sued records welcomes dresvn on their label

the crew at its best: raw, pure house rhythm jams recorded live to tape while touring out there in 2018

become a slave to dresvn’s groove & get seduced by irresistible house pulses - hats off to dresvn & crew

* garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dance…* (from anne carsons new translation of bakkhai, by euripides)

original, mesmerising house b/w sotofett jungle-revival treatments!

lovely executed, excellent, original house ep

as true as house can get: dresvn!

eight individual projects with various international origins, these two ep s contain reworked and remixed material of takuya sogimoto s early work that has been released on acido in 2020 and 2022, as well as some unreleased trax from 1994/95. packaged in two editions of 300 copies, released separately.

apollo proudly presents a full release of the stunning debut album released by sw. sw s lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s apollo releases of biosphere and robert leiner in all their balmy glory. originally issued on vinyl only via sw’s own sued imprint, this apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally. as a label, sued has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both sw and svn, as well as collaborations and comradeship with other analogue obsessed auteurs such as dynamo dreesen (who teams up with svn as dresvn), dj sotofett, dj fett burger, pg sounds and club no-no, aka snorre magnar solberg.

flipping the script & keeping it fresh - a great compilation feat. the acido family in full & for good - highly recommended

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

remixes of kowton and asusu courtesy of workshops mix mup & kassem mosse and acido records dresvn (dynamo dreesen & svn).

brilliant, diverse electronica/ambient mini album in true acido style.

madteo (aka matteo ruzzon) creates music whose understatement is overwhelmingly compelling. an italian native who moved to new york city in the early 90s, madteo has forged a production style that casts techno, house, and hip-hop in a gritty, stripped-down subterranean murk. his keen ear for unusual tonalities and his inventive tweaking of rhythmic tropes lend his music a functionality that feels anything but perfunctory.

meakusma is releasing a 12inch compilation to coincide with their party in eupen in september 2012. four artists from the line up each deliver two tracks.

dj-kicks start 2018 in fine style with another vital entry into their long running series. the latest comes from swiss dj and producer deetron on march 3rd 2018, and features an exclusive solo track as well as exclusive collaborations with steve spacek, jinadu and jamie lidell. as one of the other most famous musical exports from his swiss homeland, he has pretty much done it all from fabric and balance mix cds to running his own label, from essential albums like twisted and music over matter on music man records to club focussed 12Ós on will saulÕs aus music and french label circus company. after 20 years in the game, he is still in demand at key clubs around the world, and is sufficiently respected as to be able to call on big names like seth troxler, cooly g and ben westbeech for collaborations.