young jessie is one of the unheralded greats of the r&b, rock & roll and soul eras. beginning his career as a young teenager in la vocal group the flairs (with schoolmate richard berry, later of louie louie infamy), he then signed on with modern records and cut several high quality r&b sides through the mid-1950s

time to welcome more new, undiscovered talent to the fold, this time we give you sheffield producer thatmanmonkz with an amazing ep entitled please dont slip, trip or fall off. thatmanmonkz came to our attention last year when his track that would be alright appeared on tone control music. the low slung, bluesy inflections combined with moodymann-esqe vocals and deep pads had us instantly hooked so when he presented us with three brand new tracks for delusions of grandeur we literally bit his hand off.

after first appearing on dont be afraid in 2010 as a remixer, the mighty mr. g is back with a solo ep for the dancefloor-aimed dba special editions series.

the nixwax white label series continues our commitment to global warming by releasing limited slices of petrochemicals imprinted with noise. the a-side takes no nonsense and gets straight down to business with a catchy vocal hook and a powerful bassline that demonstrates nisse nilsons ability to fill a dancefloor and keep the punters hungry. on the flip-side, ojsmooth filters the elements of the track to their most arresting while keeping the warmth of the bassline front and centre. classic ojsmooth: all juice, no bits.

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

shortly after the dust under bridges ep was released, henri sent us nine tracks which he had previously recorded to tape, not thinking that they were worthy of release. on the contrary, these are nine tracks of beautiful, brooding, leftfield house and techno, and we decided immediately that they ought to be available to the public, and that they formed a perfect appendage to halvtraks debut 12 inch release, dust under bridges, written, as they were, during the same period.

einseitig bespielte limitierte 10 inch auf weissem vinyl zum rsd 2014. mit einem neuen track des duos just friends, bestehend aus dem vokalisten sasha spielberg und dem produzenten nicolas jaar.

brian d souza aka auntie flo stammt ursprünglich aus goa und hat seine neue heimat in london gefunden. seit seinem debut -goan highlife- im jahr 2011 und dem nachfolger -oh my days- (2012), die beide auf dem huntleys & palmers label erschienen sind, kann sich auntie flo über eine stetig wachsenden fangemeinde, die sich aus den verschiedensten musikalischen lagern zusammensetzt, freuen. es folgten das experimentellere mini-album -future rythm machine- und eps für kompakt und mule musique, die das ganze spektrum seiner musik, das sich von klassischen house und techno über disco zu afrobeat, kwaito, cumbia und südamerikanischen rhythmen zusammensetzt, aufzeigen. seine erste ep für permanent vacation hat dann auch zwei afro futurist knaller aufzuweisen, die sich auf jeder block party zu hause fühlen. auf der rückseite steuert auntie flos esa, label-kumpan und zugleich teil der auntie flo live show, noch einen afro acid dub bei.

phat analog house at it best !!

hand stamped sleeve!3rd outing for this new project from a well established uk artist! a darker take on the new uk techno/bass sound.

bold and slightly rude house music from gamertag. part of an off series of lively alter ego 12inchs from dublins all city records guessing game time.tip!

mgun returns to dba for a tough and arresting third release, which yet again showcases the range of this young producers undisputed talents.

brill 80s italo disco

to coincide with the release of matt tolfrey & ryan crossons forthcoming dont be leftout mix compilation, the leftroom imprint offers up a vinyl sampler of exclusive content produced for the comp. the four track package is set to drop in february ahead of the full release in march and brilliantly showcases the outstanding level of quality found throughout the compilation.

a heavy, heavy remix package here from hypercolour. step forward bonobo, kowton and dark sky, who all contribute stellar remixes of maya jane coles dont put me in your box ep, originally out in 2011

pushing back into max territory julian delivers his first full minus ep and challenges us to dont think. release your inahbitions and feel rather than think as you are consumed by frequencies both high & low and vibrations low and deep.

having previously had releases on visionquest and italian imprint amam, aeons fifth release is courtesy of ukrainian producer and performer qbeck. with the *dont let it fall ep* and as the latest addition to the aeon family qbeck is the perfect candidate to bring a fresh take on the electronic music scene, supplying a sound that perches somewhere between minimal, tech and deep-house.

solaris ist ein projekt des wiener künstlers und musikers chrisitee aka 8 hours manatee und des deutschen produzenten alain monnet. you don t know bietet soulfulle elektronische songs zwischen steppigen breaks und straighten beats. limitiert auf 100 stk.

this song can electrify dance floors! elbee bad goes back to his roots, to the early development of house music in the 80s and makes it sound absolutely fresh and contemporary. after he already appeared in collaboration with netto houz on knuggles recordings, we now feel very honored and excited to release a full 12with exclusive new material by the prince of dance music.

henry rodrick is the man behind the single best demo email studio barnhus ever received. the results can be heard on dont believe, the debut ep of this 29-year-old jazz funk enthusiast/software engineer.

following his breakthrough release on cult bristol label happy skulls, which carried a tearing funkineven remix, adjowa marks his second release of the year with a slamming addition to the dba dubs series. beautiful swimmers own max d (known to his friends, but perhaps not his family, as maximillion dunbar), contributes the compulsory us remix on the flip, drawing on the grime, jungle and breakbeat hardcore tropes to create a truly otherworldly banger.

break out belgian house producer sjef wanders follows recent heavily supported appearances on new yorks nurvous records and 124 recordings with *dont front*, a two track 12 inch primed for club play on the deso records label. *dont front* is deep and dubby house music emboldened by banging low end and it is well complemented by a remix from label owner desos. the dane takes things deep in typical fashion, adding a little new jersey swing and flavour to proceedings.

another essential release from amir alexander and indeed the secretsundaze camp.dj support from nina kraviz, bicep, bleak, will saul, martyn, mr. g and kiki amongst others.

neville watson ends 2013, the year in which he released his debut album for creme organization, with a club-focussed 12 inch and the second in the dba special editions series. since remixing dba003, and thereby providing one of the most requested tracks in the labels history, it has only been a matter of time before the legendary uk producer joined the dba camp for a full 12 inch release. in keeping with the remit of the special editions sub-label, all three tracks are aimed squarely at the dancefloor, but relative to previous neville watson releases they tread a significantly more techno line, from the fused circuitry of crossing the is to the deeper strains of hot & heavy, and the twisted bassline assault of wired.

neil landstrumm returns to dont with a collection of some of his finest and most groundbreaking tracks from the tresor era of the mid to late 90s… also included is an alternative version of tension in new york, made at the same time but never released. what with the current resurgence in real techno, the time is right to show the kids of today, what was going on in the 90s and how it still freaks the frame and gets the dancefloor moving all these years later!

ripperton turns baikals >why dont ya< into a 14 minute epic while dixon gives rippertons remix his concise edit treatment on the flip

nice price deal !!! finlands halvtrak joins dont be afraids burgeoning family for his debut ep. across four tracks, scandinavias latest musical export explores the house sound of chicago via tampere, offering four outstanding dancefloor options with a unique and very personal twist, whilst touching on some familiar uk-centric tropes.

for the 23rd release, label boss and purist botherer jerome hill steps up and delivers, possibly the maddest record on the label to date.

if there is one thing in this world that is certain, it is that things change. and in the life of one dance producer with a new release on sheffields shabby doll, there have been transitions aplenty. with a switch from garage to house, a move from doncaster to london, and a change of identity from ryan aitchison to mella dee, his spacious four- to-the-floor sound has emerged from a state of constant flux. and yet… the more things change, the more they stay the same. *things dont change* is the name of mella dees new shabby doll ep, and when you tune into the title tracks compulsive twitch, you can hear the echo of his south yorkshire antecedents coming through.

following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance.

following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance

das ist das ostfunk debuet von dompe, der zuletzt schon sehr erfolgreiche releases auf mimique, tretmuehle, for you records, 040 und gastspiel hatte. der in koeln geborene shooting star überzeugt hier durch seine bluesigen vocal samples über dem perkussiven grundgeruest

the dont they know ep features 3 live analog machine jams and a remix riding the classic detroit deep house sound. were sure the emotion of the tracks on this release will take you to a deep deep place within yourselves!

super deluxe limited edition! following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance.

pdd are proud to welcome tsuba records to our exclusive roster. first up is a killer house ep from one of this years biggest names, waze & odyssey. early dj support from:bicep, dusky, kerri chandler & pete tong (bbc radio 1 play)

teamed up with running back for a vinyl release, bubbletease communications releases are defiantly infrequent, reflecting boss man maurice fultons desire to only release personal projects and those hes somehow had a hand in. given fultons track record, this approach guarantees a high quality threshold in truth, bubbletease releases are rarely less than excellent. this four-tracker from tokyo-based dj nori, co-produced by fulton, is predictably impressive.

lazare hoche & malin genie team up again for with the second installmentin their >i dont sync so< series, in the form of a full eight-trackalbum. you can expect to find a variety of styles and atmospheres from aselection of grooving analogue house bangers to deeper tracks and a killersong feat. mar. its a formula that has garnered widespread praise from within the house music world, from godfathers like kerri chandler to highly influential newcomers such as bicep and many others

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

quality house classic, back in stock

limited to 500 units - two sided silkscreen foldout print

- nonice02 from noel xiv. with only one track this 7 inch vinyl single is a pure bid
- one track with 100% summer feeling
- limited to 150 copies
- handstamped , one-sided, printed cover

dont be afraid present the latest ep from americas disco nihilist, and the first in their special editions series. disco nihilists releases for gerd jansons running back imprint and for local grassroots us labels like construction paper are mainstays in the record boxes of house djs worldwide, and his live sets have rocked the panorama bar, robert johnson, the cult take 5 café in bristol and dont be afraids own london shindigs. this release from disco nihilist sets the tone for a series of classic dancefloor cuts from the most sought after producers on the underground house circuit.

otp lands a nice package starring a handful of talent. headlining the bunch is the mysterious room 303 with you dont know me, a solid tail of bittersweet melodies and heartfelt vocals that wouldnt be out of place during strip club after-hours. a2 sees canadian sean roman (whos known for his releases on hot creations, under the shade, strictly rhythm and many more) deliver a joint effort with buddy dick diamonds. together they off us dawn crondlemyers, a bassline driven house track with sprinkled vocals, and a funky synth part snaking around with extreme portamento. the entire b-side dedicates itself to germanys tuff city kids, the alter ego of running backs gerd janson and phillip laur. they nail two solid mixes of room 303s you dont know me, coming up with a change of pace and pushing things into piano and acid house territory...driving and pulsing

black vinyl

great house music from jason bye (space ibiza resident) !!

hot disco stuff.