lumbago is proud to introduce the signal phantasm for their first release, a duo composed of two folks from south of france. you ll be able to feel their sensual crazyness threw this ep, between house, techno & breakbeat.

limited edition heavyweight white vinyl, including cd-copy of thie album.

black metal

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient/minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. the result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience

selfnamed alexander melzak album

bbc live recordings from amy winehouse available on vinyl for the first time. the 180 gram triple vinyl is housed in a trifold sleeve

the long awaited new album from killer mike & el-p as deluxe magenta and gold coloured 4x12 inch vinyl including all instrumentals, housed in a gatefold sleeve.

the long awaited new album from killer mike & el-p on translucent neon-magenta coloured double vinyl, housed in a gatefold sleeve.

lagaffe tales co-founder jónbjörn drops four tracks on icelands falk records beat driven sub-label, falk disks. since 2008 falk (fuck art lets kill) has become a creative hub for icelandic and international artists involved in experimental and electronic music, spanning noise rock through to power electronics, underground hip-hop to diy techno and electro. 2017 saw falk continue with releases from icelandic hip-hop producer lord pusswhip, techno/electro producer thizone and canadian industrial techno musician /&#991,,,/huren/&#991,,,/. berlin based icelandic producer jónbjörn, known for curating reykjavík record label lagaffe tales – one of the main pillars in the icelandic house scene – now joins falks’ club focused sub-imprint with a robust four tracker. moving away from the deep house sound hes renowned for towards a darker and leaner night time aesthetic, amsiak inaugurates the release with an infectious electro groove as gurgling pings and acidic clangs and drones are liberally dropped throughout the track. aspekte is a spacious track with blown-out bass sounds that morph and glide across a tempered, slow burning planar rhythm. on the flip, jonbjörn goes for a harder techno sound influenced by his relocation to berlin. sunnudagskaffi is a bendy, 4/4 roller that contains hidden grooves below the basslines and the acid pings that wouldnt be out of place on a livity sound release. meanwhile, holy b is pure warehouse creeper techno, complete with machinic tones and the atmospherics of sweat and grime on dungeon brick walls.

d. carbone’s first album “carbone master system” is a collection of powerful techno tracks incorporating elements of rawness, acidity, and melancholy at the focus of his intent. bringing together the feeling and the passion that the sega master system brought to him in his youth. time was lost mesmerized by technology and excitement for the quest of the unknown.

for its 6th release, bjarki and johnny chrome silver’s bbbbbb records welcome new signing eod (aka stian gjevik) to their unholy alliance with his swurlk ep . the norwegian born, strictly analog producer takes the label off-roading with four outstanding productions channeling ambient, electro and hard bloody techno. having released on imprints including rephlex and weme records, it was actually on soundcloud that bjarki discovered eod’s music. after getting in touch, the scale of his work emerged as gigabytes of unheard music dating back to 2002 were exchanged, all of which was made without the use of a pc an approach which speaks for itself through his instinctive, playful melodies. swurlk ep boasts an impeccable sense of arrangement, more like that of a composer, and even more impressive considering the absence of any computer. the title track opens with a velvety smooth synth melody building with bass textures.‘evenhark uses a broken beat framework to carry floating harmonies. swarm uses layer upon layer of stuttered percussion to build into a relentless techno cut. elcaset_testgroove pairs catchy, interacting melodies with pensive harmonies. swurlk ep is a must listen for fans of melodic electro and an exciting move from a label that continues to challenge all our fucking expectations

the physics house band ist ein junges progressive-rock-trio aus london/brighton, das psychedelischen vintage-1970er-stadionrock mit expandierenden keyboards, spacerock-gitarren und dub-boom-bässen im stile yes oder rush mit dem postrock und sub-krautrock der sorte tortoise, radiohead und the mars volta fusioniert. “mercury fountain” ist ihr zweites album und ein superintensives sci-fi-mindfuck-werk, das sie 2017 auch live präsentieren werden.

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient/minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba.

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient/minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. the result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience

two pieces of snarling filter house from nyc heavyweights robbie busch aka dj mcboing boing - record dealer to the stars, digger extraordinaire, & dj of sweaty underground parties around the world, and josh dunn - one part of the sorely missed 100 limousines, and one third of the holy trinity that put on new york s legendary foreal people party. for two guys so deeply immersed in the rich history of urban dance music, from the blues & gospel through deep disco, soul, chicago and detroit sounds, you could be forgiven for expecting to hear a rich homage to the sounds of the past. instead we get the future ghost of ron hardy playing the record backwards on a janky turntable with a quarter for a counterweight and fucking shit up in every conceivable way. these two are chiefly concerned with moving things forward, having some fun, and taking no prisoners along the way. golf channel every time !

vinyl only! handstamped! after the successful label launch >pure 001<, the follow-up release >pure 002 - tribute to gerberei< is now on the starting blocks.
the two former gerberei residents ron albrecht & stefan rein announce their a1 track >tatort< using their pseudonym >brothers in mind< while remaining true to their typical sound that goes back 20 years: pumping functional techno for the floor. thats it!
longtime friend and companion andre kronert was brought in for the a2 project. he contributes a fulminant remix of the song >tatort< as an absolute statement to techno - pure and direct, just like it was celebrated in the gerberei for almost 19 years. what a club-monster!
stefan rein as well as the mysterious s.e.p.e. are in charge of the b side of the record. >unwavering detroit<, created by stefan rein, is to be understood as a deep bow of honor for many great years and stunning sounds in the >holy halls< of the club... never forget!s.e.p.e. closes with the b2 title >we will find you<, without making a secret of his dedication to techno.
who the fuck is s.e.p.e.?

auf >breakthrough< verschmilzt kalifornisch-inspirierter psych mit einflüssen aus aller welt. durchdrungen von ominösen und verzerrten tönen sowie entfesselten drums ist >breakthrough< vielmehr als eine sammlung von beats - hier fusionieren elektronik, psychedelic-pop, funk/soul, hip hop und dubstep zu etwas eigenständigen und aufregendem neuen. gastaufritte von gonjasufi, adrian younge, dimlite, daedelus, samiyam oder computer jay machen >breakthrough< zu einer reise der kreativen verbundenheit und einer stammes-zeremonie mit einem gefühl von gemeinschaft, welches den stellenwert der kollektiven erfahrung für the gaslamp killer wiederspiegelt. mit >breakthrough< gelingt the gaslamp killer eines der spannendsten debütalben in 2012!
2 x 12 inch vinyl im klappcover, inklusive code für freien mp3-download des albums.

straight out the fucking dungeons of barnhusgatan, we are proud to present axel bomans debut ep for his home label, studio barnhus, co-run by kornél kovács, petter nordkvist and axel himself. europa, as it is called, is his first solo release since last year s holy love ep on pampa records. four beautiful house jams equally fit for the dance floor and your walkman infused with unexptected samples and crafted out of a versatile sonic palette. axel is proving to be one of the freshest producers around with his unique approach to house music that he shares with his studio barnhus label mates and producers such as dj koze and pepe bradock. according to prins thomas these tracks will make every pretty girl dance!

recording as lord cut-glass, alun woodward, formerly of the delgados, releases his first album since the delgados? ?universal audio? in 2004. extraordinarily ambitious, ?lord cut glass? was written, arranged and in large part performed by woodward, recalling the orchestral grandeur of his former band whilst forging a style of acerbic, sardonic songwriting all of his own. lord cut glass features galloping percussion, waltzes, marches and promenades of male and female harmony: delicate and serene creations punctuated by casual profanity and shot through with brazenly hilarious words-to-the-wise.

wrwtfww & palto flats records are ecstatic to announce the highly-anticipated reissue of japanese percussionist midori takadas sought after and timeless ambient / minimal album through the looking glass, originally released in 1983 by rca japan. considered a holy grail of japanese music by many, through the looking glass is midori takadas first solo endeavor, a captivating four-song suite capturing her deep quests into traditional african and asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. the result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. the fully licensed reissue is available as a single 33rpm lp and a limited 45rpm dlp, both cut directly from the original studio reels (aaa), at emil berliner (formerly the in-house recording department of renowned classical record label deutsche grammophon) for the 45rpm dlp, and at the equally famous frankfurter sst studio for the lp.

2011 collection released to coincide with the popular green man festival. selected and produced by rough trade shops, the cd exclusively features artists playing at green man 2011, and serves to distil the sonic ethos of the event. includes tracks from fleet foxes, the low anthem, josh t. pearson, iron and wine, gruff rhys, explosions in the sky, holy fuck, squarepusher and many others.