includes printed sleeves and obi strip

white vinyl with gatefold sleeve

maya jane coles ist seit anfang der 2010er-jahre die sensation der londoner tech-house-szene. spätestens seit ihrem debütalbum im jahr 2013 genießt sie internationales ansehen.
sie trat in über 40 ländern rund um den globus auf und ihr hit »what they say« konnte sich unter anderem wochenlang in den top 3 der resident advisor-charts behaupten. zudem kann sie zahlreiche titelstories und auszeichnungen verbuchen. während sie unter ihrem eigenen namen hauptsächlich house-musik veröffentlicht, hat sie sich unter dem alias nocturnal sunshine vor allem auf dubstep spezialisiert.
»take flight« ist coles langerwartetes zweites album, das auf ihrem eigenen label i/am/me als 3fach vinyl-box

kim ann foxman realigns her vision as a producer in a welcome return to her own new york based firehouse recordings label with her &#8203,,its you that drives me wild ep kim ann foxman featured in pitchforks 7 best mixes of may 2016 kim ann foxman fact mix june 2016. the title track spins an intoxicating groove over kim anns vocals full of desire and lust, while &#8203,,give it all you got &#8203,,fuses raw energy and dextrous percussion through h&#8203,,er confident, evoca&#8203,,tive words. close ally and regular cohort maya jane coles seamlessly remixes i&#8203,,t s you that drives me wild w&#8203,,ith her signature sound. the mood suddenly becomes much tougher during magic window wrapping up the latest offering from new yorks finest lady of electronic music. since creating firehouse recordings in conjunction with t&#8203,,he vinyl factory two years ago, kim ann has released sporadically on her label, resulting in only highly thought­out and credible music from the imprint. a long standing figure in the new york dance scene, kim ann has remixed the xx and collaborated with anthony simoncinos alias ron jason. a regular at panorama bar, she continues to tour relentlessly with her high voltage signature style that is both remarkably original and infectious.

maya jane coles lotet als nocturnal sunshine neue künstlerische tiefen aus und demonstriert beispielhaft ihre expansive musikalische vision. nocturnal sunshine ist mehr ein kohärentes, künstlerisches projekt als nur ein album. das album wurde von maya im alleingang in ihrem home-studio eingespielt, produziert und gemischt, sie hat das artwork selbst entworfen und singt auch selbst auf dem gechillten its alright. weitere vocalgäste sind der aufgehende stern chelou, der den beunruhigenden, süchtig machenden song believe singt, sowie catnapp aus argentinien, die ihr gesangstalent im düsteren down by the river zeigt. obwohl eminent dunkel und manchmal bedrohlich, ist nocturnal sunshine eine berauschende reise, die durchdrungen von mayas dancefloor tradition eine weitere facette und entwicklung der künstlerin zeigt.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

dogmatik records deliver the goods once again with maya jane coles watcher getting the remix treatment from burnski and vakula.

die dritte singleauskopplung aus simon -bonobo- greens aktuellem album - the north borders-. neben dem titeltrack gibt es erstmalig den fantastischen maya jane coles remix für -first fires- auf vinyl und mit -duals- befindet sich darüberhinaus noch ein non-album track auf der 12inch single

a heavy, heavy remix package here from hypercolour. step forward bonobo, kowton and dark sky, who all contribute stellar remixes of maya jane coles dont put me in your box ep, originally out in 2011

maya jane coles, londons queen of the underground, turns in two stellar versions that take the vocal hook and attitude of the original and rework them into hypnotic deep house anthems.

maya jane coles releases the remix package for burning bright ft. kim ann foxman. remixes by joyce muniz & citizen. plus new original track no stick. taken from the debut album comfort - out now on i/am/me

sexy maya jane coles house monster

this limited edition 12 inch features 2 sharply contrasting remixes from huxley - maya jane coles >dazed< & shenodas >moments<.

uk house-music institution heidi expands on her exceptional repertoire with the first release on new project, heidi presents jackathon jams. recruiting the feminine touches of maya jane coles, miss kittin and tini, this diverse release oozes with the sexiness that only a dream team like this could deliver.

it is a bold move to describe someone as the new, male equivalent of the late amy winehouse – but those really are the best words for the motown-revisited sounds of bo saris.
holland-by-way-of-ladbroke grove singer bo saris has made quite the impression in his native netherlands, but wanted a change from being a big fish in a little sea, and is now looking set to break onto the uk scene with his powerful vocal register and soulful intonations.

ltd picture disc edition ! a side is a groovy techhouse monster, flipside a modern dupstep hyprid sound...

maya jane coles with her dj kicks debut... 8 tracks on two 12 inches with full of mayas popular style

real tone is back with a special & limited one-sided by franck roger. original track ,> bring it back<, is revisited here by uk superstar maya janes coles.

two of the most prolific names in the scene have come together for 1traxs latest release. kicking off his career as a promoter/dj of birminghams legendary below parties which have seen just about every dj worth their salt play, ashique subb-an subhan has developed into one of the most bankable producer/djs around. the sound design graduate has already graced tsuba, leftroom, hot creations, 20:20 vision, mothership and his own one records imprint while forthcoming material for culprit, spectral and crosstown rebels is set to further an already cast-iron reputation. hailed as easily the hottest emerging talent in dance music by mixmag, nominated as best breakthrough producer by dj mag and with the likes of anja schneider, jamie jones and damon alburn queing up behind to offer their praise, there is something rather special about maya jane coles. >get away< was a previous successful 1trax release, and subb-ans own take on mayas laid-back funk truly does it justice.

repress 2015

the original mix of >amygdala< by joe joyce offers a revival of more traditional techno rhythms, accompanied by oriental percussion and bell like timbres. vocal drones instill a feeling of suspense and darkness, before a release of melodic gamelans calm and soothe your amydalas fight or flight response. enjoy the ride! amygdala is supported by two exceptional remixes from maya jane coles and nadja lind, which take the track to completely different corners.

hypercolour sister-label hype ltd. kicks off with 2 gorgeous house-cuts by maya jane cole, backed up with remixes from youandewan and t. williams. this surely deserves the hype!

dj t.s pleasure principle album immerses itself, wholly and rapturously, into electronic musics legacy of authentic soul, helping to usher in a renaissance of groove-heavy house. following the success of the albums singles burning and sense, dj t. turns to the sultry vocal track >city life< to launch into summer anthem mode. dj t.s unconcealed dancefloor curiosity brings his body music instincts to the fore, with the classic sounding house number >city life<, shadowy quirks disarm and charm, while cari goldens uniquely programmed vocals add broad brushstrokes of texture and atmosphere. >city life< recalls the 1980s warehouse era, and finds cari crooning, siren-like >the citys in my veins…<, mixing a rough-round-the edges vocal treatment with hands-in-the-air chord stabs. the >dj t.s rework< spreads the arrangement wider, and dj t. draws even more groove from the original with his dub version. a deep bass swing drives the track, and increases its intensifying atmosphere

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

for the inaugural release on the newly formed lo:rise imprint, jedi knight tom middleton brings us a tribal, percussive workout that centres around the infectiously groovy clicks and whistles of its onomatopoeic title. the original should be enough to make any djs mouth water, and with an eerily deep and stylishly bouncy remix coming in from girl of the moment maya jane coles, the package in its entirety is almost frighteningly good. frequent reports have been flying in of this destroying dancefloors from cable to fabric and beyond. both the original and maya mixes have been charted numerous times and full support has come from dyed soundorom, guti, d julz, tony humphries, nick holder, roska and alex cellar to name a small few!

the mk classic gets a makeover for 2011 from the highly rated maya jane coles & 2000 and one

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

hot on the heels of his fantastic debut album >life index<, maceo plex releases the superb >your style< single featuring an excellent maya jane coles remix. widely acclaimed and highly innovative maceo plexs album is being heralded as >the first great dance album of the year<. >your style< is proving to be the favourite track from the album, so crosstown recruited maya jane coles the hottest young producer around to do it justice.

killer vinyl named four track vinyl vol 1. featuring some mighty fine names in the deep house world who have composed their recordings especially for the label, karol xvii & mb valence / maya janes coles & soul minority…. dj support: jimpster, aki bergen, shur-i-kan, franck roger, roger sanchez, satoshi tomiie, eelke kleijn, stevie sole, mark knight, jask, dj chus, fabien kamb, spiritchaser, robert owens, scope, demarkus lewis, kiko navarro, bruno from ibiza, fred everything, ralf gum, richard earnshaw, darin epsilon, dubfire, cj mackintosh, kid massive and many more . limited pressing act fast

maya jane coles brand new ep on mobilee >beat faster< contains three tracks - beat faster, perfect imperfections & play the game, each packed with energy, hypnotic grooves and an original flare. maya draws influences from a very diverse range of musical sources, which is evident in this collection of excellent productions. we hope you enjoy this as much as we have been and we are looking forward to following mayas success!!

londons dogmatik imprint serve up a new ep from rising star and she is danger member, maya jane coles, with >cool down< - remix from ed davenport (falkplatz, gumption, nrk, vidab...) - pure deep groove! charted and played by marcin czubala, luke solomon, ian pooley, shinedoe, seth troxler, james teeji...

since first bursting on to the electronic scene, british-japanese 22 year old, maya janes coles has quickly established herself as one of the most respected cutting edge producers in london today. her previous releases have earned her support from the likes of steve bug, anja schneider, audiofly, laurent garnier to name a few. supported by laurent garnier, ivan smagghe, deetron, black coffee, djulz, and.id, sascha dive, jimpster, dj gregory, dj deep, rocco, marlon d, melon, aaron ross, ralf gum, manoo

dogmatik return with a brand new ep from one of the imprints leadinglights, maya jane coles. coles previous releases sick panda and the low key ep have seen her garnering support from the likes of thomas schumacher, audiofly, ivan smagghe and king roc whilst her band she is danger is hotly tipped as one to watch. on the remix we have afrilounges take on the track colours. the german trio, who have recorded for connaisseur, poker flat and 8bit, turn in a superb slice of tech house with a tight rhythm section and subtle building sonic layers.

deep grooving techy house tracks

die 26-jŠhrige britisch-japanische kŸnstlerin maya jane coles setzt einen weiteren meilenstein in ihrer noch jungen laufbahn. von den fachmedien - von resident advisor Ÿber mixmag bis zur ehrwŸrdigen bbc - mehrfach ausgezeichnet, gipfelte ihre aktuelle anerkennung mit einem herausragenden platz 15 der top 25 einflussreichsten djs der welt, die der us-rolling stone ende 2012 herausgab. charakteristisch fŸr maya jane coles ist ihr meditativ-antreibender techno/house-stil, der nach einer ersten -dj-kicks--compilation 2012 und ihrem debŸtalbum -comfort- 2013 nun auf der neuen fabric-ausgabe zum vorschein kommt. geprŠgt von melodischen qualitŠten und einer enormen effektivitŠt, erleben wir hier eine weitere ausgezeichnete dj-perfomance einer echten ausnahmekŸnstlerin.

deluxe edition of maya jane coles album *comfort* on double 12 inch vinyl with 5 additional tracks. download code included.

double vinyl showcase of woman power in electronic music.

dreamy debut ep from emilee, including remixes by maya jane coles and andrade & sam clarence.

20 years of fabric - 20 years of never not making noise. part 1 of the anniversary compilation on translucent orange coloured double vinyl with download code included.

airplay on tom ravenscroft (bbc radio 6 music), re:lax w/ re:ni, laksa & biggabush (nts), gage (nts), from the depths with drakeford (nts) premieres of four feet and blasphemy on trax mag and ransom note review on 2 hungry ghosts dj support from midland, bruce, re:ni, troy gunner, maya jane coles, minor science, via maris, mosca, blackdown/martin clark, horse meat disco, tony thorpe, daire carolan (all city records), deft, phototherapy, shadow child / polymod, lukas wigflex, soulphiction/ jackmate

ltd nice price deal - culprit favourite and nyc wonder m a n i k returns with his second release for the label with >she watches me<, featuring a choice remix from the revenge.
few producers in underground dance music have had as prolifically dense an output as chris manik (m a n i k) over the last two years. he joins the-likes-of maya jane coles, maceo plex and subb-an, as an artist who seem to have unnerving quality control, making every one of their tracks count. no wonder then, that culprit was delighted for m a n i k to return for his second record on the label, and his first full original release since the acclaimed lp for ovum earlier this year. culprit scored another coup when m a n i k, who prefers for his original music to stand alone, agreed to have >she watches me< be remixed. the legendary graeme clark aka the revenge was a fitting choice for this rare occasion.

thoma bulwer returns with jandaze , his latest ep via parasol culture featuring long-time partner in crime anna wall. it follows parasol 001 their first joint vinyl release, that sold out on the shelves gaining support from the likes of mood ii swing and cab drivers plus on the airwaves via nts. their jandaze ep has already been doing the rounds on the dj circuit in hackney wick and beyond. ‘patience’ was the result of a late night jam session with sync boxes, groove benders and the classic tr-909. after much fine-tuning, it’s been tried and tested by cinthie on her recent australia tour and is set to be a staple club cut for this summer. although ‘insouciant’ means a casual lack of concert, a lot of work went into making this one. it’s the most laid-back of the bunch, with smallville-esque juno 106 melodies perfect for the afterparty or warm up session. this goes out to the post-nyd loft party crew in the wick where it was played for the first time. try pronouncing this one at 7am in the morning… ‘fridge speed’ is a minimal house cut influenced by thoma’s garage roots. think rudely placed analogue synth stab melodies, ‘tuff’ skippy drums and big subs ideal for early hours and “it’s a london thing” house sets. ‘egress’ was made with long jam takes from thoma’s modular system. deep, dubby beats, evolving synths and textures make up this track thats been road-tested on the world famous fabric room 1 sound system by voigtmann in his extended set before ricardo villalobos. current support comes from maya jane coles, archie hamilton franck, roger, cinthie, voigtmann, john dimas.

dense + pika remix seminal nervous records house tune rain by kerri chandler dense & pika are a british electronic production/artist/dj duo compromising of producer/djs alex jones (hypercolour label boss) and chris spero better known to many by his glimpse alias. the duo first came into fruition in mid 2011 with a number of white label releases. it wasnt long until they were noticed by scuba and have since had multiple releases under their belt on adam beyers drumcode, scubas acclaimed hotflush imprint and have branched out onto the elusive hypercolour. dense & pika have also been showing off their remixing talents by reworking the likes of adam beyer & ida engberg, digitalism, disclosure, kda, leftfield, maya jane coles, x-press 2 and also paul woolfords erotic discourse, which won the dj mag category for best remix in 2014.

fresh off the back of his debut ep 2nd nature , which received support from seth troxler, laurent garnier, ame, maya jane coles, archie hamilton, mano le tough & damian lazarus, dokta returns to 20/20 vision alongside the dance music and audio obsessive leonidas who s been topping the juno vinyl charts recently with his releases kay suzuki and hobbes . the uncompromising 15-minute composition merges dokta s unique electronic arrangement style with a transcending live saxophone melody and an original vocal recording of nycs paradise garage and loft regular david vickers, with a spoken word tribute to dave mancuso and his legendry loft residency, recorded before the great mans passing last year. structured with a driving kick, off set drums and rhythmic keys baby powder proves once again dokta refuses to work within formalities, offering up a release that is both truly unique and impossible to ignore. baby powder sees dokta continue to push the boundaries of electronic production, effortlessly compounding live elements that explore exciting new musical territories

rudder & kresy join the roots for bloom camp with a cocktail of deep house cuts. the title track stateless is emotional and grooving, with the likes of maya jane coles picking up on it immediately.

uk house & techno heavyweights dusky return to their 17 steps label with the classic house indebted ‘square miso’, picking up swiftly where this summer’s hugely successful ‘cold heart’ ep left off - the lead track an ever present in gerd janson’s summer dj sets.
already recognisable to many from dusky’s festival sets as well as jackmaster’s recent circo loco terrace recording, ‘square miso’ draws on the swing of classic nyc house with soulful, cut-up vocal samples and tightly programmed beats, whilst paying tribute to the ‘90s italian house classics with its distinctive piano melodies - with a dash of shades of rhythm-era uk rave for good measure. as well as the club-ready original, a beat less piano and strings ‘reprise’ is also included.
a darker, detroit-nodding club tool, ‘lf10’ blends heavy-hitting stabs, atmospheric melodic textures and house grooves. an immersive roller, like ‘square miso’ it serves as another example of the duo’s ability to blend different influences into unique hybrids.
with 2017 releases from b.k.r & jamie jones, christian piers, bwana and kiwi, dusky’s 17 steps has become an increasingly prolific outlet of forward thinking house and techno - with support from gerd janson, midland, len faki, maya jane coles, tiga and george fitzgerald among others.

as one of the labels core artists, iain howie has confidently crafted rhombus 22nd catalog release and debut 12-. with vivid atmospheres, spacious vocal textures, and mountainous grooves, iain continues to hone the vision he created in his first outing on rhombus. we re happy to have him back in action and making his mark on wax.
dj support from:
maya jane coles , estroe (rush hour), acid pauli (circus company)

dj support: ben ufo, the black madonna, maya jane coles, stenny, luke handsfree, gene farris, jackie house (honey soundsystem), denham audio, dan curtin, j.phlip, the revenge, justin robertson, doc scott, pressa, kamera, edmondson, jon more (coldcut), moxie, rroxymore, konx om pax, truss, 2 bad mice, soulphiction, bruce, marco zenker, benjamin damage, norman nodge, dixon avenue basement jams, michael serafini, mark archer, zinc, serge (clone), rob smith/ rsd, dj guy, dismantle, xxxy, etch, joe, kornel kovacs, mark broom, john heckle, red rack em + many more

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.