spankrock & shellfish remix/chad hugo impossible remix

trippy punk/funk track produced by kenna and the neptunes, not to be missed

flumo limited returns in the form of a translucent blue 10 inch, slice of blue acid from el_txef_a. the release features 2 originals that incorporatesthe emotive and deep vocals of terence mckenna and is packed full off 303 beats, ready to do the work on the dance floor. side a of this double sider comes in the form of ‘neurotransmitters communication’, a 9 minute roller which blends heavy bass beats and piercing vocals into on ocean of squelching undertows. for side b, el_txef_a presents us with ‘fear vs love’, intertwining flutters of break beat around chugging acid melodies, and leaving the listener with a perfect combiantion of sonics. this is one piece of wax that is almost certainlly an essential for your record bag, a homage to the warehouse raves of times past and a melting pot of acid acoustics.

for volume one in the series, paul has compiled nineteen tracks that represent the journey hes been on with the folk funk and trippy troubadours sound

brand new lobster undr sublanabel for nostalgic, moody, deep & dark club traxx. first three from hidden spheres, andrew red hand + asok. from heady early 90’s manchester rave to dungeons & dragons electro and deep percussion heavy twisters. heavy productions & weighty goods.

rsd 2018 release.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

having been an electronic activist in marseille for more two decades and more, dj oil is now a firm staple of lddlm. following the rain ep released in the summer 2016, here is the first 2018 outing from us: the already bubbling heritage ep. heritage has been an ivan smagghe (and a few others) secret weapon for more than a year now, a strange sampladelic track featuring a full marcus garvey speech. a subtle yet powerful appropriation of early house cliches, the hit has one feet in tradition, one feet in political modernity. the ep comes with two more warped cuts: the slow guitar swamp of brouillage and the system 01/mckenna influenced may be. psychedelics and sun. a second 12inch by dj oil will follow shortly, doubled with a full digital release of the two eps with digital extras. expect new releases from our camp by rheinzand, init, johnson and more

fleisch is thrilled to present the debut of stockholm’s dissoci&#333,,,, modus tr&#257,,,,ns, aka dmt, featuring four cuts of some of the purest, unadulterated acid ever to hit the streets since orange sunshine. in the words of terence mckenna himself, sampled in the opening title track, “dmt is the strongest hallucinogen there is…”, and dmt certainly hold true to their name as a pair of 303s weave a mind-altering journey through multiple dimensions of being. driven and dirty techno beats form the rhythmic foundation while esoteric vocal samples lead the proceedings through the tibetan book of the dead in “origin/destination” and “bardo th&#333,,,,dol”, and onward into the metaphysical mantra of “trans dimensional”.

nothing lasts but nothing is lost – terence mckenna first solo ep by zanias after her keluar and linea aspera projects. this evolution culminates in a mature but radical project. radicalism has never relied completely on the means to deliver it. it also requires a relationship to society, to culture, at any given time. a solid background must be included in the formula as well. once certain stability is reached, there is no other way more than taking additional risks in order to produce new work of interest. finding different mechanisms to corrupt the methodical linearity that underlies artistic production. corrupting means finding possibilities to create an accident, possibilities to contradict, to prove anomalies within the frame of reference of that new thought is actually possible.

brand new updated versions of the unreleased monster that is >its the weekend< it originally appeared on krafty kuts fabric live comp, and was hammered by stanton warriors, si begg and nick thayer amongst others. now given a new lease of life with new mixes and featuring hip-house legend fast eddie. 5/5 review in mixmag breaks section & record of the month mixmag confirmed >heavy rotation< feature in idj , dj support: rex the dog: analog people in a digital world: hexadecimal: mike mckenna (discoscience): flash brothers: greg churchill

disco infected electrohouse club track feat claudia kennaugh on vocals. includes mixes by klaas, dons and afrojack

played by oxia, josh wink, Étienne decrécy, claude vonstroke, desyn masiello, chloé, prins thomas, till west, coburn… >yaoo!< is nothing more than a peak time dancefloor explosion, evil and agressive. one half of zen-kei and hardfloor, ramon zenker and mike mckenna creates rockin mixes

mystic and spiritual electronica dedicated to the memory of terence mickenna !!

for volume one in the series, paul has compiled nineteen tracks that represent the journey hes been on with the folk funk and trippy troubadours sound

this winter, rjd2 returns with the highly anticipated 4th solo lp >the colossus<. making the 10th year of his career, the album showcases the myriad of styles rjd2 has spanned as a maverick,respected producer for himself, and others. collaborating with mcÕs, vocalists, and various instrumentalists, it displays an urgency and sophistication rarely seen. weaving together his trademark rock solid drums, soulful vibes and horns, samples and anything else available, the album is a kaleidoscopic look both forward and back. part impressions, part daft punk, part thin lizzy. he is helped along by vocalists kenna (star trak), phonte coleman (little brother), aaron livingston (the roots >guns are drawn<), as well as several underground mcs and horns, woodwind, and strings. a sound to behold.