new split 12 from detroits soiree featuring disco house tracks from drive train and todd edwards-esque garage / house from melodyman.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

the artist formerly known as edward returns to merc for his second release. >burning< burrows a deep distorted bongo led, deep disco march into you head for a day, topped with dramatic stabs keeping it other worldly. on the b-side >counterfeit paradise< highlights the plight of south americas rain forests with a mark e deep house interpretation.

laurent wolf, gambafreaks, rudeejay, diskomachine and marcoj deliver a huge remixpackage to this anthem.

incl. deep swings airex groove remix, !! special restock !!

the sister label of hardcore beats,with this bassy and nasty production by deekline & wizard, featured by infiniti and dj assault on vocals.on the flip we get a remix of ghetto blast ya by soto (aka sonia akow and toby edwards) vs deekline & wizard and feat top cat on vocals a must have

double vinyl compilation of 26 soul classics from the queens of the genre.

a collection of soul gems from the 70s and 80s.

2019 repress of part 1 from the comprehensive electronic music anthology series.

vol.6 with more slamming house music. repress , clear pvc sleeve

reissue of these ultra rare soul tracks ! second press, following on a ltd 2012 pressing. tip!! scorpio and his people remains a mystery with the only possible clue that the band hailed from los angeles or long beach california. originally released in 1972 on a private label, this double a side is a heavy slab of psychedelic and gritty funk complete with female vocals in a similar style and vein as dee edwards or little ann

the purest garage label in operation right now, plastik people fire off a crucial double a side here featuring two underground operators that know how to keep garage sounding fresh as a daisy. herb rhythm is up first, and he s got the todd edwards style of snappy micro sampling and mk s sassy midi sax down to a t people!- is a joyous, bouncing jam impossible to stay still to. on the flip, keepin soul take things deeper with some sweet piano chords and a wandering bassline, but once again this is all about true school garage for the heads.

time to express sp-x joins rekids special projects with four punishing techno cuts this september. little is known about mysterious producer sp-x. after a string of quality releases on komisch, time to express, and projekts, the brussels-based artist has garnered a strong following for his rolling techno sound. the enigmatic producer now joins matt edwards rekids special projects roster, following on from releases by dj spider, jon hester, dj deep, fbkand dustin zahn among others. an amalgamation of metallic hits, powerful drums and plucky arpeggios commence the package in dystopian lotus before the fast paced breaths of separation offers a rumbling low-end, frenzied atmospherics and cosmic chords. the orbiter delivers distorted top lines and a thundering kick on the flip, backed by mysterious sirens and resonant synth blips until the package rounds off with desire of invisibility, a high-octane finish with sharp, organic percussion and a vacillating sub alongside stereo delayed stabs.

r-time records releases two tracks from iceland’s sanasol, aka thor and yagya, entitled long lost thoughts - originally appearing on deep thoughts lp via hey babe! in 97. out of all of thors aliases, which includes oz artists, flow machine and thor54, sanasol, his duo project alongside yagya, is arguably the most prolific. on top of appearances on thors own renowned imprint thule records, as sanasol the pair have released on fear of flying, connaisseur superieur and alex azary and pascal f.e.o.s.s hey babe! of which the latter homed the‘deep thoughts album. matt edwards r-time now releases two of the long players finest tracks, following recent revivals of timeless music by sir lord commix and fbk. long lost thoughts begins by utilising filtered chord stabs alongside a thumping bass and sustained strings before the track progresses with ethereal pads combined with resonant bells playing a top line melody. on the flip, in the sky of normality presents shuffled drums with crisp hi-hats and a strong low-end whilst delayed synths pan left and right throughout keeping things atmospheric and mesmerising.

matt edwards newly launched reissue label, r-time records, prepares its third release, the second instalment of sir lord comixx retroactive. r-time records shines a light on classic tracks that didnt always get the recognition they deserve, with the labels first two releases coming from sir lord comixx and fbk. real name amoon andrews, sir lord commix’s discography has been in high demand for many years, evident by soaring market prices. the a-side of retroactive (part two) features two tracks from a rare untitled release on hard up, whilst the b-side is made up of chicago jazz from the funk box ep on eukahouse (under his a.moon moniker in 98) and motionvibe from azid jazz ep on cynic in 05. cosmic synths join wonky arps in ur my omen before moving into the more up-tempo fog horn with its robust drums, off-beat bleeps and filtered effects. chicago jazz takes things into deeper territories with crystalline rhodes and jazz-influenced samples until motionvibe concludes the package with its syncopated structure comprised of twisted sounds, murky atmospherics and effervescent nuances.

top-sampler mit 21 soul/funk/disco-klassikern aus den 1970ern, die in der britischen rare groove- und modern soul-szene seit den 1980ern wieder für furore sorgten, darunter etliche cd-erstveröffentlichungen und vinyl-erstreissues. mit kostbaren raritäten von almeta lattimore, mary clark und tommy mcgee, 2-step-perlen von jocelyn brown und zulema, smoothen jazz-soul-floatern von margie joseph, aretha franklin und ihrer schwester carolyn, debbie taylors grandios orchestrierter ballade -i don t wanna leave you- sowie wundervollem harmony-soul von the ebonys, manhattans, natural high und the impressions.

rekids launch re-issue label entitled r-time records with four timeless tracks from sir lord comixx. having established a handful of renowned imprints such as rekids, pyramids of mars, cabin fever and the double r, matt edwards new venture aims to shine a light on classic tracks that didn t always get the recognition they deserve. amoon sir lord comixx and i go back a long way and we met through our friend justin isonoe in the early 90s,” says matt edwards. “i was still living in catford and would regularly drive over to justin s studio where he d play me all this crazy, otherworldly music from amoon and it blew my mind i was completely captivated by his unique take on techno. at the time i had no idea that we grew up in the same neighbourhood and amoon was living just around the corner so, of course, we hooked up and in 1996 i released an ep from him including one of his classics ur my omen on my hard up label.” composed of four tracks from separate releases, retroactive (part one) inaugurates with 1 4 the groove from sir lord comixx s danceteria ep on ugly music. produced in 96, the track s raw aesthetic features sharp percussion, heady melodies and a compelling groove. meanwhile, enemax - which appeared on 1a records demonstrates throbbing synths and shuffling drums. originally produced under his a.moon moniker in 98, funk box is the most robust track on the package with its thudding kicks and assortment of meandering sounds, before the azid jazz provides a deep and funky finale.

the second instalment of the mr bongo record club compilation series a selection of favourites, recent discoveries and sought after obscurities. files under funk/soul - but a wide variety of styles ios present here

holy smokes batman! brand new label straight outta mcr here as esteemed clubnight house of wax launches a new, vinyl only imprint entitled jupiter s melody. what a coup for this debut release - the drop are a london based, 9-piece reggae band operating since 2009 and with a soundsystem informed mentality. fitting then that soundsystem operative, ukg legend and accalaimed bass music progressor djrum is enlisted on remix duties to take these uk reggae skankers into the club for some grooving 2-step business. felix manuel has a storied history across uk dance music, most notably through releases on the iconic 2nd drop records and a much lauded resident advisor mix. -looking to the sky- is that festival burner you wish you d have packed for the summer just gone. gliding in on waves of undulating bass, punctuated by a typical but none less arresting 2-step beat, the rastaman vox from the drop fit so well you won t actually believe it s a remix! deep, emotive and beautifully poised, its retroist in many ways but this only adds to the warm and welcoming nature of the track. the flip is more introspective, and in someways melancholic, but with a massively uplifted message. again, taken from a completely different og piece (check youtube for the drop s original vid), the vocal sits perfectly in another crisp and frenetic take on the ukg beat. this side builds slowly, with a defined song structure and lush musicality, never quite climaxing but simmering gently with a mindful glow. appearing out of nowhere and instantly having us climbing over each other to see what was playing, we expect this to be a big smash here in manchester over the coming months. if you ve felt something missing in your life since mj cole, zed bias and todd edwards last released summat, then you could do much worse than adding this to your collection! limited copies so get those orders in quick folks...

aufwändig produziertes sammlerstück für genrekenner und musikfreunde.
was kommt heraus, wenn experten musikliebhabern eine freude machen wollen? eine kompilationsserie wie die -wanted collection-! die vom französischen label wagram entworfene vinyl-reihe widmet sich dem thema black music und damit den vier genres soul, funk, afrobeat und reggae. pro genre also eine platte, und das jeweils mit remasterten perlen, die connaisseure ihres fachgebiets aus den persönlichen plattensammlungen ausgegraben haben. um dem ganzen ein optisches krönchen aufzusetzen, wurden die veröffentlichungen durch exklusive aufnahmen des britischen fotografen chris steel-perkins designt. die -wanted soul--edition enthält zwölf fantastische songs von unter anderem nancy holloway, millie jackson, tobi lark, dorothy moore, darondo, joe simon und dee edwards.

repress !!!radio slave readies a double a-side to mark the 100th release on rekids this february. having recently celebrated ten years, the consistency of music on matt edwards’ rekids is indisputable with releases from nina kraviz, mr. g, david morales, peggy gou and dj deep to name a few. aside from his a&r abilities edwards’ extensive understanding of electronic music is evident in his various pseudonyms. amongst these radio slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release. containing all the hallmarks of a radio slave production, ‘another club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. on the flip, ‘feel the same’ is a funky slice of detroit inspired house. early support from chris liebing, ryan elliot, dj hell, gerd janson, laurent garnier, dj deep, markus suckut..

new york house legend david morales arrives on radio slave’s rekids for a vinyl only release. homage to his formative years at the influential club of the same name, morales’ red zone project is the moniker which the def mix veteran produced many of his seminal remixes under, from the thompson twins to shawn christopher, clive griffin to overweight pooch and propaganda to the pet shop boys. rekindling the pseudonym for a vinyl only appearance on matt edwards’ renowned imprint, the release initiates with a robust dancefloor workout titled ‘don’t go’ that’s laced with heady melodies and energetic hats. meanwhile, ‘tribal funk’ is a more rhythmic cut featuring thudding drums, deep chords and compelling vocal samples.

the organ grinder mints his new record label with a bulked up reissue of a gem from his back catalogue that will make djs - and dancers - very happy. far from throwaway, this is music rooted in the 90s us garage sound of kerri chandler, masters at work and early todd edwards, with the intensity of true deep house and the light rhythmic touch of ukg. obsession originally came out almost 5 years ago, but there s simplicity in its skittering rhythm and a mantra of rising minor-note synth hits that keep it burning into the dancefloor. x rated hits like its inverted counterpart, with a more heavily weighted drum groove and garage stabs that spiral down your spine. physicality finishes the ep with cunningly-sampled soul music, sung notes of passion belted out over a tense background of keys and rhodes chords, weaving an atmosphere that only comes out of expertly woven harmony

2016 repress , with this ep reilg makes his debut on his own label, lofile. much more subdued than the first ep, lfr 002s a-side appears almost minimalistic, touched with melancholy - going into a deeper state of mind with its bright, clear and distinct accents - like the first rays of dawn, breaking through its background. its like a dark bokeh, rough and raw, clearly influenced by deep techno tracks.its sounds create a mood close to labels like dial and giegling, geared to the morning hours.the b-side remixes by edward and tilman tausendfreund become much more peak time fitting.edwards soulitude remix with a touch of electro strikes with deep and iridescent gravitational attraction.the derailed remix by tilman tausendfreund tops it off,with its acid bassline and house inspired sound. light and bright like a summer breeze, its impossible to not be touched and drawn towards its timbre.

ltd nice price -
in 1976, nile rodgers & bernard edwards founded the legendary chic organization ltd. together they wrote and produced many number one hits and very quickly became the biggest hit music factory since motown.
the 12 inch singles collection includes the bands biggest and best-loved hits. cuts like *dance, dance, dance, dance (yowsah, yowsah, yowsah)*, *everybody dance*, and *good times* show why chic are the band who have been getting us on the dancefloor for over 25 years!
the five 12 inches (45 rpm) records are individually cased in disco bags, and housed in a hard slipcase. perfectly packaged for commandeering the dj booth!

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

limited to 320 numbered copies.
if *the wanderer* was the record that brought romanthonys obscure blackmale label to a wider dj audience, *testify* was the release that cemented its reputation as one of the labels to check for in the us import section. here are brandnew remixes: jimmy edgar, in true blackmale style, takes romans original chops it in his sampler and lays the results over a thundering distortion tinged beat. it is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. waifs & strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). illyus & barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. ed one & boddenalso opt for some bassline action but add in classic organ stabs and todd edwards style vocal chops to their big-ass bass wobbler. lastly, we have the previously unreleased cd#9 vocal version which as usual, features one of romans deeper, more organic mixes.

second release from its berlin-based founder, kennedy smith. bsr002 (vinyl only) follows hot on the heels of the parisians recent electrifying debut for the double r, the white-hot new label from matt edwards (radio slave) and jamie fry (stablo). this latest triumvirate of original material finds smith taking his sound into a deeper techno direction, while still retaining the house grooves of his previous material. bsr002 provides further evidence of why kennedy smith and bright sounds are names to watch in 2014.

surely not is a brilliant house number with moodyman indebted drum pattern based around a soul edged vocal sample which unfolds into a deep late night groover. this is an essential release for detroit aficionados. on the flipside earl goes in with british knights a frenetic subloaded tribal number with a lot of swagger and the odd nod to classic todd edwards and afrika bambaataa along the way. this one is all about the stabbing repetition and the infectious bass line that builds and builds euphorically until it drops into a rhythm track that commands the hips to move and the fist to punch the sky.

russian house queen nina kraviz executed a mass seduction with her deep and sexy, spaced out debut lp on rekids earlier this year. now the label drops the single aus featuring a trio of stirring remixes by legends dj qu, the rhythm odyssey and of course, matthew edwards aka radio slave.

dj w!ld and robsoul – the perfect match. phil weeks recently spoke in an interview about how there are certain producers he always trusts and gives complete freedom to when he asks them to record an ep for robsoul - dj w!ld was one of those he named. on w!ldsytle we get four cuts that again showcase the french producers trademark style of tracks which build and build, creating dancefloor intensity through their relentless hypnotic grooves, before breaking into expertly chosen sampled breakdowns. with recent outings on harry klein, jonk and luna records alongside his own catwash and his more recently launched the w label, dj w!ld is in serious demand right now. a stalwart of the tech and deep house scene, his career path began in the clubs of paris in 1996. working with chris carrier from 2005 under the name of catwash (which also spawned the label) he became well known in the french house and techno scene and by 2009 was touring the world, including being offered the residency he retains for circo loco at dc10. the w label launched in 2011 and was home to w!lds critically acclaimed >palace< album and the club destroying singles it contained. may will see the launch of a new dj w!ld album, d!rty, on the impeccable cabin fever imprint run by matt edwards (radio slave)

here comes edwards follow-up ep. this time he goes a slightly deeper and more direct. it might be the purest music we ve ever heard from the berlin-based producer. all the crazy clubgigs are manifested into hi music now. of course still with the classical edward style somewhere between dark minimal and trancy deephouse aesthetics. >bush of crows< is somewhat of a siginature edward track. but a very rough one this time. with a comfortable paranoia, this track unfolds itself into a little peak time extravaganza. on the flip, he cools everything down with a warm house tune called >the ghetto< and he adds a certain >blockparty romantic< to it... b2. is once again one of those more minimal edward tracks were he masters to be on point with just the core essence o sounds. edward remains a real romantic for sure...

following the stunning and bestselling debut from das volt has taken the lna boys a little longer than expected, but boy was it worth the wait ! having forged a keen army of converts to their late night audio club nights & establishing a reputation as one of london’s best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. toby tobias really needs no introduction, his productions have graced some of the worlds finest underground labels, and his debut lp on matt radioslave edwards rekids won unanimous praise. macasu is a solid dancefloor piece, layers of slick percussion, plenty of low end girth and enough of tobys trademark dubbed-out and lysergic track trickery to usher in the summers al fresco dancing perfectly. the mighty danilo plessow, otherwise known as motor city drum ensemble is at the top of his game right now, selling crazy units on his raw cuts series & almost single-handedly converting an army of minimalistas into disco darlings ! in his own words made for breezy summernights, open air, near the beach, beautiful people around you, and the dj spinning slow sexy jams like this. enjoy! a killer release folks, which won’t be around for long !

180gr vinyl! matt edwards and joel martin need no introduction. these guys are serious music heads and on this, their first release for international feel, their deep rooted musicality shines through.

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

circus company welcomes a new artist on the label: the homewreckers. named after a track by southern soul legend sam dees, the production collective from germany has been moving and breaking new ground between detroit techno, abstract funk and melancholic disco music since 1995. their debut album amercian ruhr has been released on unique records in 2008 and creates an absolutely distinctive sound which seems to come straight out of a from a feverish dream populated by the ghostlike figures of larry graham, juan atkins, frank hutter, bernard edwards, erik b or al green. the not my business ep perfectly shows how the homewreckers flow on these two original tracks. you feel the funk, you feel detroit and you feel a deep and unique sense of music. cherry on the cake, you got a remix from san francisco based artist dave aju who is back on the label after his much acclaimed album open wide released in 2008. not my business isnt their first shoot on the label as they were already part of last months snuggle & slap circus company compilation with a brilliant live-version of chicago urban blues.

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

scott edwards aka avus prenents 3 fast and shortly titled tunes that will do their laps on your turntable. hypnotizing border community influeneced minimal deepa techhouse bombs

3xcd of funky house music on 3 cds which are unmixed

3xcd disco compilation

3xcd compilation mixed by dj fen

labelchef simon dunmore und defecteds first lady sam divine liefern auf 3 cds ihre prognose der definitiven clubhits der diesjŠhrigen ibiza-saison ab. weit Ÿber 60 fantastische disco/house-tracks werden in- und Ÿbereinander gemixt, sŠmtliche subgenres wie soulful, tech oder deep-house integriert. mit dabei sind defected-top-artists wie purple disco machine, todd edwards, ferreck dawn, mat.joe & kid enigma und julien jabre, kŸnstler wie alex preston und kormak des sam divine-labels dvine, sowie protagonisten wie mark broom (rekids), kelly g. (t s creates) und folamour (fhuo). die compilation zu den 12 defected-partynŠchten der sommersaison 2019 auf ibiza mit prominenten djs aus aller welt!

nach hunderten releases und remixes wird es nun zeit fŸr einen der profiliertesten dj/produzenten der uk house-szene, seine karriere mit einer fabric-cd zu kršnen. aus diesem grund liefert uns dj q ein - bis auf den track time to shine komplett exklusives set aus bassline, uk garage und pumpenden house mit jeder menge unveršffentlichter smashes von todd edwards, tqd, royal-t, flava d, jack junior, swindle, mooney, u.v.a.

miami 2014 - the hottest tracks from this years exclusive miami partys! feat.shadow child, mk route 94, doorly, atfc, edy, my digital enemy, audiowhores, prok & fitch, freemasons and more