limitierte vinyledition des vierten albums des süd-londoner grime künstlers giggs aka hollowman. “landlord” ist der nachfolger zu “when will it stop” aus dem jahr 2013. giggs war auf einer reihe von angesagten grime-releases als gast vertreten, unter anderem jme’s “man don’t care” und kano’s “3 wheel ups”. mit dabei sind gäste wie stormzy, mc dubz, casisdead, youngs teflon, kyze, u.v.a.
goldbrick records third release comes from irish duo ringolevio. made over the course of a few months in various rooms around dublin, the record sways from playful electro to straight up jams with a few emotions in between. as more and more young people can’t afford to live in dublin city, ringolevio has some advice: eat your landlord, stone the dáil, defecate in the banks, moon the dup, hammer neo-liberalism, repeal the fuck out of the eighth, vandalise the donut shops.
what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire “i wish i was him,” the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of “let’s lynch the landlord” and “back in your life.” the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.
imyrmind s debut album uniwersum luxus surfaces at record stores worldwide on february 27th, 2017 courtesy of berlin-based money $ex records. idiosyncrasies of both imyrmind himself, and indeed the label as a whole, seep through the fabric of the album, a patchwork of tasteful re-appropriation and sophisticated originality.covering a broad landscape of raw, gutsy minimalism, mesmeric synthwork and trademark ultra-loose beat-making, imyrmind has crafted a record that embodies his rapacious ear and well-groomed production style. in a maturation of techniques explored across earlier releases, borrowed organic textures meet frazzled analogue electronics and clunky, lagging beat iterations in a collection of tracks ranging from the quivering to the aggressive. uniwersum luxus is a bright convergence of influence and innovation, all reverberating within the echo chamber of the money $ex world, self-aware, playful, and at times even ironic.
the 15th (!) studio album by uks grindcore pioneers - 15 songs with a playtime of 42 minutes. continuously extreme, increasingly relevant! the 180 gram vinyl lp comes with a bonus track and a two-sided poster.
reggae has never been afraid of causing lyrical controversy, but the first record to spark the debate was max romeos *wet dream*, which made the uk top 10 in 1969. jamaican romeo, real name maxwell livingston smith, has much more to him than his most (in)famous track though and he still remains active today. as this collection proudly shows he has proved his right to be considered one of jamaicas longest-standing and most respected hit makers.
erstmalige nachpressung des album-klassikers von 1984! produziert von prince jammy mit der hi-times band und deren bandleader earl chinna smith im channel one studio, am mischpult saß als toningenieur soldgie hamilton. mit half pints größten hits: mr landlord, puchie lou, you lick me first, one big ghetto.half pint (buergerlich lindon roberts) wurde in 1983 schlagartig bekannt, als er den song winsome veroeffentlichte, der von den rolling stones als too rude gecovert wurde.
CITY SAME CITY (2X12 INCH LP 180 GR VINYL & DL CODE)
2x12" Vinyl BE10.10.13
(180 gr vinyl + download card) the new flying horseman album (nr 3) sears the soul to the rhythm of a torrid summers day. while the previous album, twist, evoked the atmosphere of the deep, dark woods, city same city is a breath of desert air.
supported by: dubfire, sasha carassi, marco bailey, slam, markantonio, audio injection, roberto capuano, eric sneo, tom hades, bryan chapman, snello, sutter cane, frank savio, makossa, mikael pfeiffer, mars bill, sven schaller, ryuji takeuchi, dr. hoffmann, krenzlin, andres gil, marc troit, lowkey and more!
1978 classic deejay set finally gets a vinyl re-issue! one of the original album releases that launched the greensleeves record label, stop yu loafin captures jah thomas flashing at the height of his powers over a set of 10 crucial revolutionaries rhythms.
zum 50. jahrestag der unabhängigkeit jamaikas startete das label kingston sounds die compilationserie *listen up!*, die sich mit diversen stilen jamaikanischer musik beschäftigt. dancehall entwickelte sich zu beginn der 1980er-jahre auf der karibikinsel. der reggae-beat verlangsamte sich und rückte zu gunsten des sängers oder deejays in den hintergrund, später digitalisierten sich die beats zusehends. *listen up - dancehall* stellt einige der klassiker der frühen dancehall-Ära vor, u. a. von cornell campbell, don carlos, johnny clarke und dennis brown. listen up and enjoy!
the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet
this release focuses on the first half of the king jammy?s legacy, when the producer / mixer earned himself the moniker of prince jammy working alongside scientist and prince phillip at king tubby?s studio in waterhouse. on his return from a long stay in canada jammy?s began to establish himself as a formidable producer and engineer from 1978 onward. featured here is the best of his material working in the roots and early dancehall vein before computerized rhythms hit the town in 1985. the much sought after pablo in moonlight city is featured here (the only track pablo recorded for jammy), alongside jahovia which was just recently revisited by johnny osbourne with bitty mclean on bitty?s latest album movin? on . monster jamaican / uk hits like junior reid?s boom shack a lack , half pint?s mr landlord and junior delgado?s love tickles like magic round up an amazing compilation showcasing the undervalued roots and beginnings of a pioneering reggae producer.
the crucials first single love me forever is a faithful cover of the studio one classic originally recorded by carlton and the shoes in the late sixties. recorded at strongroom studios in london and produced by the landlord (ranking records), this is a sweet slice of classic reggae to ease you into the festive period