final on vinyl

brand new multicast dynamics 180g vinyl mastered by noel summerville original artwork by theo ellsworth

libertine industries is the new output dedicated to new talent and libertine resident djs... sbri is in charge of the first release with an outstanding double ep.

only a limited edition on tape available

rod modell & walter wasacz s shorelight s project returns on astral industrials.

remix of all of the bamboo tapes that j.derwort ever recorded.

astral industries reissue atom hearts 1994 ambient work dots on vinyl for the first time.

debut ep / mini lp from mush. the vinyl release includes a download code.

180g vinyl, mastered by noel summerville, original artwork by theo ellsworth.

stunning new record from the chi factory mastered by noel summerville and has original artwork by theo ellsworth includes leaflet inside

art vandelay is one of the last projects marcus intalex aka trevino had ready for release before his untimely passing. launching the vandelay industries label with an ep of cheeky, chicago informed house music, vdi001 is another testament to marcus kaye s broad musical talents.

this record was created for the space age lounge, a technomystical chill room in goa, india.

second edition of the peace feast industries 20 year releases - with tangling & whirling synths run over arpeggio based themes and dynamic compositions (as well as sound level!). a-side runs with bongo percussions on a disco tempo and the b is up-in-tempo, for a heftier ride - (slightly xmas-sounding arpeggios, if santa was on acid that is).

rod modell returns as deepchord for his first solo release on astral industries since inaugurating the label with his sought-after ‘lanterns’ ep. consisting of two stunning long-form pieces split on one side each, immersions¿ captures the emotive, halcyon sound that rod has long become synonymous with. opening with glistening ambient textures, ‘immersion i’ grows into an 18-minute piece of deep rolling dub techno. on the other side ‘immersion ii’ paints pristine soundscapes of soft, lapping waves, underpinned by submerged pulsations that rise to the surface to continue its deep space explorations. two highly refined and inspiring tracks that sit on the apogee of this sound.

appearing out of nowhere in particular in 2017, donald dust s debut ep for no bad days and subsequent fleeting cameos for bordello a parigi and paradise palms introduced the world to his musical sphere: wbmx radio mixes, ron hardy drum tracks, the golden era of italo synths and the rawer fledgling sounds of eurodisco-influenced house circling and overlapping in his productions and dj sets.

the new 7&#8243,, mars r-trax mines the depths of youtube modular synth demos, adam & fleisner sfx and disco drum 12&#8243,,s resulting in a two-part dj tool for cosmic punks.

this vinyl is a tribute to esplendor geometrico, one of the greatest industrial music icons in spain and abroad.
each one of these remixes has been produced by local artists from madrid, homecity of the band, as their particular homage and acknowledgement of the crucial role that the group has been playing as an example and a catalyst for the most avant-garde electronic music scene. thanks!...
special thanks to our friend and fellow andre&#769,,,,s noarbe, the man behind geometrik records and rotor discos. this project wouldn t have been possible without him.
the original tracks from esplendor geometrico selected for this release are included in their last lp -fluida mekaniko- published on geometrik records.

obscurum is a two man outfit based in fuerth, germany. formed by roland l. and d. blaze, who have collaborated musically together since 1995. they also own the following labels: e-com, exalt and seico corp. known for their preference for minimal detroit techno music, they command international credibility. dark electronics and pumpin techno with an industrial tinge. several releases on e-com/exalt/seico corp. unite their typical style of production which puts the mechanical part of their music in the front row. functionality without any compromise.

>dusty ... definitely< from 1968 is considered one of her best albums. more a pop production than its predecessors, on it she explored more and different genres than she had done before, the cover >take a little piece of my heart< and motown-styled >aint no sun since you ve been gone< were produced by a young john paul jones (who had just gained fame with led zeppelin), and the album also features >who<, written by charles aznavour, and the indelible >think its gonna rain today<, written by randy newman.
music on vinyl is proud to add yet another legendary artist to its roster. and dusty is legendary... definitely!
pressing on 180 grams audiophile vinyl, innersleeve features picture of original mastertape.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

mechanisms industries re-emerges from the tape studio to welcome the return of hunt patterns with 3 tracks of pure dark, gritty analog techno. lots of mechanical sequences for maximum peak time dance floor performance.
pressing on solid white vinyl.

over the past five years velvet season & the hearts of gold have laid down all manner of sizzling disco edit grooves that veer into spaced out, cosmic territory, but on this new joint for blue velvet they aim for the jugular with an abundance of cheeky licks from familiar sources. angel dust is set to get all manner of parties going wild with its classic hooks, while turn me on takes a smoother approach into romantic climes with equally recognisable sounds repurposed for the modern dancefloor. the samples may be easy to spot, but that just makes this records appeal even more universal.

mit treibenden grooves, jubilierenden gitarren, zackigen breaks und einem großen sack voll zündender ideen setzten sich die dutch uncles auf ihrem gleichnamigen debüt 2008 ganz selbstbewusst zwischen new wave, postpunk und pop in szene. das album erschien beim hamburger label tapete, anschließend dockte das quartett aus manchester beim heimischen imprint memphis industries an. dort erscheint nach “o shudder” von 2015 auch “big balloon”, das mittlerweile fünfte album der art-popper.
die vinyl-lp erscheint inklusive downloadcode.

homeboy sandmans legendary sophomore lp available on vinyl for the first time!

hand-stamped limited white label

mechanisms industries reemerges from the tape studio to welcome the return of fanon flowers with “track modes 4”. the fourth installment of the track modes series. two tracks of pure dark, metallic modern techno. relentless and unforgiving tracks designed to destroy the dance floor. dropping later in 2016: fanon flowers “track modes 3” reissue in vinyl and digital format including a remix by don williams on a.r.t.less records berlin.

2016 clear coloured vinyl edition ... played by dvs1, answer code request, ben sims, rolando, nick höppner, blawan, radioslave, zadig, heiko laux, franck roger, josh wink&#8232,,,...
a new re- issue is coming from merv! two old and lost tracks from merv from 1995 and 1998 are coming in a new re- issue! while deepchord in america, or the thule- crew from island have been inspired from the basic channel blueprint sound coming from berlin, tempted a small group of artists their own interpretation! the new and sounding like a manifestation from basic channel-sinewy, full of energy, strongly cauterized in mind, wanted to get rediscoverd! in the year 1995, arose * melted vein*! hypnotized, slowly but full of strength it became back to the theme. merv educed their own variation- their own soul. you can hear it by the track * dust*, from 1998 the further development! pads and melodies, from different galaxys, mixed with ascending chords, kept together with the 909. two tracks, two epic tracks- the pure merv- magic! both of them have been re-masterd at the traditionally berlin mastering studios d&m!

coloured vinyl edition ... played by dvs1, answer code request, ben sims, rolando, nick höppner, blawan, radioslave, zadig, heiko laux, franck roger, josh wink&#8232,,,,,,...
a new re- issue is coming from merv! two old and lost tracks from merv from 1995 and 1998 are coming in a new re- issue! while deepchord in america, or the thule- crew from island have been inspired from the basic channel blueprint sound coming from berlin, tempted a small group of artists their own interpretation! the new and sounding like a manifestation from basic channel-sinewy, full of energy, strongly cauterized in mind, wanted to get rediscoverd! in the year 1995, arose * melted vein*! hypnotized, slowly but full of strength it became back to the theme. merv educed their own variation- their own soul. you can hear it by the track * dust*, from 1998 the further development! pads and melodies, from different galaxys, mixed with ascending chords, kept together with the 909. two tracks, two epic tracks- the pure merv- magic! both of them have been re-masterd at the traditionally berlin mastering studios d&m!

die fans im londoner hammersmith odeon ahnten nicht was passieren sollte, als sie gespannt auf ihr idol bowie aka ziggy stardust warteten. es sollte die letzte show der person ziggy stardust sein. ein furioses set mit allen hymnen aus bowie’s damaligen schaffens dokumentiert die großartigen live-qualitäten von ziggy und den spiders from mars. vor dem letzten song läutet bowie den “bühnentod” von ziggy stardust mit den worten ein: “of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it s the last show that we ll ever do. thank you.”

ltd nice price - jon convex kicks off his exciting new convex industries imprint with two of his own solo productions >bump and grind< & >closer<. as one half of instra:mental there is no surprise with the sonic qualities of these tracks, an amalgamation of raw electronica/techno and bass music, or as he likes to call it, epm (electronic party music). both tracks feature convexs trademark pitched vocals, thumping kicks, rounded basslines and twisted glitch edits fit for any dancefloor, a must for any dj that wants to get a crowd moving.

played by rolando, nathaniel jay, agnostic rhythm, natan h, deep a & biri...
for its premier release, division point industries is proud to announce a 4-track ep by rolling ones, a collaborative project featuring johannes auvinen (tin man) and jordan poling (jordan). rolling ones finds its voice in the synthesis of each artist s sound, combining tin man s acidic melodies with jordan s deep, textural pads. debuting at the division point industries residency at bushwick s notorious bossa nova civic club, rolling ones marked their arrival by playing a dj back-to-back set. opening the record is 93 mustang , a muscular, no-nonsense roller built around deep wells of warm bass and slick-piston percussion. as it builds, tin man s signature acidic squelch dances in the remaining space, giving the track a sense of both life and depth. next is faded delorian , an abyssal burner that refracts its ghostly tones around a panning labyrinth of crystalline synths. on the flip is slammed cadillac , a sinewy, stripped down stomper of clattering percussion and caustic 303s. jacked up impala finishes the record as a jacking acid tool. founded by jordan poling, division point industries is a new label built on the success of a collaborative residency with cory james at brooklyn s bossa nova civic club. having hosted artists ranging from the established to the underground, division point industries has crafted a no-nonsense take on deep house and techno that is rich in history while remaining focused on the future.

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

spooky , dark , energetic , acidic ,feaky techno

vinyl only. maddermodes with their first ep on night drive music. dark, moody, raw, emotional hybrid between techno and house. 180 gramm vinyl. shrinked.

the black dog returns with a viral antidote: an album of de-programming material called nether/neither.

incl massive rmxs by mr g and matrixxman

mechanisms industries re-emerges from the tape studio to welcome the return of fanon flowers with 3 tracks of pure dark, gritty modern techno. lots of mechanical sequences for maximum peak time dance floor performance.

this new project by the black dog guys is about techno sounding electronica music. limited to 300 copies!

industrial copera (1992-2013), one of the most important techno clubs in spain, begins its new project as a record label focused on techno/ electro/ new wave/ experimental music. in this first release junior and alvasro sanchez (ax2) suggest two original techno tracks with the collaboration of the artists miki craven, alexander kowalski and mario berger as mixers.

early support from:terrence fixmer, tea music, subsist records, kriz token, exium, and, and developer.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

dusted decks records presents global player stereofunk with his debut on the label.who loves mario? a catchy theme with great dancefloor beats go straight from your ears into your brain! check out the huge remixes by three well known dusted decks artists, breakfastklub, faites leur la danse and dj dee ass take the original track into new hights! after his album radio robotic on coco machete records, this tune will definetly rock every dancefloor!

remix package on spanish label mechanisms industries, including reworks by oscar mulero, henning baer, subjected and fanon flowers.

with his first release on dub2dust gabriel le mar again shows his side as a producer focussing on dubtech music with an energetic flow.quantec remixied up a great dub rocker, let us get going through deep and floating dub chords and nerdy piano rolls.the tracks are a wonderful example of going through waves concerning energy and flow with one result - something more musical and playful.

new with his debut on dusted decks records, birdee! discoo is a massive disco influenced electro house bomb and comes with huge remixes by jay robinson, stereofunk and golden toys!

13 tracks triple-vinyl celebrating 20 years of industrial strength records. featuring the outside agency, hellfish & producer, stormtrooper, wavelan, dj gizmo, tymon, neophyte, drokz, tieum, akira ...