excellent groovin house , with superb remix

two soul dancers on a 45.

following on from the epic hammer e.p. and subsequent remix package, loft records return for their 7th release enlisting the expertise of crawford to provide two original tracks with remixes from brame & hamo and kiwi. ‘we go back is a soaring synth driven stomper - building around dynamic arps and heavy bass synths, before a driving kick and soaring pads are brought to the fore to create an expertly produced big room anthem. techno rhumba is a chuggier affair laced with spring reverb, floaty arpeggiators, expansive stabs and brooding chords perfect for those early hours of a night. on the flip side, irish duo brame & hamo are first up to take on remix duties for we go back . they rework the arp lines and pads for the intro before dropping it into a tougher techno workout of heavy duty synth stabs, epic ride cymbals and dreamy textures. kiwi then close out with their reimagining of we go back combining a killer tom pattern with those soaring arpeggiators that seem to endlessly resonate around your brain. two great reinterpretations of what was already an amazing track

michi lange phunked up disco remixes

phat deeper funky electronic house rmx by so phatt ... incl r&b vox & instr mix

a side is seawinds free gorgeous this is a damn fine re edit of an old b side jam the b side features comin on strong this track popularised by mr ron hardy himself this re edit is too hot

dance music powerhouse deeptrax follows up recent dispatches from joey anderson and caim, with a label debut from fellow dutch techno stalwart robert vosmeijer aka de sluwe vos.

purple marbled double vinyl in gatefold sleeve.

blue coloured double vinyl in gatefold sleeve.

vol. 2

2x12 inch gatefold lp

the soundtrack from quentin tarantino’s “jackie brown” on limited blue coloured vinyl.

remastered and available on vinyl for the first time, including 5 previously unreleased tracks. the double vinyl is housed in a gatefold sleeve.

10th installment of tramp records’ “movement” compilation series as limited double lp with bonus 7 inch, all housed in a gatefold sleeve.

a rare groove compilation from jazz to soul & funk to blaxploitation on double vinyl, housed in a gatefold sleeve.

remixes are handpicked by terrence parker himself

deluxe 12” colored sea green vinyl. an exciting new indie funk-jazz-soul masterpiece featuring masters o funk & united sound musicians. recorded live in detroit at united sound, ny, hollywood, las vegas and at funk studios in florida. special guests include: blackbyrd mcknight on guitar- (parliament- bootsy collins), sue ann crawford-vocals (prince) plus a big cast from the allstar funk band and even musicians from lady gaga & theo parrish. each vinyl printed on deluxe heavy weight board, cool graphics and comes with a download card for the full album of songs plus bonus tracks! like getting a double album.

cute swedish pop from 1984. a gothenburg secret. passed from music for dreams kenneth bager to cantomas phil mison to rogue cat sounds dean and ben. pop that rocks a cool, faux-reggae lilt with bluesman licks and harmonica hooks. cute like other sought after rogue cat favourites. terry crawford s gunfighter. or romie singh sdancing to forget. martin caine s snowbird city. its lyrics asupercalifragilisticexpialidocious-like nursery rhyme front, framing bad girl playground reminiscences.

the soundtrack for quentin tarantino’s movie jackie brown back on 180 gram vinyl.

the definitive version of broken, meticulously prepared by trent reznor and nin art director john crawford. remastered in 2016 on 180 gram vinyl, with lots of details attended to that you may never notice but we care about. one 12 inch vinyl with etching on the flip plus 7 inch with 2 tracks.
original release date: september 22, 1992.

mr. k gets jazzy on this new 12-inch from most excellent unlimited. the breakdown of the smooth r&b staple -street life- stands out with a steady four-on-the-floor pulse that contrasts with the funk backbeat of the verses. working exclusively with this portion, krivit teases out six-and-a-half slinky minutes of sophisticated groove, weaving percussion and vocalist randy crawford s ad-libs in and out of the mix in tantalizing fashion. as a dj, danny krivit is renowned for his willingness to throw a funky curveball into the mix, and for the b-side of this single he gives us a peek at one of his secret weapons. a year after yusef lateef released his hit version of -nubian lady- in 1972, pianist roy meriwether was at a small club in dayton, ohio with his trio and laid down a sprawling live take that covered the entire side of a album, including a bridge that pushed the languid tempo of the original to a sassy upbeat workout. mr. k s edit focuses on this section, leaving us with nine minutes of gritty, get-down funky jazz complete with thunderous drum break. whether working as a surefire party starter or a clever changeup, -nubian lady- is a dancer.

loft classics volume ii. a compilation 12 inspired by david mancuso and his new york loft parties, where he played a broad variety of music, and inspired people like larry levan and frankie knuckles and countless others...>street life< features vocals by randy crawford. this track is a favourite of theo parrish

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

ho do ri is the combination of fabe (salty nuts) & ben balance (sukhumvit records)
another groove era - vinyl only

ihre wurzeln liegen klar im soul und gospel, aber die große aufmerksamkeit bekam candi staton erst, als sie sich mitte der 70er dem disco öffnete. mit *nightlites* gibt es nun eines ihrer besten alben als wiederveröffentlichung. ihr insgesamt zehntes album erschien erstmals 1981 auf sugarhill records und wurde von dave crawford, mit dem staton schon ihren 70er-hit *young hearts run free* aufnahm, produziert. auf dem zuvor lange vergriffenen *nightlites* finden sich neben einer ballade (*hurry sundown*) und einer wunderschönen uptempo-nummer (*count on me*) vor allem songs für den dancefloor. mit *suspicious minds* gibt es zudem ein dance-cover eines altbekannten elvis-klassikers. der vinyl-lp liegt die cd-version des albums bei.

an imagined soundtrack album to a film that doesnt exist. you will be hard pushed to hear anything as original of this calibre all year.

paul frick is back with another massive ep on kalk pets. i got through is his third release for the berlin producer on the vinyl sublabel of karaoke kalk and with it frick has delivered another quality record.

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

famoser 3 tracker für die technoid-soulige tanzfläche der mit einem live eingespielten marimbaphon aufwartet und bei >steal my heart< einen originell kommentierten sample-diebstahl veranstaltet. support kommt von butane, alex attias, perc, 3 channels, agnes, jeff samuel, kiki.

free is a late 70s jazz fusion dance anthem remade by underdogs re edit expertise coming on strong is a funky disco vibe for extended pleasure(sb)