horsepower productions, and their ever present head honcho benny ill, revered in underground music circles as among the key early innovators of dubstep, return in 2016 with their much anticipated fourth album: ‘crooks, crime & corruption’.

horsepower productions, and their ever present head honcho benny ill, revered in underground music circles as among the key early innovators of dubstep, return in 2016 with their much anticipated fourth album: crooks, crime & corruption.

incl. ashford, knights appleblim, coco bryce

next lp output of fatkidonfire

phat remixes !! check

next on version is a remix set by the legend that is benny ill of horsepower productions. on the a-side you will find a stunning techno steppers rendition of orson’s -rise 6-. check the b-side for orson & hops -dread drumz- getting benny’s unique jungle treatment. both sides are tried and tested in the dance and have been rinsed on radio by respected djs such as kode9 and n-type. version 006 - the benny ill remixes - is a true soundsystem weapon and will be a killer in any serious selector’s war box.
mastered by beau thomas at ten eight seven, london. artwork & photography by orson sieverding.
supported by kode 9, paleman, n-type, pearson sound

nice price deal !!! the luvin legion of hot and bothered slime creatures, ghost groovers and winged horses has landed!some refer to bmmb:s music as funk, some call it skweee, but in the end its modern modern soul.it comes from a place where heavy crunk beats make love to sticky synthesizer leads and angel-like falsetto singing. so far bmmb has mesmerized club and festival audiences around europe.bmmbs only ep (hrmn-7) released in 2009 received amazing amounts of love from educated players such as modeselektor to mention a hot name. now bmmb is back with their long-awaited and long-prepared debut-album dirty seconds on harmonia.bmmb stands for barracuda, mesak and michael black.randy barracuda:best-known as a member of the electro funkateers imatran voima and one of the pioneers of the skweee -movement.mesak:known as a solo-artist from his releases on klakson, ceo of harmonia and a member of the electro group mr velcro fastener.michael black electro: poetry in motion. best known as a member of the hiphop avantgardists ceebrolistics and for his solo -productions on black acre - records

solid stomping galactic techno powered by wide filtered discoid samples is the trademark sound of marieu, and the a side of the fifth settlement of his own label enlightened wax discloses his manipulation talent at its best. 2 funky acidic dancefloor killers with a shrouded hoodian influences. for the b side, he recovered 2 gold dust recordings of the misterious nightjars.two broken bass driven gems of warehouse garage deeply inspired by tempa earliest releases and reminiscents of horsepower productions early works. mnemonic has been played already for more than 2 years by artists such as ben ufo, pariah and blawan before being pressed on wax by marieu.

endlich! nach unfassbar tollen konzerten folgt nun ein erster tonträger des duos viktor marek und ashraf sharif khan. der eine nicht umsonst als der >madlib von der waterkant< gefeiert, der andere aus einer sitar-spieler-dynastie in pakistan durch zufall in hamburg-city gelandet. zusammen produzieren sie einen sitar-getriebenen clubstep, der alle länder, völker, ja beide gehirnhälften ein für alle mal vereinigt! auf dieser maxi befinden sich neben den zwei originalstücken remixe vom legendären britischen dub/ step/ uk garage/ drum & bass-vater benny ill aka horsepower productions und dem hamburger kollektiv small people um die smallville-gang. ein must have

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

after fter the much acclaimed first release on version by timeblind, version002 features 2 mesmerizing 808 workouts from label boss orson himself. >madness< opens on a atmospheric tip only to switch into eruptive wall shaking subs and syncopated percussions. >808 dub< on the flip is a swinging late night groove with swirling fragments of dub and jungle echoing in and out of the mix. he has been one of the pioneers to push the blossoming sound of dubstep outside of the uk from early on. hes been running his version events since 2005 with guests like digital mystikz, skream, loefah, kode 9, benny ill and many more. orson is known for his exclusive upfront dubplate selection and has played at such legendary events as the mighty >dmz< dance in brixton in early 2008 and 2009, the >big apple records< christmas party and at >dubwar< in new york. the future looks promising for orsons productions, he has been busy in his own studio aswell as working on beats with the likes of benny ill of horsepower productions (one collabo tune will be out on tempa very soon), mala from digital mystikz and sgt pokes. dj support by : appleblim, dj chef, clouds, bunzero, hops, dj skratch and many more. roundtable discussion in de:bug mag with mark ernestus, shackleton, kode 9, pinch and orson

italys marco donnarumma indicated some of the potential of his kuoyah project with last aprils digital release for frijsfo, earning enthusiastic tips from the likes of boomkat. nonetheless, theres no doubt that his debut on wax ups the game ? even in the face of a mix from sully ? by applying a focus capable of working magic in 2010s open-ended dubstep dance. its an overused comparison that probably deserves to be buried, but angel dub does reek of horsepower productions, or more precisely the ducking 2-step and basic channel steals of benny ills classic tempa ep with hatcha.