criminal practice records, a trio of young ukrainian musicians well-known for their parties in kyiv, are launching their own label of the same name. the members of the project do not only perform together as djs but also make their own music under the nicknames ghetto sunrise, roma khropko and hopper field. the new label is aimed to reflect the tastes of the musicians as well as to spread that very ‘trending kyiv sound’ - the term coined by the fans of the group. circle movement ep features the tracks by the talented ukrainian producers, grec and sasha zlykh, whose works are worth the international attention, as well as the works of two of the members of criminal practice itself - hopper field and ghetto sunrise.
alex the fairy returns to finders fee with rusty blade tears, the second record of three. the first track, a 4/4 kick blindly barging through an arcade is followed by a bathtub riding down the motorway in a dali-esque landscape. on the b-side, an angry cordless phone precedes some rusty ice cubes in arctic water. finder’s fee is a label for found sounds, found melodies and found rhythms.
2019 repress, das schweizer vorzeige-duo adriatique - bislang auf diynamic gesignt - präsentiert stolz den ersten release auf seinem neu gegründeten, eigenen label siamese records. die 3 tracks ihrer ersten ep weisen dabei eine beachtliche vielfalt aus. der titeltrack ist ein fast 11 minuten langer hypnotisierender trip, der sich allmählich zum peaktime-smash mausert. das von dj-gigs bekannte womb ist in seiner art einfach, direkt und von kompromisslosen bässen und beat-elementen gekennzeichnet. während das detailverliebte quadrivia erinnerungen an adriatiques minimalphase in den nullerjahren weckt.
4 house disco bombs ! already supported by: the black madonna, laurent garnier, dan shake, patrick topping, kettama, luke solomon, monki, cinthie, tiga, gene ferris, honey soundsystem, big miz, hot sine 82, claptone
the subversive electronics duo is back at it again for the sixth release on planet euphorique. ambien baby brings you another slab of total sonic disorientation, the good kind the one that invites you to dance, but also questions the stifling boundaries of genre within electronic music. dreaming up a sound that welcomes confusion and experimentation over the tried and true. here we have a spectrum of colour and vibes electro, experimentalism, and primal sensibilities mash and clash in an odd harmony that begs the question, where are we now?
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