limited repress on black 180 gram vinyl, housed in a gatefold sleeve.

limited edition of 500 copies on milky white 180 gram double vinyl, housed in a gatefold sleeve.

alternative versions, mastered from the martin hannett tapes (1980). limited pressing on glow in the dark vinyl.

2020 remastered reissue, housed in an embossed sleeve.

remastered 2020 reissue.

2020 remastered reissue of the 1980 single from joy division.

limited 40th anniversary edition on crystal clear 180 gram vinyl.

2018 reissue - the very best of joy division & new order on double vinyl, housed in a gatefold sleeve... incl blue monday & love will tear us apart

joy division live at the leigh rock festival in 1979. a hand numbered limited edition album. only 1000 will be pressed on 180 gram black vinyl. it has a gatefold sleeve with previously unseen leigh festival images. each lp will have a stiff outer protective pvc clear gatefold cover. this item will only be manufactured for a short period of time so will be very limited.

joy divisions classic 1979 debut album back on 180 gram heavyweight vinyl . cut from the 2007 remasters and housed in a sleeve replicating the iconic original album artwork.

180 gram heavyweight double vinyl pressing, cut from the 2007 remasters. housed in a gatefold sleeve, replicating the original album artwork.

joy divisions *substance* album, re-released on 180 gram double vinyl. replicating original album artwork, cut from the 2010 +- audio remasters. includes 2 additional tracke: as you said & love will tear us apart (pennine version).

live album by joy division, recorded 1980 at the warehouse, preston, uk.

1980 follow up to unknown pleasures, produced by martin hannett, and continues where the latter left off with heart and soul, isolation, and twenty four hours. available on vinyl for the first time over 10 years, remastered from the original master tapes, original artwork, heavyweight 180gm vinyl.

80s cult on double vinyl incl blue monday, take on me, love will tear us apart, golden brown, chain reaction... !

first reference of blitzkrieg waves label, a humble, plain and honest project in the hands of two close friends united in the same concept (demuff y manuel monino), which is now released under the name of heer division 1, which is the beginning point of a row of references which we will have the chance of enjoy along this year. the first one, comes in charge of two renowned and defined figures in the spanish techno scene, kike pravda y hd substance, who will lead and mark off the lines to follow in the emerging project. these artists will bring their personal and musical vision up having been supported by many important labels. in this record we will find 4 tracks, kike pravda y hd subtance providing two tracks each.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

uk born, berlin based producer, ed davenport, is the latest artist to debut on nrk music, with an awesome two track release. >curtain call< and >overdub in am< showcase davenports smooth, deep tech-house sounds, heavy on the dub side!
davenport has already enjoyed positive attention on his releases for esteemed labels such as poker flat, liebe*detail, vidab and district of corruption. recent remixes for len faki on cocoon, and guy j on jon digweeds bedrock label, are also helping to bring his name to the forefront of the scene.
his debut nrk release features a remix by nrks nick harris. >curtain call< is a heavyweight, tribal workout, with plenty of rolling percussion amongst its nagging vocal clips and big, twisted pads. >overdub...< is a dub-heavy houser, an extremely well produced, warm and hypnotizing, deep dancefloor track.

music composed, produced & arranged by : dario d attis for digital funk rec. mixed by dario d attis & mirco esposito @ pearl studio all lyrics written by : freda a. goodlett remix & additional production by juan sunshine for mod productions keys by daniel rieser map dance publishing switzerland, courtesy of map dance records a division of mike hall productions,bern / switzerland, !! special restock !!

zur feier des 40-jährigen jubiläums des belgischen labels pias erscheint exklusive auswahl an 12--eps mit musik der ersten und erfolgreichsten wegbereiter. the cassandra complex wurde 1980 in leeds gegründet. im laufe der jahre umfasste der sound der band elemente von ebm, industrial rock, gothic rock, dark wave, new wave und synthpop - der stil der band wurde oft als eine mischung aus joy division, ramones und kraftwerk beschrieben. ihre alben theomania oder satan, bugs bunny and me gelten als klassiker des electronic-rock genres.

amazing joy division cover versions courtesy of ftg & myndrill, comes up with a fabulous techno remix from luca agnelli. ultra limited edition, vinyl only.

madrid based young talent, not a headliner, raises the moral standard with his debut on falling ethics records subdivision 5th physical release.

official soundtrack from the series peaky blinders on triple vinyl in gatefold sleeve.

gogo penguins debütalbum “fanfares” aus dem jahr 2012 erscheint nun erstmals auch auf vinyl. manchester hat einige der größten britischen rock-bands hervorgebracht, von joy division zu den stone roses, aber es ist nicht nur die indie-szene die dort beheimatet ist. von jon thorne und stuart mccallum zur beats & pieces big band und trompeter matthew halsall, hat manchesters jazz-szene einige der originellsten jazz-gruppen zu bieten. mit seinem achten release präsentiert matthew halsalls gondwana label nun ein neues musikalisches geheimnis aus manchester, das brillante klaviertrio gogo penguin. mit dem pianisten chris illingworth, bassisten grant russell und schlagzeuger rob turner (alle noch in ihren zwanzigern), spielen sich gogo penguin aus einem berauschenden gebräu aus einflüssen von aphex twin, brian eno, debussy, schostakowitsch und massive attack in ekstase.

pressed on orange coloured vinyl, randomly housed in 1 of 5 different cover designs.

vinyl 2 only

20 classic 80s tracks on limited red 180 gram double vinyl, housed in a gatefold sleeve.

remastered reissue of the 1991 debut album from electronic, aka bernard sumner (joy division, new order) and johnny marr (the smiths).

1st version of the first new order single after renaming the band from joy division. remastered reissue on 180 gram vinyl.

2nd version of the first new order single after renaming the band from joy division. remastered reissue on 180 gram vinyl.

die grammy-nominierte hot 8 brass band bringt auf ihrer take cover ep ihre legendären hip hop- und brass-grooves zu klassikern von joy division, michael jackson, george benson und the jacksons. diese ep enthält die aktuelle single give me the night und love will tear us apart die von rolling stone, songlines, john kennedy (radio x), craig charles (bbc radio 2 und 6 music), ed adoo (bbc 5live), gilles peterson (bbc 6music) und lauren garnier (worldwide fm) unterstützt wird und einen neuen track give me the night.

eine brandneue compilation mit 10 klassischen new wave-songs von künstlern wie duran duran, a-ha und the cars. limitierte pressung auf pink marmoriertem vinyl.

neue punk-compilation mit den wichtigsten punk-songs der Ära, darunter blank generation, blitzkrieg bop und mehr! limitierte edition auf weißem doppel-vinyl.

in many ways, it s difficult to believe wehbba only dropped his first full-length ep on drumcode this year. released in february, the four-tracker eclipse was a monster statement piece of the brazilians talents and followed on superbly from fake, his contribution to last year s a-sides vol.6 inarguably one of the biggest tracks on the compilation. with the confirmation that wehbba will take part in drumcode s off week party in barcelona, followed by the brand s takeover of resistance in ibiza, its indisputable proof that his crisp, chord-driven take on techno has become a vital component to the expansive palette of sound adam beyer has drawn for the label in 2018 and beyond. catarse marks the rapid-fire follow-up from the prolific producer. opening with the eerie she lost control, wehbba says he took inspiration from the joy division track of almost the same name (‘she s lost control ), but instead of crafting the dense sonic atmosphere with vocals, he employs an analogue kick drum and stealth-like moog bass with dramatic results. process follows, a cut which begun as a cover jam of laurent garnier s crispy bacon and ends up incorporating the cut-up vocals of legendary minimal composer steve reich, who is one of wehbba s chief inspirators. the resulting track is an ice-cool percussive work that s rich in dancefloor functionalism. the title track will be familiar to many who follow drumcode radio, a goose-bump inducing highlight of beyers dcr392 at awakenings in eindhoven, catarse is driven by a memorable melodic riff resplendent in 90s techno euphoria. the ep concludes with the terrific mind awake, a powerful concoction of reverb heavy basslines and glitchy effects, that s been thoroughly road tested by both beyer and wehbba and kicks like a rodeo bull.

calendar crowd was the duo of alan heaton and terence tiernan who met in their hometown of widnes, cheshire as schoolboys and played together in various bands in the ‘70s. in the ‘80s they formed a 6-piece band called room for humans and recorded one single“telephone telephone / girlfriend”. when the band split and alan and terence continued as calendar crowd in a more experimental direction. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, eno, pil, and joy division.

die limitierte b-box sammlerbox zum kultfilm “b-music - lust & sound in west-berlin 1979 - 1989” enthält den soundtrack sowohl auf doppel-vinyl im klappcover als auch auf doppel-cd, dazu den film als dvd und blu-ray, das buch zum film, 3 drucke in 12”, b-plakette, b-plektrum, b-rauscht beutel und b-soffen flaschenöffner.

erst vor gut anderthalb jahren startete die erste staffel von »stranger things« bei netflix, trotzdem hat die us-amerikanische science-fiction-mysteryserie um mike, will, dustin, lucas und elfi bereits kultstatus erreicht. das gilt auch für den soundtrack, der nun anfang 2018 auf vinyl erhältlich ist: »stranger things: music from netflix series« kombiniert kurze ausschnitte, dialoge etc. mit songs aus der serie. dazu gehören klassiker wie »should i stay or should i go« von the clash, the polices »every breath you take«, joy divisions »atmosphere«, »time after time« von cyndi lauper, »rock you like a hurricane« von den scorpions und viele mehr.

originally released in 1986, nowa aleksandria caught brilliantly the cold, sultry atmosphere of the dark times of last years of communism in poland. influenced by british post punk heroes like joy division and killing joke the album represents nowdays one of the most important records in the history of polish rock.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

marc durif alias nova nova rencontre malcolm maclaren en 2005 pour lequel il compose le titre love will (dernier titre de l album) mais aussi un remix de-love will tear us apart-au piano (sorti l annee derniere (7inch). titres qui restent dans les tiroirs suite au deces de maclaren. mais fort heureusement ce premier titre circule (grâce à maclaren) vers quelques destinataires de choix dont le celebre peter hook (bassiste et fondateur de joy division et de new order) qui le joue au debut de tous ses dj sets, tout en ne connaissant pas le nom des producteurs. il dit le jouer car il provoque chez lui a chaque fois une forte émotion. marc durif en compagnie de nombreux artistes sest attele par la suite a la composition du quatrième album neo-classic. la suite de composition de ce disque renvoie dos a dos la pop synthétique romantique de ten cc et l’impressionnisme de debussy pour s’assembler dans une vision neo-classique.

nice price deal !!! s.c.u.m. klingt wie eine zeitgemäße version von joy division gekreuzt mit dem pop appeal von hurts in einer echo kammer. dunkel und majestätisch. oder in den worten des nme: >the cataclysmic pummelling of noise that accompanies them will turn peoples insides out.< >amber hands< wurde wie das gesamte album in london mit produzent ken thomas (bekannt für arbeiten mit david bowie, the cocteau twins etc.) aufgenommen und erscheint mit remixversionen von sonic boom und silver apples und dem exklusiven track >fountains<.

repress from their 1982 12-on shout - comes with additional 1981 demo version from the sargasso sea track. shoc corridor was the london post-punk quartet of paul o’carroll (voice, synth), andy garnham (synth, drum), chris davis (guitar, bass, e-bow) and nogi prass (synth) named after the sam fuller film from 1963. chris met nogi shortly after moving to london in 1979 – they started playing music together, fell madly in love, and decided to form a band. they recruited andy, who had previously played in a band with stephen luscombe of blancmange, and lyricist and vocalist paul. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, brian eno, pil, and joy division.

deca (federico de caroli), composer and musician graduated in piano, for over 30 years is a protagonist of the italian electronic and experimental scene, then approaching to other fields such as theater, multimedia and television. he is a great summoner of dream suggestions and started from the lesson of cosmic school to arrive at a personal alchemy of tradition and innovation, clutching the paradigms of artificial sound on the natural one. he began playing in 1975 and in 1983 bought his first synthesizer starting a long process of creative evolution, playing in parallel bands that are inspired by the british new wave as joy division, the cure, killing joke and studying the dynamics of synthetic sound.