incl. roza terenzi / dawl & sween / violet mixes

incl. kim ann foxman remix

wuff wuff

incl. huge soulwax remix

kim ann foxmans firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic scott richmond and john selway aka psychedlic research lab, keep on climbin.the package features both original mixes alongside two outstanding remixes from deetron and kim ann foxman. mix 1 and mix 2 sound as glorious now as they did when they were released. mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. mix 2 places four to the floor. it’s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. deetron makes his debut on firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. kim ann foxman incorporates acid lines to her revision. it builds intensely from start to finish, using angela johnsons iconic vocal loop to perfection.

richard sens sound has always been influenced by black dance music and european electronic music and these two tracks carry on the vibe dark, electronic funk! flow master is inspired by old school new york house combined with european industrial body music. sen calls it muscle house. bad meaning good is a lighter, deep groove that takes inspiration from african percussion artists like kongotronics.

brooklyn resident kim ann foxman kicks off 2017 with a fresh release on her own firehouse records imprint. &#8203,,,,,energy ep comprises four new tracks heavy with foxmans recognisable sound, centred around her own unique vocals and the nostalgia of early house and techno records. following on from a series of highly acclaimed solo productions on firehouse, foxman once again creates musictointoxicate.&#8203,,,,,energyepdiv&#8203,,,,,esintomyraveroots, sheexplains, itincludesaselectionoftracksto be enjoyed at diff&#8203,,,,,erent times of the night. urmagneticsetsthetonewithafeverishvocalhookedonhauntingund&#8203,,,,,ertones, while e4energy steps up the tempo with a rhythm that exudes foxmans own fire and intensity, whilst also capturing the spirit of rave. foxmans vocals are centre&#8203,,,,, stage in &#8203,,,,,u & me electricity, a track reminiscent of the uk rave scene and concluding in true mind-b&#8203,,,,,ending style is &#8203,,,,,2 the source. foxman created firehouse recordings two years ago and has developed it into a label for music heads that centres around quality underground music for the dancefloor. 2016 saw her become the resident at the good rooms in brooklyn, a panorama bar regular and she concluded the year by playing for the &#8203,,,,,mixmag lab london&#8203,,,,,

kim ann foxman realigns her vision as a producer in a welcome return to her own new york based firehouse recordings label with her &#8203,,its you that drives me wild ep kim ann foxman featured in pitchforks 7 best mixes of may 2016 kim ann foxman fact mix june 2016. the title track spins an intoxicating groove over kim anns vocals full of desire and lust, while &#8203,,give it all you got &#8203,,fuses raw energy and dextrous percussion through h&#8203,,er confident, evoca&#8203,,tive words. close ally and regular cohort maya jane coles seamlessly remixes i&#8203,,t s you that drives me wild w&#8203,,ith her signature sound. the mood suddenly becomes much tougher during magic window wrapping up the latest offering from new yorks finest lady of electronic music. since creating firehouse recordings in conjunction with t&#8203,,he vinyl factory two years ago, kim ann has released sporadically on her label, resulting in only highly thought­out and credible music from the imprint. a long standing figure in the new york dance scene, kim ann has remixed the xx and collaborated with anthony simoncinos alias ron jason. a regular at panorama bar, she continues to tour relentlessly with her high voltage signature style that is both remarkably original and infectious.

b-quality = cheap price (7.99 eur) because artwork cover defekt (broken on the border)

kim ann foxmans c&#8203,,reature was the introduction to her solo career. now getting a rerelease and rework for her unstoppable firehouse imprint, complete with fiery remixes from a/jus/ted, nick simoncino and richy ahme

after a critically acclaimed first release kim ann foxman returns to her firehouse imprint, inspired by her new york home with three more original tracks and two remixes from fellow new yorker eli escobar.

kim ann foxman launches her own record label firehouse in association with london based music and arts label, the vinyl factory, inspired by her new york residence.

new yorks kim ann foxman steps up for the next instalment of heidi presents jackathon jams with a helping hand from bostons favourite duo soul clap and polish heavyweights catz n dogz. the aside features the deep and hypnotic be mine followed by the equally intoxicating club jam let me be the one (new york club mix). on the bside soul clap deliver a spaced out remix of let me be the one while catz n dogz add a dose of acid to their rolling version of the track.

maya jane coles releases the remix package for burning bright ft. kim ann foxman. remixes by joyce muniz & citizen. plus new original track no stick. taken from the debut album comfort - out now on i/am/me

love fever, the infamous and erogenous east london discotheque and record label returns with some late night works in the form of ron jason and kim ann foxman s the dream project ep . after ron jason s paradise garage evoking and much played paradise lost (with love fever regular larry heard remixes) caught the ear of label bosses alex & andy last year with its depth and sincerity, ron was tracked down, discovered as italy s enigma simoncino and connected with brooklyn s fly girl and modernist diva kim ann foxman to explore possibilities in house.

incl guti (desolat) & russ yallop rmxs

needwant are very happy to welcome kim ann foxman back for her second outing on the label after her great remix of max essas how do you feel last year. the vinyl release features two interesting original tracks from kim ann along with remixes from steffi and populette.

new release by kink and neville watson with sexual appeal made by the vocals of kim ann foxman (of hercules love affair). nice dub mix on the flip! their future-retro chicago house output made quite an impact on the scene over the past few years. with >a saturday in november< they keep their signature retro sound, but shift their tribute focus slightly on late 80 s new york and its >freestyle< days.

acid remix von bloody mary

remixes by dj koze, keinemusik, boyz noize, pantha du prince, carl craig, maceo plex and many more on transparent coloured 4xlp (2x red, 2x opaque) 180gr vinyl in spined sleeve.

incl prins thomas diskomiks

incl. kim ann foxman remix

pleasure planet is the latest musical venture of kim ann foxman alongside andrew potter and brian hersey, and enables the trio to express and explore their unique and eclectic musical tastes. their first release will drop on the brand-new firehouse imprint, self:timer. “pleasure planet is an extraterrestrial doomsday cult. they do whatever they want and their music is their message to planet earth. self:timer is their messenger. the rest doesn’t matter.” — pleasure planet pleasure planet has been a little while in the making. having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. pleasure planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

– special anniversary edition of our classic first release. – remastered with full artwork for the first time. – includes bonus 12- with remixes by kim ann foxman, purple disco machine & the carry nation. all on vinyl for the first time! – limited one time pressing.

remixes by avalon emerson, lena willikens, kim ann foxman and borusiade ! &#923,,,&#941,,,&#957,,,&#945,,, &#928,,,&#955,,,&#940,,,&#964,,,&#969,,,&#957,,,&#959,,,&#962,,, (lena platonos) is a greek musician, pianist and music composer. her debut solo album, &#924,,,&#940,,,&#963,,,&#954,,,&#949,,,&#962,,, &#919,,,&#955,,,&#943,,,&#959,,,&#965,,, (sun masks) was produced in 1984 and reissued by dark entries in 2016. the album featured experiments with different sounds and a new batch of electronic equipment, such as the roland tr 808 drum machine and yamaha c60 synthesizer. lena narrates each song in deadpan fashion, skillfully reciting her surreal greek poetry. her lyrics deal with the futility of love, the gap of human relationships, consumerist alienation in the bourgeois lifestyle of the 1980s.

after dropping his “can’t remember / talking to you” ep, his debut solo release for dfa, last summer, austrian musician and producer wolfram eckert returns with a stellar four-tracker for kim ann foxman s firehouse imprint. his new offering, a track called “united 707”, finds wolfram in fine form, delivering an infectious jam that makes us want to jump in his ’80s vw scirocco for a late-night ride around new york. the release comes backed with remixes by simoncino and legowelt! pressed on 180-gram heavyweight vinyl, housed in a full colour sleeve, limited to 500 copies worldwide.

cowboy rhythmbox return to phantasy with a new set of recordings, following last year s celebrated debut two-side, we got the box and * rattle*, which gained international dj support from the likes of barnt, carl craig, seth troxler, roman flugel, kim-ann foxman, jackmaster and lena willikens, as well as featuring on erol alkans acclaimed fabriclive 77. fantasma s distinctive three tracks continue from where cowboy rhythmbox left us, a trident forged from the sweat of a thousand lost nights spent dishevelled beneath tarnished mirror balls.

celebrating 5 years of needwant, the imprint that made the world familiar with mario basanov, kim ann foxman, ejeca, maxxi soundsystem and many more, asks their now admired artists and its extended family to create fresh reinterpretations of its stunning back catalogue

after last years second part, the third contribution of the >vinyl only edits< series is curating a wonderful showcase of the diverse artists on bpitch control. besides joy wellboy, furfriend, snuff crew and cesare vs. disorder & dave vega put hands on their own tracks again.

deluxe edition of maya jane coles album *comfort* on double 12 inch vinyl with 5 additional tracks. download code included.

waze & odyssey return to their label street tracks with a double a-side real good like / everything (youre made of). the release comes with a remix of real good like, and a trikk re-dub. the ep has picked up early club support from the likes of huxley, jimpster, severino, skream, duke dumont, xxxy, citizen, adam shelton, maya jane coles & kim ann foxman.

packed with three headphone jams that work on the dancefloor, animals marks the entry of a new creative force into the throne of blood family and a return to a lighter, more spaced-outvibe than much of the nyc-based imprint’s output over the past year. with an eye towards pushing things forward whilst keeping a foot firmly planted in a shared past spent raving to all sorts of dance music, throne of blood is proud to introduce our latest signing: pleasure planet.

the miracles club are producer rafael fauria, singer-songwriter honey owens and dancer ryan boyle from portland, oregon. since 2008 the group embarked on a mission spreading the joys of classic dance music vibes. their style draws from an endless palette including early new york & chicago house, detroit techno, and psychedelic pop. on stage the miracles club have manifested live alongside acts like larry heard, glass candy, gang gang dance, mikeq, kim ann foxman, blondes, and hunee.

max essa is a producer who has been shipping over his extremely coveted brand of disco and balearica from the land of the rising sun for some time now. having had a long running string of sought after releases on labels such as bear funk, nang, to is it balearic, max is now making his needwant debut with >how do you feel?< which includes an awesome remix from kim ann foxman

felinephonix music sets off 2011 with the first installment of a limited edition vinyl selection from the project house of label artist & founder, mieka du franx, with exclusive dj support from kim ann foxman (hercules & love affair) and nina kraviz (rekids | underground quality). du box chronicles is an intimate collection of works & collaborations set to press. vol. 1 presents abe duque, the acid tech king of new york who delivers an elegant, journey-esq arrangement of avant guard deep house that inspires an uplifting vibe beautifully orchestrated with the warm vocals of mieka du franx, titled >du light<. >du what i du< (dub) is all about the hook and dig on that housey bass line, a classy rendition of the original that takes this number back. the 20th release of felinephonix music marks well earned return to wax. the label’s early most notable works were done with heavy hitters kink, jay tripwire, chris carrier, and fm attack, whose productions can be found along side mieka du franx. the hits that gained high recognition were from mixmag’s top djs of 2010 including kissy sellout (bbc radio 1) and luciano (cadenza), as well as support from derrick may, ralph falcon, hernan catteneo, rodriguez jr., mark henning, and many more.

>fireworks< ist die erste single aus dem fantastischen debüt-album von wolfram aus wien. der hinreißende disco-song mit kapitalem pop-appeal wird von niemand geringerem als andy butler und kim ann foxman von hercules & love affair gesungen - einmal im ohr, für immer im herzen! mit andy butler verbindet den wiener eine langjährige freundschaft. die remixe kommen allesamt aus schweden, nämlich von axel moman (pampa records) sowie tiedeye (italians do it better), die >fireworks< auch gleich noch in balearic rock-manie gecovert haben.

very old school sound chicago acid house tracks feat vocals by kim ann foxman, andrew butler and anthony. produced by tim goldsworthy (lcd soundsystem, the dfa)

nice price - die 2cd erscheint in einem dreifach ausklappbaren card-sleeve mit 8-seitigem booklet.

2 cd compilation! cd 1 mixed, cd2 unmixed !! incl.tracks by miguel champell, groove armada, mario basanov, crazy p, maco plex and more!

layo & bushwacka! gehšren seit mehr als einer dekade zu den besten uk produzententeams und liefern mit ihrem vierten album eine erfrischende tech-house-produktion ab, featuring house-legende cevin fisher und kim ann foxman (von hercules & love affair).rising and falling folgt ihren beiden eps fŸr richie hatwins plus 8 label aus 2010/2011, sowie natuerlich zahlreichen releases auf xl und ihrem eigenen olmeto label. ihre partyreihe skake it! bleibt weiterhin legendaer.

only 9 years after its official opening, watergate has become one of the worlds most prominent underground electronic music institutions. in no small part due to its picturesque location running directly alongside the river spree, its wall to wall led dance floor installation and most of all, its consistent flow of first-rate international talent performing every week. watergates presence and influence has spawned many side projects including a boutique-style mix cd series now in its 8th volume. a whoÕs who of the clubs regular talent and resident artists such as sascha funke, sebo k, dop, ellen allien and others have all contributed to the aesthetically pleasing series, now regarded as collectors items. for the eight installment in our mix series, we bridge the gap between two global capitals of techno: berlin, and detroit, home of lee curtiss who delivers a forward-thinking mix, inspired by time spent living in both cities. lee is one of a new generation of techno visionaries from the motor city, that includes his visionquest collaborators ryan crosson, shaun reeves and seth troxler, who are putting their own unique spin on their citys most famous underground musical export. based between detroit and berlin for the last four years, lee has a fundamental grasp of what makes both dancefloors at watergate tick, and this enduring love and understanding of the space clearly shines through in his mix. building on the raw soul and funk of those who have blazed a trail before him, on both sides of the atlantic, lee brings his own subtle melodies and keen sense of dramatic tension to the fore in a mix that encompasses all that is vibrant and exciting about underground techno in 2011