bryan ferrys 8th studio album from 1993. limited reissue on yellow coloured vinyl.

bryan live 19th dec 1974 !

reissue of the 1973 bryan ferry debut album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl. remastered 1999

reissue of the 1974 bryan ferry album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl, housed in a gatefold sleeve with download code included.

reissue of the 1976 bryan ferry album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl, download code included.

reissue of the 1977 bryan ferry album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl

reissue of the 1978 bryan ferry album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl, housed in a gatefold sleeve with download code included.

reissue of the 1985 bryan ferry album, remastered from the original tapes at abbey road studios. pressed on 180 gram vinyl. incl 80s hits slave to love, dont stop the dance !

following the avonmore remix ep, bryan ferry now collaborates with leo zero, ray mang, leftside wobble and justin robertson to release the new ‘avonmore’ (dub) ep. pressed on 180g heavyweight vinyl and housed in a screen-printed sleeve, this record is an edition of 500. the dub ep contains a broad pallete of sounds, scenes and genres which are traversed along the course of this four track vinyl. kicking off in style with a version of ‘loop di li’. leo zero’s take is sun-kissed and breezy, with trilling riffs and sweeping synths. uk disco-don, ray mang then offers a more pumping, groove driven effort that wraps ferry’s unique vocals up in a neo-balearic cool. flip over to the b side two listen to two fascinating versions of ‘driving me wild’, both hosting that lush 80s nostalgia. mastered on the emi 1400 and pressed to 180g heavyweight vinyl, avonmore dubs features both a bespoke screen printed thick card outer sleeve and a bespoke inner sleeve.

* remixes by prins thomas, idjut boys and johnson somerset
* bespoke rigid card outer sleeve
* printed inner sleeve
* 180-gram heavyweight vinyl
* limited edition of 500 copies
* enlisting an all-star cast from todd terje to nile rodgers, bryan ferry returned in 2014 with avonmore, his eleventh post-roxy music album

following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance.

following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance

super deluxe limited edition! following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance.

tracks by bryan ferry remixed by todd terje and quiet village, delivered in a limited 180g vinyl edition. what more could you ask for? oh right, there is kate moss on the cover, too!

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

limited edition 7 inch of this future classic!

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

ltd vinyl press.

white vinyl incl yello, velvet underground, billy idol, kool & the gang !

the iconic 1982 album avalon from bryan ferry’s roxy music is finally back on vinyl. half speed mastered at abbey road studios, pressed on heavyweight 180 gram vinyl.

classic tracks from the 80s on 180 gram double vinyl.

dance music veteran richard sen has a 30 year history of djing and production. the respected global dj has produced and remixed many well-known artists including bryan ferry, john grant and lcd soundsystem. from the late 90s to the early 2010s sen was one half of the dance music duos, padded cell and bronx dogs. this is the first release on his own label which aims to explore the beauty of the night - dark and light, combining influences from black american dance music and european electronic music.

a surprise compilation for wim wenders to his birthday 2015. limited and numbered triple vinyl in gold embossed triple gatefold sleeve.

nice price deal !!! this aa side 12inch single brings together two seemingly distant, yet somehow closely related zones of psychedelia. one side brings the original version of magic carpet ride by kontiki suite, a dense and hypnotic epic culminating in a wall of guitar and harmony, just the way we like it. far out.on the flip, the time and space machine, aka richard norris, fresh from remixes of dj harvey, tame impala and bryan ferry, stretches the original out into a cosmic psych jam from outer space.guaranteed to get the hipsters swinging!

the iconic 1982 album avalon from bryan ferry’s roxy music is finally back on vinyl. half speed mastered at abbey road studios, heavyweight vinyl, download code.

auf ulrich schnauss 5tem studio-album “no further ahead than today” regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die längst zu seinem markenzeichen geworden sind. diese sollten fans von künstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes für pop-künstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade für die decca-compilation “re:works” bachs “prelude in c” neu in szene gesetzt.
“no further ahead than today” ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stücke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer präsent. spätestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen überträgt.
die doppel-lp erscheint im klappcover inklusive downloadcode.

oslo disco-dance champ, dj and producer todd terje finally releases his debut long-player its album time via his own olsen records. terje presents 12 of his works known and unknown. ever since todd dropped eurodans back in 2005 hes had many a beady disco eye trained in his direction. his grooves are effortless and his melodies infectious!

amazing 3 tracks edit by tt

bryan ferry meets carl craig meets 909 drumtracks produced by an unnamed member of throbbing gristle. chase smith is a studio wizard living in pittsburgh. he shares a studio with shawn rudiman and the boys from pittsburgh track authority. a record so diverse that it makes total sense. vocal sleeze, emotional instrumentals, and a beating drum track for the djs to play with.

das kalifornische balearic disco/westcoast-rock duo woolfy vs projections präsentiert den nachfolger seines 2008er-albums >the astral projections of starlight< als 12 inch lp, inklusive cd-version. >the return of love< wirkt wie ein stelldichein von bryan ferry, den wings und david crosby, vermischt mit dubbigen disco-sounds und einem entspannten vibe, der gleichermaßen auf ibiza wie an der amerikansichen westküste zuhause ist. aufgenommen wurde das album in den kalifornischen bergen. es ist musik, die wie eine zeitgenössiche form psychedelischen westcoast-rocks klingt. der song >nina< etwa, entstanden in zusammenarbeit mit dem hamburger disco- und house-produzenten tensnake, steht einen guten peyote-trip sicherlich in nichts nach.

please welcome: its the arps! oslos magic music maker todd terje has already gained a wunderkind like reputation for his gentle yet potent productions (we wont mention the e-word here) on labels like full pupp, permanent vacation or running back on top of being one of the best remixers money can buy (shit robot, bryan ferry, dølle jølle et cetera et cetera). what is there left for him to do? establish a label of his own! >its the arps< is the starting signal for olsen. and what a splendid one it is. created from scratch and solely on the mythical synthesizer arp 2600 (check www.letsnerd.com for help), it features four tracks (reads instant classics) that couldn’t be a better follow-up to his 2011 super hit ep >ragysh<.

teufelswerk the german for devils work is hells masterpiece and a towering double album follow up to 2004s ny muscle and his breakthrough 1998 opus munich machine. across 16 exquisite tracks divided into two themes, night and day, hell weaves an intoxicating spell. night sees hell in more familiar nocturnal surroundings as detroit and chicago grooves battle the ghosts of kraftwerk, neu! and daf with notable vocal contributions from bryan ferry and p. diddy.

rewarding those who have been loyal to the trance genre for so long, trance 100 is back with its final installment of the year. to close off the year splendidly and simultaneously start the new one with a bang, no less than one-hundred of your favorite trance tracks have made it to the final selection, made for the sole purpose of blowing your mind. comprising 2016s most awe-inspiring contributions from scene leaders such as armin van buuren, above & beyond, cosmic gate, ferry corsten, ¯rjan nilsen, gaia, andrew rayel, super8 & tab, rank 1, arty & andrew bayer, khomha, alex m.o.r.p.h. & paul van dyk, omnia, ilan bluestone and so many other key artists, this has got to be the biggest and baddest collection of trance highlights. this is trance 100 Ð best of 2016 and its the closest thing to trance heaven there is.

auf ulrich schnauss 5tem studio-album -no further ahead than today- regieren einmal mehr die elektronisch eingespielten ambient-pop-hymnen, die lŠngst zu seinem markenzeichen geworden sind. diese sollten fans von kŸnstlern wie jon hopkins und brian eno interessieren. schnauss selbst ist umtriebig - seit 2014 ist er keyboarder bei tangerine dream, produziert unter eigenem namen remixes fŸr pop-kŸnstler wie depeche mode, pet shop boys, todd terje und bryan ferry und hat gerade fŸr die decca-compilation re:works bachs -prelude in c- neu in szene gesetzt. -no further ahead than today- ist klar mehr pop als ambient. starke melodien stehen im vordergrund, die stŸcke sind mit rhythmen unterlegt, zuweilen gar mit gesang begleitet, eine hymnische note ist immer prŠsent. spŠtestens seit seinen beiden solo-alben, die bei dem deutschen label city center offices erschienen, gilt schnauss als ein elektroniker, der manche tugenden des britischen indie-shoegaze-sounds auf seine klangvorstellungen ŸbertrŠgt.

exclusive tracks und remixe von peter kruder, henrik schwarz, christian prommer, psychonauts, carl craig, bryan ferry, dj linus, snuff crew, makossa and megablast, diskokaine, axel boman, tony lionni, kikumoto allstars und natŸrlich hell!

very huge day & night compilation by grandmaster dj hell! incl. the dj feat. p.diddy