if the doorman fronts like he dont know you... tell him that youre with the dj whether he is friend or foe, the nightmaker or the night-breaker, the mythical nightclub doorman is a universal figure of influence for clubbing fans worldwide. dj nibc, the berlin-based, gothenburg-born dj, producer and trunkfunk records label owner and vocalist anthony mills pay tongue-in-cheek tribute yet also take him to task with their energetic workout >the doorman<. capturing the anticipation, anguish and unpredictability of conversations held on the threshold of clubland, a hapless and faceless figure is ready to rave, and is unleashed via a processed vocal over a tightly-wound acid tech beat. a buzzing twonote bassline and pummelling drums set the stomping

your mad friends first cut is insane. 4 funky groovin minimal techno twister on 10th minibar release

great 2x12inch compilation incl zombie nation - kernkraft 400 and and and

new orleans horror boogie duo makes their star creature debut with 2 straight boogie slappers. hardcore synth funk thatll rattle your trunk. roller rock is an uptempo boogie rager with an frightening combo feel or italo meets so cal. body is straight slammin midtempo grinder.

contactless debuts on uttu with 4 electro cuts for the head, the whip and the club. taking inspiration from boombass, electro-electronix, the lead track static takes you on an electrosoul journey to the beyond, updating the motor city template with fresh styles. cybernetik jerkin is a prime slice of hi speed funk, sure to get those feet workin and jerkin’. robot wreckin crew introduces the most bad-assed cybernetic b-boy crew around, with added flavour ready for the sub-woofer in your trunk, whilst e.p. closer downpour twists the program even further to include drum and bass influenced melodic elements over steady electro beats. 4 cuts guaranteed to inject emotion into our increasingly automated society!

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

slamming phunky chicago feel house monster

2 cd compilation - the resurgence of classic house! incl. tracks by junior jack, tori amos, cystal water..

amazing disco house classic release !! limited back in stock copies

schicke minimal lp mit ordentlich funk, schwung, groove und klick klack