second album from indie-folk supergroup bonny light horseman.

remaster

a modern classic from mungos hifi and solo banton finally on 7 inch vinyl.

pop

the fifth album from french band les yeux dla tete finally available on vinyl.

electronic / downtempo

r&b

rsd july 2021

black vinyl

ltd coloured edition

sieben jahre lang arbeitete miles bonny an dem nachfolger seines alternative-soul-klassikers -lumberjack soul- (melting pot music, 2011). der künstler, der zeit seines lebens von der musik des black america wie hip-hop, jazz und soul beeinflusst ist, verliess 2013 kansas city richtung new mexico, um mit seiner famile ganz von vorne zu beginnen, und realisierte so seinen -lumberjack soul- traum. das ergebnis ist seine wohl bislang beste arbeit, die als lp auf 180g vinyl mit weiss-schwarzen splatter erscheint.

dub reggae

limited edition transparent blue 180 gram vinyl, housed in a gatefold sleeve.

balearic house ep by bonnie & klein

soul radio is an ambitious representation of the artistic fullness of marina p, expanding into multiple genres while keeping its roots in rocksteady, reggae and ska.

the debut album from bonnie li on vinyl lp, housed in a gatefold sleeve.

limited pressing of 250 copies on violet and white splattered vinyl. includes code for download of hi-res digital files.

berlin based dame bonnet makes music influenced by post punk and cold wave and with a primitive and reverb-drenched production

often found cruising around on music for dreams, bonnie & klein sidle up to is it balearic? with the appropriately smooth sounds of 1983. taking the concept of island boogie to a blissed-out, peak ideal, 1983 answers the record label question with a resounding yes this is as balearic as it gets. shaking up the sundown sweetness of the original, ron basejam is on hand deliver a remix that should get plenty of dancefloors working hard. it s still steeped in vintage sounds, but basejams version piles on the funk and rides a fierce disco beat to ensure the record lands in legions of record bags, as it quite rightly should.

the soulful side of electronic music presented by london producer-duo, wayward

what started out as a simple email exchange between a young, hungry beatmaker and a seasoned player in the worlds of jazz and midwestern indie hip-hop, has resulted in a vibrant record nearly a decade in the making. on one side of let it out sits miles bonny, a long time musical collaborator who spent his youth soaking in powerful musical moments in nyc under the tutelage of his trumpet-slinging father, francis bonny, and later as a teen immersed in new york s busy indie-hip-hop scene. as he grew up miles cemented himself a niche in the midwest, most notably in lawrence, kansas where tireless forays into beatmaking led to the founding of the much-loved innatesounds crew and record label, as well as a series of solo releases and collaborative projects.

bonnie & klein can often be found cruising round labels like music for dreams and leng, imparting tender touches of balearic finery for those who like to cruise on the slinkiest of 80s flavoured jams. they re on cracking form for this return to uber, kicking off with the sultry -tones of ballad-, which gets a subtle beefing up from drifts projects on the remix. -pretty lake- is the cut for those who want to achieve pure transcendental bliss by way of canned slap bass and sustained chords, and then -snowdrifts- finishes the ep off with a thoughtful piece shaped out by sweet piano and stirring strings.

from dive bar to record label, paradise palms’ fifth release is a follow up instalment to its debut compilation lp, ‘bonnie tropical’. featuring music primarily made in edinburgh and glasgow, the collection shines a light on some of the most exciting music being in scotland today. with contributions from 10 acts, this compilation is a charismatic journey into a new generation of modern electronic and experimental dance music.
the vinyl release includes a download code.

we re thrilled to welcome charonne in the automatic writing family for their very first vinyl release! the young parisian duo is taking us in a trippy minimal journey inspired by the golden age of microhouse. hearing the three original cuts, you will undoubtedly understand why we chose akufen to add an herbert-esque touch to this highly anticipated release! 4 groovy fragments of imagination, automatically written on wax.

after a string of releases on melting pot music, plane jane and yoruba soul vocalist, producer, and multi-instrumentalist miles bonny returns to the bastard jazz family for a special one off 7inch paying homage to the purple one, covering prince s dear mr. man, a track that couldnt be more timely considering the state of the world. miister man goes for the jugular with a low slung drum break, a deep synth bassline, miles signature understated funky vocal growls and horn injections. the instrumental is included on the flip.

after turning heads with their first two releases brisbanes radio show come record label beats of no nation (bonn) is here with release number three. the hollywood ep comes from bonn co-founder jad lee aka jad &the(fka jad & the ladyboy). off the back of recent 2017 releases on labels sonar kollektiv, 2mr, and axe on wax jad brings it home to beats of no nation with the hollywood ep which takes its name from the obscure samples jad pulled from a bundle of dusty vhs movie tapes. londoner deejay astral provides a remix of the a1 theatrical trailer and he masterfully takes the bass line from the original and makes the remix into something his own.

bonnie prince billy aka will oldham veröffentlicht mit “best troubador” eine hommage an einen seiner ewigen helden, country- und folk-ikone merle haggard. das werk von haggard begleitet bonnie prince billy nun schon seit mindestens 25 jahren. so coverte er nicht nur bei seinem ersten öffentlichen auftritt einen haggard-song. auch in den folgenden jahre seiner karriere bezog sich oldham immer wieder auf das werk und wirken haggards. das vorhaben, das nun im mai erscheinende album aufzunehmen, begleitete oldham schon eine ganze weile. das ziel war es, an der uralten tradition teilzuhaben, folk-songs an die nächste generation weiterzutragen. fast legte oldham das projekt auf eis, als er im april 2016 vom tod merle haggards erfuhr. statt in einem studio in nashville aufzunehmen, zogen sich oldham und seine mitmusiker zugunsten einer familiären aufnahme-atmosphäre in ein heimstudio zurück. so wurde dem andenken haggards werk durch besondere wärme und intimität würdevoller tribut gezollt.
die songs auf “best troubador” stammen aus allen schaffensphasen haggards. angefangen bei seinem 1967er album “i am a lonesome fugitive” bis hin zu seinem 47. album von 2011, “working in tennessee”, ist es allerdings kein simples best-of geworden, stattdessen kuratierte oldham die songauswahl entlang seiner persönlichen favoriten aus merles katalog.
schwarze 180 gramm doppel-lp in wide-spine sleeve inklusive insert und mp3-downloadkarte + zwei vinyl only bonustracks.

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

paris, 1954. henri-françois rey wrote the thema of the piece la bande à bonnot and asked boris vian to write the songs in order it to become a musical comedy. la bande a bonnot was the name of a french illegal anarchist group. as soon as the piece was played at théâtre du quartier latin, french authorities made it being stopped. musical parts have been lost. 1971, jacques canetti has been told the original handwritten lyrics of the boris vian songs have been found again. jacques canetti asked louis bessières to re create music parts. 1975, jacques canetti released this record with songs being performed by judith magre, yves robert, lucienne vernay, pierre jamet, kim ibarra, maurice barrier & cécile vassort + 2 bonus tracks whose lyrics were suppsoed to be too for the original spectacle.

arm watches fingers, glamour muscle, sohla, epsilondemos, wuh oh, le thug, bugatti, sweet dieter, happy meals, chow main, bessa, ikotu, hi & saberhagen, moto.

charlie & jad said the main thing they were trying to create was music that was unpredictable, had twists, and turns. we think they succeeded. music is made for ears. we could describe it all we like. tell you its good, tell you its amazing. but you have ears, so decide for yourself.

lago is an lp recording created in dialogue with the photobook (of the same title) by american photographer ron jude, published by mack (uk).

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

greek duo bonnie & klein aka george & thanasis have been slowly making a name for themselves through a string of well crafted releases on labels music for dreams, timewarp and uber. their style hasnt gone unnoticed by ibizan legend jose padilla who put their recent track *carina* on his latest compilation. bonnie & klein are not only producers of the chillout sound as driving beats slowly building up with african sounding percussion more classic chillout sound and tops off an excellent 12 inch for leng.

brand new wax from denmarks acclaimed music for dreams imprint featuring two artists new to the label - bonnie & klein and coyote. hailing from greece, bonnie & klein debut with three impressive cuts including future sunset classic total blue - already receiving maximum support from the likes of moonb oots and phil mison, this gentle summery melody conjures up perfect cafe del mar moments with its dreamy pads, lush keyboards and beautiful accordion. also coral which follows the same route - another sunset chill-out gem with a mental generation/ double fantasy feel - and finally demode, a great bass-heavy slo-mo white isle dreamscape with gorgeous flute. also making their first foray onto music for dreams are is it balearic dons coyote with the superb gitarra, a flamenco/ spanish guitar-laden, percussion-driven chugging monster of a track with huge balearic dancefloor appeal.

played by steve lee, sleazy beats recordings, moonboots, coyote is it balearic?... <br >uber is the new label from the is it balearic..? camp. its aim to release the more of the more balearic music they have inn their vaults. first up are bonnie & klein. the duo behind bonnie & klein is greek pair george fountzoulas and thanasis skouzis who were were born and raised in nafpaktos, a beautiful hometown in greece. -beautiful city- is a low slung percussive groove with a slightly eastern feel with mediterranean strumming and delicate melodies and an unexpected sax solo. -carina- is a lighter more cinematic groove with a soft flute pattern and muted guitar all wrapped up in warm strings. mario pierro of raiders of the lost arp (rotla) fame remixes -beautiful city- creating an after sunset chugging balearic slo mo house track oozing class and subtlety.powerful stuff

just when you thought sleng teng could go no further, it is back with this booming version for the dancehalls of today. dem stylee on the flip side is a perfect compliment to this limited edition white label for all rub a dub bass technicians.

mehr northern soul-raritäten vom legendären cameo-parkway label - erstmals seit 45 jahren wieder auf 7 inch vinyl erhältlich - cut from original tapes!

nice price deal !!! exzellentes remake des house-klassikers tears, im original von frankie knuckles feat. robert owens, des britischen produzententeams deep city soul feat. darryl d bonneau, und damit eine der wenigen house-scheiben, die derzeit stark in der northern soul-szene laufen. die modern soul 7inch edits erscheinen hier exklusiv und sonst nirgends.

was gibt es für eine schöne art und weise, die weihnachtliche jahreszeit zu feiern, als mit einer musikalischen zusammenarbeit von zwei guten freunden? in diesem jahr haben dawn mccarthy und bonnie prince billy gemeinsam die beiden everly brothers-songs >christmas eve can kill you< und >lovey kravezit< neu aufgenommen, die ende november via domino als 7inch-single erscheinen werden!

the a side bonnino of this split maxi by campaign of love is a timeless techno track with a nice dub / detroit feel. almost everything is arranged live. battle call by ed shepherd has a kind of blues rhythm with a heavy moogbassline and an easy whistle.

popcorn records is proud to present the collaboration between mirco violi and hooved, for his seventh release. these two talented italians artists from milan offers us a rich la sorbonne ep with atmospheric beats as well as deep sounds and mysterious vocals. with the main track la sorbonne, the italian duo drops an original deep house theme. synth tones and groovy aerial sounds will transport you into an intersiderealspace

das unerschöpfliche werk des bonnie princebilly sorgt seit jahren regelmäßig für großes erstaunen, sowohl bei fans als auch bei neuen freunden seiner musik. nun ist es wieder soweit: anlässlich der wiederveröffentlichung aller alben von will oldham unter seinen palace-pseudonymen bringt domino eine exklusive 7mit den b-seiten zu time to be clearauf den markt. auf diesen erlebt der hörer will oldham ungewöhnlich spielfreudig und stellt fest, dass es immer wieder neue seiten an ihm zu entdecken gibt.

sechs jahre nach ihrer ersten kollaboration auf dem album >superwolf< taten sich will oldham, a.k.a. bonnie prince billy wieder mit chavez frontmann und gitarrist unter anderem bei zwon matt sweeney zusammen und nahmen eine neue single auf, die am 22.04.2011 in deutschland und Österreich auf domino erscheint. die 10 inch enthält den song >must be blind< auf der einen und >life in muscle< auf der anderen seite.

>island brothers< respektive >new wonder<, ist die neue single von bonnie prince billy & the cairo gang. aber es ist nicht einfach nur ein tontrõger mit zwei gro?artigen songs und einem tollen artwork, nicht einfach nur zwei weitere songs von zwei kumpels, die gefallen an der zusammenarbeit gefunden haben. es ist vielmehr ein versuch die musik zu nutzen, um menschen zu helfen, die zum ?berleben zunõchst mal etwas viel grundlegenderes brauchen, als gute musik. denn die gewinne, die durch den release der single erzielt werden, gehen direkt an die organisation edge outreach, die in haiti im rahmen von graswurzel projekten einheimischen den selbstõndigen aufbau und einsatz von trinkwasser aufbereitungsanlagen vermittelt. mit dem erl÷s aus den verkõufen von >island brothers / new wonder< unterst³tzen die kõufer der single edge outreach, domino and bonnie prince billy & the cairo gang in ihren bem³hungen die menschen von haiti mit sauberem trinkwasser zu versorgen.