nach einer 3-jährigen pause sind priori und patrick holland mit neuen ergänzungen zu ihrem gemeinsamen katalog als jump source zurück.

4 great jump source cuts

deep groovin house

three brand new tracks by jump source (priori & project pablo)

jump source is a collaborative effort between two pals, francis latreille & patrick holland (project pablo). it all started on a thursday afternoon in montreals mile end at francis home studio. over an mpc 2000xl, moog source, modular kit, and some junos, the two tweaked breaks and blended pads until things sat just right. guide to action fits 4 tracks, some of which include solos, vocals, and amusing fadeouts

the third sources package comes from one perhaps one of the most radical of the new york underground independent labels in several different areas avant-garde, dance, hip-hop/rap and freestyle, so welcome to the one and only sleeping bag records from new york.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s. in an age where corporate anonymity reigns supreme and music is being treated like aural wallpaper, the sources series will go back to a time when record labels really meant something via their a&r policies, their ground-breaking releases, their everyday modus-operandi and their general philosophies

priori ist ein pseudonym von francis latreille, der zunächst solo-veröffentlichungen auf dem griechischen label echovolt und dem kanadischen label asl singles club herausbrachte. latreille ist als begeisterter kollaborateur bekannt und ist an einer reihe von projekten beteiligt, darunter jump source, m.s.l., housemates, new world science, anf und andere. er hat auch an mixing-projekten von künstlerkollegen wie roza terenzi, ex-terrestrial, ramzi, bambii und ouri gearbeitet.

japanese re-issue of this lost jamaican soul gem. billy cole is the alter ego of reggae legend, winston francis. tip! (please note, soundfiles sourced from different sources, the sound on the lp will be consistent)

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

celebrated spanish techno artist ascii.disko returns to biatch corp for release number 13 on the label with two divergent remixes from taster peter and jussi-pekka. the original version is an intriguing slice of rough hewn techno, exactly the kind of ruggedness on the dance floor ascii.disko has become well-known for. rising italian techno producer taster peter significantly re-works the track in to a dark, peak hour chugger complete with rolling drums and polyrhythmic glee that cannot be easily ignored. rounding out the three-track release is a remix from finnish star jussi-pekka. giving the source material a wild ride that combines a shuffling house beat, funky latin percussion, and even a slight hint of yello. his re-interpretation strips away the industrial strength techno edge of the original and replaces it with a warm, inviting deep house vibe that will get dance floors jumping for joy.