball steps up for the first release with some classic examples of how to ride the well-worn machine and keep it sounding fresh like the first rays of morning through the warehouse window. -acid stomp- needs little explanation - it teases with some subdued 303 warbles before the real meat of the track kicks in and the frequency starts freaking. acid duck is a more reduced affair, while collaboration with neil tibbetts sqolch works a few deep house elements into the mix. mvdc finish the ep off with the abrasive, grungy thrust of back in the dayz

penelope is the 2nd installment from the ag & john robinson ep series produced by ray west. this time around they call on the prolifc west coast wordsmith blu on the title track “penelope” where all the emcees are painting verbal pictures of their own personal dream girl, this track also features frequent collaborator dave dar. the soundscapes provided by ray west are ill collages of jazz loops, live horns, percussion sounds, vintage drum machines and more. each of these recording sessions were labeled “tea with the butcha” by the collective and it truly does describe the essence of the sounds and conversations on these recordings.

toby tobias joins delusions again for what will be his sixth(!) 12inch entitled the rain. the prolific londoner whose releases have graced such venerable labels as rekids, esp intistute and lets play house, is back with a vengeance, delivering two mighty fine originals plus a remix from nebraska. in true toby tobias style, the rain got made on an mpc, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. but what is an a&r mans nightmare, turns out to be the record buying djs gain, as the improvised, dubby vibe and raw as mixdown give the track an authentic feel and energy which could only come from the madness in tobys method. fresh from his brilliant releases on mister saturday night and razor n tape, we have our man nebraska do his thing on the remix of the rain. dropping down the bpms a bit from tobys more frenetic original, nebraska adds a healthy dose of moogy lead lines to the lo-slung house groove, perfect for warming up the dancefloor.

proper dub journey